Return To Nuke’em High Volume 1 (2013) – If You Like Troma Then You Know Why I Like This – Also: Bonus Q & A With Lloyd Kaufman
Okay, barely a review and much more a gushing over Lloyd Kaufman and Troma… and the Calgary Horror Convention. Actually had a chance to watch this Troma film in a theatre and with the added bonus of being in the presence of the great Lloyd Kaufman, Co-creator of Troma films and the legendary Toxic Avenger. Lloyd was great, the film was fun and I just ramble on and on and on. There is some bonus clips from the question and answer with Lloyd Kaufman at the end of the video. Hope you all enjoy!
I haven’t seen Blind Fury since it was out in the theatres in 1989. I remembered liking it, but other than the fact it starred Rutger Hauer as a blind, staff wielding white martial arts guy that fights bad guys… Well, It was like watching a new movie this go around, and I must say, I still like this movie.
Check out the video review below:
Wolfcop is a little Canadian production that has been fighting to get made/released for a couple of years. Well I am so very happy to say that today, I watched Wolfcop in a major theatre.
A couple of years ago I ran into the folks behind Wolfcop at their table at the Calgary Entertainment and Horror Convention. At that time they were trying to drum up votes in a contest amongst indie films to get funded. They didn’t win, but they did drum up interest, and this year when they appeared the the expo, they were announcing the up coming release of Wolfcop. I was really glad to hear this as the folks behind the film seem pretty damned cool. Both years they handed out Wolfcop badges to those who would tweet or post to Facebook about Wolfcop. I did it both years and have both versions of the badge, which is pretty awesome. They did a good job grabbing my attention and I have been waiting to see this film. I am happy to say it was worth the wait.
Wolfcop tells the tale of Lou Garou, a drunk cop in a small town who get’s turned into a Werewolf. Instead of just going rogue like most Werewolves, he decides to start kickin’ criminal ass as Wolfcop. Also, while he’s doing that, he’s got to get to the bottom of why he’s a werewolf, and just what the hell is going on in his little town.
Wolfcop is a low budget homage to the cheezy slasher/monster horror flicks of the 70’s and 80’s. It’s not a movie to be taken seriously, it’s a movie to be enjoyed for what it is. This is the movie for the person who enjoyed Machete and Hobo With a Shotgun. If you rented those cheezy horror movies from your corner video store as a kid in the 80’s then Wolfcop is the movie for you. Watch it with an open mind, and take it for what it is and you might just find that you’ve watched a brilliant film.Unfortunately, it most likely won’t be in the theater for long, and even if it did, it’s a Canadian only release. But that means it most likely will be available for purchase, and if that’s the case, I say buy it!
Check out the trailer below:
Hey! Check out my video review of the recently released American Godzilla movie. Did they make up for the 1998 crapfest they called Godzilla? Damn straight they did!
Today I take a look at the 1981 dark comedy, Neighbors, starring John Belushi and Dan Akroyd. I’ll explain why I feel this is one of the best dark comedies and why it has stayed fresh in my mind over so many years. Check out the video review below:
Hey folks! Here is my Review/comparison of 1987’s Robocop versus 2014’s Robocop. I loved the original and was a little (okay, more than a little)…nervous…yeah, nervous about the reboot. Well, it’s pretty good. Better than the original? Chaeck out my video review below and find out.
Also, when you are done that, go to colexions.com to check out all the retro gaming goodness there.
So, a small town is invaded by a life form from space that looks a lot like a giant multiple headed lamprey with a penchant for making slug like babies (lots of them), and eating the locals. A group of four geeky science nerd teens and a young boy do their best to save the town (and most likely the world) from this infestation. It’s kind of weird that three of our movies had similar themes and creatures (Slither, Night of the Creeps and Deadly Spawn), not in that they are alien infestation movies (it’s kind of the theme), but the fact that the three creatures in the mentioned movies all propagate by releasing slug like grubs, liked to enter through the mouth id possible, and the main “mother” creature found someplace out of the way to grow and develop. Well, if they copied each other, this is the progenitor of all of ‘em. A silly movie, Deadly Spawn stays entertaining, and cheezy which is perfect for me. Lots of campiness to go around, and some really questionable actions by it’s characters may make you moan at times…but don’;t let that stop you from enjoying the movie. A true representative of it’s time, the early 1980’s, it still stands out as a fun, throwback to the creature features of the 50’s and 60’s…
Watch this film, my friends!
