I am do damned sorry for my complete inactivity over the last year – No excuses other than a new job back in August 2014… and me being lazy.
Hopefully that will change soon.
As an apology, please enjoy a crap load of pictures from the 2015 Calgary Horror Convention that took place in June of 2015.
Hey, I am giving away a most excellent copy of the Japanese cut of the 1984 cult classic Troma film, Toxic Avenger. This is the one that really put the Troma Team and Lloyd Kaufman on the map and I want to give you a copy of the Japanese cut of the film (with about 6 minutes of footage not available anywhere else), autographed by the great Lloyd Kaufman. Just tell me the first movie that I ever reviewed on this site, then go to colexions.com find search for member Corey Buckner and tell me any three items in his collection. Email your replies to firstname.lastname@example.org. The contest will run from August 6, 2014 to August 31, 2014 and If there are multiple correct entrants, then the winner will be chosen from them. PLUS: You also have a chance to win an additional DVD (of my choosing), but you’ll have to watch the video to find out how.
And when you’ve done all that, why not go to the Troma store and buy everything there and make Lloyd Kaufman and the Troma Team ridiculously rich for the almost 40 years they have put into the business and Tromaville. Do it for Lloyd, and do it for Toxie!!!
Watched the 2012 Canadian mocumentary movie, The Conspiracy. It is kind of wordy but pretty interesting. Check out the video for the full review!
Return To Nuke’em High Volume 1 (2013) – If You Like Troma Then You Know Why I Like This – Also: Bonus Q & A With Lloyd Kaufman
Okay, barely a review and much more a gushing over Lloyd Kaufman and Troma… and the Calgary Horror Convention. Actually had a chance to watch this Troma film in a theatre and with the added bonus of being in the presence of the great Lloyd Kaufman, Co-creator of Troma films and the legendary Toxic Avenger. Lloyd was great, the film was fun and I just ramble on and on and on. There is some bonus clips from the question and answer with Lloyd Kaufman at the end of the video. Hope you all enjoy!
I haven’t seen Blind Fury since it was out in the theatres in 1989. I remembered liking it, but other than the fact it starred Rutger Hauer as a blind, staff wielding white martial arts guy that fights bad guys… Well, It was like watching a new movie this go around, and I must say, I still like this movie.
Check out the video review below:
Wolfcop is a little Canadian production that has been fighting to get made/released for a couple of years. Well I am so very happy to say that today, I watched Wolfcop in a major theatre.
A couple of years ago I ran into the folks behind Wolfcop at their table at the Calgary Entertainment and Horror Convention. At that time they were trying to drum up votes in a contest amongst indie films to get funded. They didn’t win, but they did drum up interest, and this year when they appeared the the expo, they were announcing the up coming release of Wolfcop. I was really glad to hear this as the folks behind the film seem pretty damned cool. Both years they handed out Wolfcop badges to those who would tweet or post to Facebook about Wolfcop. I did it both years and have both versions of the badge, which is pretty awesome. They did a good job grabbing my attention and I have been waiting to see this film. I am happy to say it was worth the wait.
Wolfcop tells the tale of Lou Garou, a drunk cop in a small town who get’s turned into a Werewolf. Instead of just going rogue like most Werewolves, he decides to start kickin’ criminal ass as Wolfcop. Also, while he’s doing that, he’s got to get to the bottom of why he’s a werewolf, and just what the hell is going on in his little town.
Wolfcop is a low budget homage to the cheezy slasher/monster horror flicks of the 70’s and 80’s. It’s not a movie to be taken seriously, it’s a movie to be enjoyed for what it is. This is the movie for the person who enjoyed Machete and Hobo With a Shotgun. If you rented those cheezy horror movies from your corner video store as a kid in the 80’s then Wolfcop is the movie for you. Watch it with an open mind, and take it for what it is and you might just find that you’ve watched a brilliant film.Unfortunately, it most likely won’t be in the theater for long, and even if it did, it’s a Canadian only release. But that means it most likely will be available for purchase, and if that’s the case, I say buy it!
Check out the trailer below:
Check out my review of the Steven Spielberg Comedy classic, 1941. When you are done watching the review, make sure you head over to colexions.com, the place for the retro collector on the web!
Just a heads up as to what to expect this weekend from ilikebadmovies.com
Hey folks! Here is my Review/comparison of 1987’s Robocop versus 2014’s Robocop. I loved the original and was a little (okay, more than a little)…nervous…yeah, nervous about the reboot. Well, it’s pretty good. Better than the original? Chaeck out my video review below and find out.
Also, when you are done that, go to colexions.com to check out all the retro gaming goodness there.
Well, I completed my first review for colexions.com, the place for retro game collectors. I was asked to contribute reviews by my buddy Corey Bradley, creator and curator of Colexions, contribute them, and I was more than happy to oblige. The video is pretty damned rough, and I promise that the next one will be better – Hell, I look like a floating head!!! That said, please head over to colexions.com and check out the review… and all the other awesomeness that is colexions!
