Return To Nuke’em High Volume 1 (2013) – If You Like Troma Then You Know Why I Like This – Also: Bonus Q & A With Lloyd Kaufman
Okay, barely a review and much more a gushing over Lloyd Kaufman and Troma… and the Calgary Horror Convention. Actually had a chance to watch this Troma film in a theatre and with the added bonus of being in the presence of the great Lloyd Kaufman, Co-creator of Troma films and the legendary Toxic Avenger. Lloyd was great, the film was fun and I just ramble on and on and on. There is some bonus clips from the question and answer with Lloyd Kaufman at the end of the video. Hope you all enjoy!
While not the first to do it, The Blair Witch Project was the first movie to really bring the “found footage” style of movie to the masses. Telling the tale of three student filmmakers (stole that line from Wikipedia), who went out to make a documentary about the Blair Witch, a legendary figure, and never came back.
The film starts out with a message stating tat the movie was put together from the footage found in the cameras after the three film students had disappeared. The three, Heather Donahue, Joshua Leonard, and Michael Williams had headed out to make a documentary about an evil witch, or spirit that is rumoured to haunt the woods outside of Burkittsville, Maryland (formerly known as “Blair”). They talk to locals who tell them the tales they heard as children growing up in Burkittsville, and how the witch tale was used to keep kids in line. They also hear the tail of a tragedy that happened in the 1940s with the disappearance of several local children, as well as several men from the community. Well, the three decide to head off into the woods in search of the Witch, or at lease evidence of such. Soon they find themselves hopelessly lost and it seems the focus of some weird nocturnal activities. They hear weird sounds at night and fins strange constructs of twigs and wood as well as neatly stacked rocks around their tent in the morning. As time passes and they become more and more loss, the individuals start really showing their stress in the way they interact with each other. The weird sounds and such continue and increase, adding to the stress of the group. When one member of the group disappears in the night, and fails to return, it just gets worse. You know things are just not likely to work out for our little group of film makers.
The Blair Witch Project did a great job of capturing the initial enthusiasm of the three, as well as there slide to desperation , and breakdown of the three main characters. They manage to remain believable (for the most part), and while you may grow frustrated with them at times, it’s at times where youy as a watcher are supposed to get frustrated with them. Is this a good movie? Damn straight.
Check out the trailer below, and if you haven’t seen it yet, go out and get yourself a copy.
A Japanese film, through and through, Gojira tells the tale of an ancient beast, a creature of legends, that has been released from it’s lair beneath the ocean when it’s home is destroyed by atomic tests being conducted in the Pacific ocean (this is the early to mid-1950s, after all). At first a few boats go missing with no clues. When a few survivors are found, they speak seemingly gibberish about the ocean exploding. Seems only an old and grumpy man, knows what’s happening when he starts talking about the old legends of a giant lizard beast that would emerge and wreak havoc, and how they used to appease the beast by setting the occasional girl adrift on a raft for the creature’s snacking pleasure. Finally enough sightings and reports of the creature start coming through that a scientific research team is put together to study the beast. Once they discover that Godzilla is real, it’s then up to the military to destroy Godilla, who is now working it’s way towards Tokyo. As usual, (though not “as usual” for the audiences of 1954), traditional tactics do nothing but piss the monster off, and just causes more destruction. It’s not until a physically and emotionally scarred scientist is convinced to use his discovery, a device that destroys oxygen and liquefies living flesh, that Japan has even a slim hope of surviving the monster’s attack.
Gojira is as good as an introduction to a movie beast as any I’ve seen. The creature design has proven solid, as this 1954 Godzilla still looks like the same Godzilla that you would find in the 60’s,70’s and beyond (except for that crappy American Godzilla movie). Also, the creatures iconic roar is there, right from the start. It’s also interesting to watch this film with the knowledge that this was made in a Japan that is very different from today’s Japan. This is a Japan that was still healing from a World War that almost decimated them. The war is mentioned, and the testing of nuclear weapons are highlighted as a bad thing. If you like Godzilla, then you have to watch this film. If you are unsure if you like Godzilla, then you have to watch this and a number of other Godzilla movies if you really want to decide if you are a fan or not. I know I am.
Check out the trailer below:
You read that right: This week of movie watching is dedicated to everybody’s favourite, reptilian destroyer of Japanese cities, Godzilla (a.k.a. Gojira).
Why Godzilla? Well, it started after watching Dragonslayer – I was talking to my buddy and thought that perhaps a week dedicated to movies about Dragons might be a cool idea… Until I started searching out movies about Dragons – there aren’t many, and for the most part, the ones that do exist I am not interested in. Except one thing: I consider Godzilla to be a Dragon, and there are a lot of Godzilla movies to choose from, and I just happen to like Godzilla. I think this is what is known as a Win/Win situation folks. Over the next week I will write up the Godzilla movies I watch and share them with you, as usual. But take note: I will not be watching the travesty of a Godzilla movie that starred Mathew Broderick – to me that is not a true Godzilla movie.