Alien Horror Week – Movie 3: Killer Klowns From Outer Space (1988)–Now This… This is A Movie You Should Watch
1988’s way over the top, Killer Klowns From Outer Space tells the tale of a group of evil aliens that come to Earth, specifically Crescent Cove, California, in their space craft to harvest humans. Pretty typical of a Sci-Fi horror film, I know, but these aliens look like demented clowns, and their space ship looks like a giant circus tent.
Starting off with a farmer going to investigate what looked like a comet that has fallen to Earth (he thinks it is Halley’s Comet), and stumbling across the Circus tent like Alien spacecraft, he and his dog are quickly captured by the Aliens. Now, of course the Farmer wasn’t the only one to see this shooting star like object. Mike (Grant Cramer), and his girlfriend Debbie (Suzanne Snyder), decide to also check it out. They find the spacecraft (just like the farmer did), and manage to find a way in, where they discover the remains of the farmer and his dog, cocooned in a cotton candy like substance (hey – they’re alien clowns… errr “Klowns”), and themselves just barely missing being capture by one of the aliens. After a hairy escape (including being chased by a balloon animal, they head to the police station. They tell their story to officer Dave Hanson (John Allen Nelson), who happens to be Debbie’s ex boyfriend. The story, of course sounds ridiculous – I mean, really? Space Alien Clowns? Bodies cocooned in cotton candy? It’s fair to say that Dave is is sceptical, but his fellow officer, the gruff jerk of a cop Mooney (played by the awesome John Vernon) calls them outright liars and wants to put them in jail for making up stories about murders and such. Dave at least agrees to chesk out what they are saying as they did say a couple of people were killed. Dropping Debbie off first (against her wishes), Mike takes Dave out to where they found the ship and the bodies, but unfortunately the ship is no longer there and Dave thinks they made the whole thing up and places under arrest. Well with the clowns loose in the town and more and more people falling victim to their ridiculously amusing weapons and ways, Dave and Mike don’t get far before Dave sees for himself the Killer Klowns and what they are capable of. Meanwhile, back at the police station, Maloney has himself that the entire town is trying to mess with his head with a coordinated series of call from all over town about killer clowns. When Dave calls into the station and instructs Maloney to call for back up, describing the Klown menace, he just thinks Dave is in on the whole thing to and refuses to get or give help. It’s not until one actually strolls into the station that he actually realizes this isn’t hoax. Of coarse, by that time… well, you know. So it’s all up to Mike, Dave and Debbie to infiltrate the Klown ship and save the day… Okay, I left a whole bunch out there at the end because I realized I was just rattling off the movie instead of reviewing it. I don’t want to do that. What I do want is for you to watch this movie because it’s cool, crazy and funny and desreves to be watched by soimeone who can appreciate it for what it is: a fun movie. No one can argue that it isn’t original – Hell, I doubt there is any movie that even resembles this film. A crazy concept, wrapped in a funny script and created by people that must love the genre, this is a film for any Sci-Fi/Horror or Comedy fan. Yeah, it is ridiculous, but it is supposed to be so. Sure, if you watch this movie expecting it to be a serious horror/sci-fi film, you will be mistaken – and most likely stupid, too. I mean, really: it’s about Killer Aliens from space that travel in a Circus tent space craft and look like demented clowns. Still,
it’s great ands it’s fun and you should watch it. Oh, you already saw it? Well, see it again!
Check out the trailer below:
So, this week is dedicated to Alien Based Horror movies. I expect a few possible turkeys, but I believe it’s going to be fun anyway. I am a fan of Science Fiction (Sci-Fi) and horror, and the two mix reasonable well at the hands of competent film makers… and some horribly awesome films when created by bad film makers. I hope we get to see both sides of the coin this week.
We haven’t filled the roster of films yet, so if you have a suggestion or two, feel free to send them on over by using this link:
Eastwood Week Movie 3 – Any Which Way You Can (1980)–Clint’s Great Follow Up To Every Which Way But Loose
Any Which Way You Can is the 1980 follow up to the block buster comedy, Every Which Way But Loose, and it is damned funny. Clint Eastwood returns as the Truck Driver/prize fighter, Orangutan owning Philo Beddle, as well as Geoffrey Lewis as Orville Boggs as Philo’s best human buddy, and Manis the Ape as Clyde, Philo’s best non human buddy. Also returning is Ruth Gordon as Philo’s cantankerous mother and Sandra Locke as Philo’s love interest, Lynn Halsey-Taylor. In this movie, we find Philo has continued his side line as a tough son of a bitch prize fighter. Only he’s decided to retire, having noticed he was starting to enjoy the pain. Unfortunately, the Mafia wants to setup a match between Philo and Jack Wilson, a new style of fighter that mixes boxing and martial arts together, and has managed to kill three opponents and scramble the brains of a fourth victim. Approached by the Mafia, hoping to setup this fight, Philo initially says no, but when the mob ups it to $50,000, win or lose, Philo changes his mind and accepts the fight. When Philo and Jack actually meet, it turns out that they actually get a long. They decide there is no real reason for the fight and mutually decide to call it off. The Mafia, seeing that they are about to lose the biggest grossing illegal prize fight ever, decide to kidnap Lynn Halsey-Taylor, Philo’s returning (and redeemed), love interest in order to force the fight. Frank and Philo take care of that situation, but both realize that they can’t leave the question of who would have won the fight open, so they decide to battle it out. Oh! Also returning the is Black Widows: a comical outlaw biker gang that really have it in for Philo, despite the fact that when ever they come into conflict with him, he ends up kicking their ass and they end up with less bikes. This time though, things end on a high note for them and their relationship with Philo.
This is such a fun movie, and watched back to back with Every Which Way But Loose would make for a great evening of movie watching. I heartily recommend this film and it’s predecessor. Check out the trailer below:
Eastwood Week Movie 2 – Every Which Way But Loose (1978) – Clint’s a Prize Fighting, Orangutan Owner With A Big Heart and Bigger Fists
Damn this is a fun movie. I saw this one back in 1978 when my Uncle Andre brought me to see it with him. I was eight, going on nine and I had a freakin’ field day. I loved the movie then, and I love the movie now.
Clint Eastwood plays Philo Beddoe, a truck driver who sidelines as a prize fighter to supplement his income. Philo is also the owner of Clyde, an Orang-utan that he won in a fight. Philo’s best buddy is Orville Bogg. Philo falls for a tiny blonde country singer by the name of Lynn Halsey-Taylor (Sandra Locke), who he pusues (though she doesn’t try to get away). Lynn tells Philo of her abusive, controlling boyfriend who doesn’t mind is she sees guys on the side. She paints a bleak picture of a controlling jerk. Philo falls for this and her story of wanting to save up for a Country music club of her own, needing only $7000 (and unsure of how much she has as the jerk boyfriend controls all the cash). Philo, feeling for her, offers to take care of that boyfriend – something she declines. Instead, he starts giving her cash to get her toward that goal of getting her club. Well, one day Philo goes to the hotel where she was staying to find she and the abuser have left, leaving little or no trace. Philo decides he should follow/find her (thinking she may be in trouble). Orville and Clyde come along for the ride, quickly picking up a very cute Beverly D’Angelo who was working at a side of the road fruit stand – Orville charmed her and she decided to joining the search for Lynn. Philo take a couple of fights along the way to raise some cash. At one fight, after winning, the guys in charge of the betting try to screw them out of their winnings, only to be put in their place by an up until then quiet Beverly D’Angelo. Very funny. Of course the seach for Lynn doesn’t end particularly happy. Feeling bad for himself, Philo takes a fight against Tank Murdock, the king of the illegal fights. A great fight ends the movie, with a little bit of a twist…
Damn this is a good, funny movie. I strongly suggest you see this one. Check out the trailer below:
There are very few actors with a career as long as Eastwood’s, and for the ones that do, very few can say they made as many good movies as Eastwood has. From the toughest damned cowboy you’ve met to an Orang-utan owning prize fighter to the toughest damned cop you’ve ever seen, Clint has rocked it.