So… Welcome to Godzilla Week my Internet friends!
So, here we are, with the seventh and last movie of our Vampire movie week. With this movie, 1992’s Bram Stoker’s Dracula, we have in a away returned to the beginning. Our first movie of our Vampire week, 1979’s Dracula starring Frank Langella, and tonight’s movie, Bram Stoker’s Dracula (1992), are both retellings of the classic Dracula story.
Starring the great Gary Oldman as Count Dracula, and taking place primarily in 1897 (with some important scenes happening in 1462). Count Dracula has decided to purchase several properties in London, England and his case has been handed to a new solicitor (like a lawyer), Jonathan Harker (played by Keanu Reeves, with the absolutely worse English accent I have heard in I don’t know how long). Harker has taken on Dracula’s portfolio from a Mr Renfield (played extremely well by Tom Waits), who has since gone completely insane. Harker must travel to Transylvania to meet with Count Dracula to discuss his plan to purchase Carfax Abbey. Once in the hands of Dracula, he soon finds that he is a prisoner. While there are some perks (there are some pretty sexy vampire chicks), he escapes, a changed man, and heads back to London. Dracula, himself changed from a decrepit, creepy old man, to a now dashing young gentleman, has put a spell on Harker’s fiancé, Mina (played by Winona Rider who also struggles with her accent… though nothing like Keanu’s). Oh… He also seduces, rapes and drains Lucy, Mina’s friend. Yeah, this is Dracula – he does stuff like that. Enter Van Helsing, (portrayed by Anthony Hopkins) everybody’s favourite Vampire hunter.
Okay – this is the classic Dracula story, retold in 1992 with a good cast and a big budget. Director Francis Ford Coppola did a good job bringing the story back to the screen in this very watchable retelling. Is it better than the 1979 version? I wouldn’t say so, but it is good enough to watch and enjoy. Also, it’s good enough to forgive that awful accent of Reeve’s. Check out the trailer below:
Jackie Brown is such a throwback to the Blaxploitation films of the 1970’s that I almost think that Tarantino travelled back in time to gather up some magic, earth toned 70’s mojo to pack into this film… or not.
Starring Pam Grier (yeah, the tough chick from… those 70’s Blaxploitation films… see? I told you!), as Jackie Brown, a tough attractive flight attendant, who supplements her meagre wage by smuggling cash into the US from Mexico for a gun runner named Ordell Roberts, played by the seriously awesome Samuel L. Jackson. When one of Ordell’s mules gets caught and incarcerated, Ordell aranges for their bail, and kills them so they won’t turn informant. Soon after, Jackie herself gets caught by the feds bringing in cash and drugs (which were placed on her, without her knowledge). Refusing to testify against Ordell, she is locked up. Despite her refusal to talk, Ordell is still worried that she may talk to the feds, so he arranges her release, and plans on killing her too. Turning the tables on Ordell (a pistol will do things like that), she negotiates with Ordell to pretend to be working with the feds while smuggling a crap load of cash for Ordell.
This movie, like almost all Tarantino films, is freakin’ jam packed full of great stars. Honestly, here is a list of the stars in this crazy, throwback of a movie:
- Pam Grier as Jackie Brown
- Samuel L. Jackson as Ordell Robbie
- Robert Forster as Max Cherry
- Bridget Fonda as Melanie Ralston
- Michael Keaton as Ray Nicolet
- Robert De Niro as Louis Gara
- Chris Tucker as Beaumont Livingston
- Michael Bowen as Mark Dargus
- Lisa Gay Hamilton as Sheronda
- Tommy "Tiny" Lister Jr. as Winston
- Hattie Winston as Simone
- Sid Haig as Judge
- Aimee Graham as Amy
- Diana Uribe as Anita Lopez
- T’Keyah Crystal Keymah as Raynelle
- Denise Crosby (uncredited) as Public defender
- Quentin Tarantino (uncredited) as Answering machine voice
- Helmut Berger (uncredited, archive footage) as Nanni Vitali
- Marissa Mell (uncredited, archive footage) as Giuliana Caroli
- Council Cargle (uncredited, archive footage) as Drew Sheppard
- Tony Curtis (uncredited, archive footage) as himself
-This list was copied directly from the Wikipedia article on this movie which can be found here .
Oozing cool, Jackie Brown delivers 1970’s awesomeness, updated (just enough), for a (mostly), modern audience. If you haven’t seen this film, and like the style of Tarantino films, then this is for you. If you like your films, antiseptically clean, then walk away…and why are you reading this blog anyway?
Check out the trailer below, and why not watch this masterpiece tonight?