I know the blog is called I Like Bad Movies, but if you’ve read it long enough, you know that the truth is, I just plain like movies. So, don’t go thinking these are bad movies, because they are not – you’ll know when I watch a bad movie, and I don’t think that’s happening this week.
Yep, this is going to be a damned good week.
A Japanese film, through and through, Gojira tells the tale of an ancient beast, a creature of legends, that has been released from it’s lair beneath the ocean when it’s home is destroyed by atomic tests being conducted in the Pacific ocean (this is the early to mid-1950s, after all). At first a few boats go missing with no clues. When a few survivors are found, they speak seemingly gibberish about the ocean exploding. Seems only an old and grumpy man, knows what’s happening when he starts talking about the old legends of a giant lizard beast that would emerge and wreak havoc, and how they used to appease the beast by setting the occasional girl adrift on a raft for the creature’s snacking pleasure. Finally enough sightings and reports of the creature start coming through that a scientific research team is put together to study the beast. Once they discover that Godzilla is real, it’s then up to the military to destroy Godilla, who is now working it’s way towards Tokyo. As usual, (though not “as usual” for the audiences of 1954), traditional tactics do nothing but piss the monster off, and just causes more destruction. It’s not until a physically and emotionally scarred scientist is convinced to use his discovery, a device that destroys oxygen and liquefies living flesh, that Japan has even a slim hope of surviving the monster’s attack.
Gojira is as good as an introduction to a movie beast as any I’ve seen. The creature design has proven solid, as this 1954 Godzilla still looks like the same Godzilla that you would find in the 60’s,70’s and beyond (except for that crappy American Godzilla movie). Also, the creatures iconic roar is there, right from the start. It’s also interesting to watch this film with the knowledge that this was made in a Japan that is very different from today’s Japan. This is a Japan that was still healing from a World War that almost decimated them. The war is mentioned, and the testing of nuclear weapons are highlighted as a bad thing. If you like Godzilla, then you have to watch this film. If you are unsure if you like Godzilla, then you have to watch this and a number of other Godzilla movies if you really want to decide if you are a fan or not. I know I am.
Check out the trailer below:
You read that right: This week of movie watching is dedicated to everybody’s favourite, reptilian destroyer of Japanese cities, Godzilla (a.k.a. Gojira).
Why Godzilla? Well, it started after watching Dragonslayer – I was talking to my buddy and thought that perhaps a week dedicated to movies about Dragons might be a cool idea… Until I started searching out movies about Dragons – there aren’t many, and for the most part, the ones that do exist I am not interested in. Except one thing: I consider Godzilla to be a Dragon, and there are a lot of Godzilla movies to choose from, and I just happen to like Godzilla. I think this is what is known as a Win/Win situation folks. Over the next week I will write up the Godzilla movies I watch and share them with you, as usual. But take note: I will not be watching the travesty of a Godzilla movie that starred Mathew Broderick – to me that is not a true Godzilla movie.
So… Welcome to Godzilla Week my Internet friends!
Staring Peter MacNicol (better known to some as the short, curly haired lawyer, John Cage, from the TV show Ally McBeal), as Galen Bradwarden, a young apprentice of the Wizard, Ulrich of Craggenmoor (Ralph Richardson), who takes up the Wizard’s quest to slay the Dragon, Vermithrax Pejorative, after Ulrich is apparently killed while proving a point by brutish henchman Tyrian, right hand of King Casiodorus (Peter Eyre). Ulrich had just accepted the task of killing the Dragon when a delegation of peasants approached him asking for his help. Kind Casiodorus had implemented a lottery, offering up a female virgin each year to appease the beast. The people have had enough of the Lottery and living under the fear of the Dragon, and are at their wits end. Now seeing their hopes die almost immediately, with the death of Ulrich, they head back to their town. Soon, though, they are joined by Galen, who has just inherited the Wizard’s magic amulet, who states that he will take up his former Master’s task and slay the Dragon himself. Along the way he risks strong resistance from the King, who believes his lottery system is best for his people, and is temporarily jailed so as not to meddle with the lottery. It’s not until the King’s own daughter is in jeopardy that the King releases Galen in the hopes Galen can actually end the Dragon menace. Along the journey, Galen discovers one of their party is not what they seem (no, not a traitor)…
So, this early 190’s fantasy film still looks beautiful (not something that most movies with special effects from that era can say), and is still interesting. As stated in the title of the review/write up, the Dragon in this movie is still one of my favourite designs of a Dragon in movies, ever. Maybe it’s second to Smaug, now, though I’ll decide that after the third and final Hobbit movie. Still, this movie, in my opinion, still hold up well. I heartily suggest this as a must watch for any fan of the Fantasy genre.
A gritty, dark Vampire movie that tells the tale of Caleb Colson (Adrian Pasdar), a small town young man who meets an attractive woman one night and offers her a ride home one late night. Along t he way, insisting on a kiss from her before he drives her home. She kisses him, but also leaves him with a bite on his neck, shortly before she jumps out of his truck and takes off running (home, I guess).
Soon Caleb is struggling , stumbling home in the early daylight hours, smoke billowing from his exposed skin. Spotted by his little sister and father before he arrives at their home, all of a sudden a blacked out recreational vehicle (and RV) drives up and someone quickly scoops him up. Who’s inside the RV but a bunch of bad ass vampires, debating on how to kill Caleb… until the girl that bit him reveals that while she bit him, she did not bleed him, meaning that he too, is now a Vampire, and pleads for his life. They vamps decide to give him a little time to prove himself. Unfortunately he’s not a killer at heart and has trouble doing the deeds that a Vampire must do. The girl that turned him feeds him to keep him alive, though this is something that cannot go on… Failing test after test, the other Vampires want to get rid of Caleb, though he does manage to buy himself a little time by orchestrating a daring escape while the crew of Vamps are holed up and under fire from the police. An incident later leaves Caleb with a decision between the Vampires and his own family… A choice Caleb has no real trouble deciding. Of course the Vampires won’t let someone leave quietly, right?
This is a dam fine Vampire movie. Unfortunately whit was released around the time of the Lost Boys (also a good Vampire movie – but not as good), and did poorly at the box office, despite good reviews. Great performances from leathery tough guy, Lance Henriksen and then up and comer Bill Paxton are just the cherry on the top. If you haven’t seen this movie (and are into Vampire movies), then you must, and if it’s been a while since you have seen it, then it deserves a re-watch.
Check out the trailer below:
1994’s epic movie, Pulp Fiction, is a crazy, head spinning movie that just doesn’t give you a chance to take a breath. Like almost all Tarantino movies, it has a cast that is virtually a who’ who of Hollywood (as of 1994).
Pulp Fiction is a homage to the crazy B-Movies of the 60’s and 70’s, right down to the out of order timeline of events in the film. You’ve got a couple of thugs, or muscle for a Mobster by the name of Marcel, Vincent Vega (John Travolta), and Jules Winfield (Samuel L. Jackson), who among other jobs, are sent to collect a briefcase with…something in it, from some young guys, who apparently believe Marcel is a bitch (watch the movie…). Things go wrong and things get messy.
We also have a sub story about a boxer, Butch Coolidge (Bruce Willis), who’s been paid heavily by none other than non-bitch Marcel, to take a dive in his upcoming fight.. yeah, things go wrong, and Butch and his weird and annoying French girlfriend are on the run. Later, Butch and Marcel end up captives to some hillbilly homosexual sadist rapists. Things get crazy again. Release the Gimp. and in another segment, Butch surprises Vincent… with deadly results.
We also have Vincent, charged with keeping Marcel’s wife, Mia (Uma Thurman), entertained while Marcel is away. The two end up at a cool, over the top, 50’s style diner. There’s some talk of a $5 milk shake and a great dance off… and then later, back at Marcel’s and Mia’s things get crazy, Mia ends up almost dead, rushed to Vincent’s heroin dealer’s house with a syringe of adrenalin sticking out of her chest.
Somewhere in the middle, a crazy criminal couple (Tim Roth and Amanda Plummer) decide they want to rob the restaurant where Vincent and Jules are chilling out in. Things get intese this time, with Jules and holding a gun to Roth’s neck and explaining the deal to him…
Damn this movie is cool – awesome and out of sight. Some people (my wonderful wife included), do not like the fact that the story line is not linear, but I think that’s part of what makes the movie as great as it is. Should you watch this film? Yes, many times.
Check out the trailer below:
When we finished Quentin Tarantino’s 2003 movie, Kill Bill Volume 1, Bill (played by David Caradine) was still alive… This pretty much guaranteed us a Volume 2.
Volume 2, released in early 2004, opens with a flash beck to Bill shooting Uma Thurman’s character, The Bride, and leaving her, presumably, for dead on the floor of a small church. Then we see The Bride herself, driving, recounting what happened in Volume 1, and then calmly letting us know that she is going to kill Bill. Soon we see Bill, speaking to his brother,Budd (played by Michael Madsen), himself a former Deadly Viper, warning him that The Bride is most likely on her way to kill him. Budd, who now spends his time working as a bouncer in a titty bar, explains that they all deserve any kind of vengeance that the Bride may bestow upon them, for what they did to her. Later, The Bride, expecting to ambush Budd, end up on the wrong side of a 12 gauge shotgun packed full of rock salt. Incapacitated, Budd buries her alive, in a cemetery, and calls fellow Viper, Elle Driver (played by Daryl Hannah), bragging of his deed, and offering up The Bride’s Hanzo sword to her for a cool million dollars – an offer she snaps at. Meanwhile, we flashback to The Bride…who flashes back to her martial arts training at the hands of a merciless master by the name of Pai Mei (Gordon Liu). We see a young Bride as she develops her techniques through repetition and the seeming heartlessness of her master. Eventually it is obvious that she has won his respect. Now we flashback to the present, with the Bride using one of the many techniques taught to her by Pai Mei to escape. Meanwhile, back at Budd’s trailer, Elle has shown up to get the sword. Providing Budd a suitcase full of cash (a million dollars, I presume), she inspects the weapon while Budd starts grabbing handfuls of cash out of the suitcase… Only to find a surprise – a deadly surprise, waits for him in all that cash. Now with Budd out of the way, The Bride has made her way back to Budd’s place to find Elle – which is good, because she too was on the Bride’s list of those that have to die… A great sword fight breaks out, and along the way we discover that Elle, who also was sent to learn under Pai Mei, had killed the old master by poisoning his meal. We also lean that the Master had plucked one of Ell’s eyes out during her training for being insubordinate to the old man. Enrages, The Bride takes instant justice by relieving Elle of her remaining eye…
Now on to Bill… The Bride, now referred to as Beatrix, has tracked Bill to Mexico. Meeting an elderly, dirt bag of a gentleman by the name of Esteban Vihaio, who tells her Bill’s location, because he believes Bill would want him to. Making it to Bill’s, she receives a shocks when she discovers some interesting personal info…and a dart of truth serum to the neck. More flashbacks and some serious talking, and then battle… awesome battle.
You know the name of the movies, so you figure out what the outcome is (watch the movies if you haven’t already). These two movies were meant to be released as a single movie, but the run time would be over 4 hours so they were broken into two. Watch both back to back for the original intended experience, The Kill Bill movies are fantastic and you should watch them.
Check out the trailer below:
Quentin Tarantino’s 2003 movie, Kill Bill Volume 1 tells the story of “The Bride” (played by Uma Thurman), a former member of an assassination team known as the Deadly Vipers, and her journey of revenge against her former fellow assassins, and Bill, her former master and leader of the Deadly Vipers, for attacking and massacring her wedding party and leaving her for dead during a wedding rehearsal.
Thurman’s character, in this iteration of the Kill Bill Saga is known simply as the Bride. Waking from a coma, four years after Bill left her for dead on the floor of a church, he Bride takes little time to start her path of vengeance… starting right there in the hospital,taking out the redneck that paid a greaseball orderly to have sex with her… Oh, and she takes out that orderly, quickly. also… and takes off with his ridiculous, bright yellow truck, labeled “The Pussy Wagon”. First stop. after the killing in the hospital is to the home of Vernita Green (played by Vivica A. Fox). The two do epic battle with a short break in the middle when Vernita’s young daughter comes home. Soon the action restarts, and ends with The Bride heading to her next destination/victim, O-Ren Ishii (played by Lucy Liu), a former Viper and now leader of a consortium of Yakuza families. A flashback shows us just how she won the respect and fear of the male dominated Yakuza families. When The Bride shows up in Japan, she defeats what seems to be an almost endless number of minions, known as the Crazy 88s. The scene ends with a very stylistically shot scene with The Bride and Oren in a samurai sword battle. Pretty evenly matched… but you know who is going to win, and she does so in a spectacular fashion. Upon leaving, she leaves one former member of the Deadly Vipers alive: Sophie Fatale, (played by Julie Dreyfus), is left alive, albeit minus one arm, to send the message that The Bride is coming for him. Mixed up in the story ids a sub story, where the Bride travels to the island of Okinawa, and convinces the esteemed, but now retired sword smith, Hattori Hanzō (played by the awesome Sonny Chiba), to craft her a samurai sword. At first he declines… that is until she tells him the sword is to be used to Kill Bill. Now he’s in…
Kill Bill Vol. 1 is a little disjointed. Like Tarantino’s other masterpiece, Pulp Fiction, it has a disjointed timeline – the scenes are just not in linear order. I believe this may be in homage to the cheezy B-Movies of the past where projectionists would sometimes play the reels out of order, either due to mis-labeling or just carelessness. Either way, I like it.
Watch Kill Bill Volume 1… and if you’ve seen it, watch it again.
Check out the trailer below:
S I was walking though the Blu-Ray section at my local Wal-Mart when I found the Die Hard 25th Anniversary Blu-Ray Collection. It includes Die Hard (1988), Die Hard 2 – Die Harder (1990) , Die Hard With a Vengeance (1995) and Live Free Or Die Hard (2007). All these awesome action movies in one cooly designed set with an added disc of extras…. all for $20! These are good action (and Christmas), movies and this is a good addition to one’s BLU-RAY collection.
After a suggestion from my friend that normally watches these movies with suggested we do a Tarantino week…
Well, we are doing just that.
Starting off in 1977 where we see the story of a group of Bible Campers hanging out trying to get laid and smoking dope… And eventually most of them die. Cut to 1984 and a new group is going up to the camp – mostly to die.
Where do I start? Bad plot with bad acting and bad production. Sound suffers at time (from that bad production that I just mentioned)…. and the actors and actresses are pretty ugly for the most part.
This movie is terribly stupid… but I still had fun.
Should you watch this movie? Well you freakin’ decide.