George A. Romero revolutionized the Zombie in films. He wasn’t the first to portray Zombies in a movie – not by a long shot. No, he was the one that brought the Zombie into the mainstream and kept it there.
Diary of the Dead is another movie in the “The Dead” series (starting with the iconic “Night of the Living Dead”). While not a direct sequel to any of the movies, it takes place in the same…ummm… Universe. A group of art students are in the woods, filming a scene for a mummy horror film when the zombie outbreak starts. Hearing reports on the radio, at first they are sceptical (some more than others). As the night progresses and more reports start coming in, the students realize that maybe something it actually up. The group gathers together in an RV and head out of the city, attempting to escaper the carnage (and possibly get to their own homes in order check on family members). All the while they are capturing everything on film to document what is happening. Encounters with Zombie Doctors in hospitals and being attacked by siblings as well as being robbed by rogue military are all situations that add to the action and to the feeling of desperation. Characters you like get killed, and characters you don’t like also get killed (for a bit…and then again – Zombies, you know). Just when they think they’re safe… well, you know. Hey, why not head out the rich friend’s place where he’s got a panic room and all the amenities you could wish for… That all work out right? Um, this is a Zombie movie – a Romero Zombie film. The film has a quick pace that doesn’t allow you to get bored. As well, I think Romero did a great job “re-jigging” the Dead series for the modern era. Is this better than the original Night of the Living Dead? Of course not. Is it good? I’d say so
While not the first to do it, The Blair Witch Project was the first movie to really bring the “found footage” style of movie to the masses. Telling the tale of three student filmmakers (stole that line from Wikipedia), who went out to make a documentary about the Blair Witch, a legendary figure, and never came back.
The film starts out with a message stating tat the movie was put together from the footage found in the cameras after the three film students had disappeared. The three, Heather Donahue, Joshua Leonard, and Michael Williams had headed out to make a documentary about an evil witch, or spirit that is rumoured to haunt the woods outside of Burkittsville, Maryland (formerly known as “Blair”). They talk to locals who tell them the tales they heard as children growing up in Burkittsville, and how the witch tale was used to keep kids in line. They also hear the tail of a tragedy that happened in the 1940s with the disappearance of several local children, as well as several men from the community. Well, the three decide to head off into the woods in search of the Witch, or at lease evidence of such. Soon they find themselves hopelessly lost and it seems the focus of some weird nocturnal activities. They hear weird sounds at night and fins strange constructs of twigs and wood as well as neatly stacked rocks around their tent in the morning. As time passes and they become more and more loss, the individuals start really showing their stress in the way they interact with each other. The weird sounds and such continue and increase, adding to the stress of the group. When one member of the group disappears in the night, and fails to return, it just gets worse. You know things are just not likely to work out for our little group of film makers.
The Blair Witch Project did a great job of capturing the initial enthusiasm of the three, as well as there slide to desperation , and breakdown of the three main characters. They manage to remain believable (for the most part), and while you may grow frustrated with them at times, it’s at times where youy as a watcher are supposed to get frustrated with them. Is this a good movie? Damn straight.
Check out the trailer below, and if you haven’t seen it yet, go out and get yourself a copy.
Alien Horror Week – Movie 3: Killer Klowns From Outer Space (1988)–Now This… This is A Movie You Should Watch
1988’s way over the top, Killer Klowns From Outer Space tells the tale of a group of evil aliens that come to Earth, specifically Crescent Cove, California, in their space craft to harvest humans. Pretty typical of a Sci-Fi horror film, I know, but these aliens look like demented clowns, and their space ship looks like a giant circus tent.
Starting off with a farmer going to investigate what looked like a comet that has fallen to Earth (he thinks it is Halley’s Comet), and stumbling across the Circus tent like Alien spacecraft, he and his dog are quickly captured by the Aliens. Now, of course the Farmer wasn’t the only one to see this shooting star like object. Mike (Grant Cramer), and his girlfriend Debbie (Suzanne Snyder), decide to also check it out. They find the spacecraft (just like the farmer did), and manage to find a way in, where they discover the remains of the farmer and his dog, cocooned in a cotton candy like substance (hey – they’re alien clowns… errr “Klowns”), and themselves just barely missing being capture by one of the aliens. After a hairy escape (including being chased by a balloon animal, they head to the police station. They tell their story to officer Dave Hanson (John Allen Nelson), who happens to be Debbie’s ex boyfriend. The story, of course sounds ridiculous – I mean, really? Space Alien Clowns? Bodies cocooned in cotton candy? It’s fair to say that Dave is is sceptical, but his fellow officer, the gruff jerk of a cop Mooney (played by the awesome John Vernon) calls them outright liars and wants to put them in jail for making up stories about murders and such. Dave at least agrees to chesk out what they are saying as they did say a couple of people were killed. Dropping Debbie off first (against her wishes), Mike takes Dave out to where they found the ship and the bodies, but unfortunately the ship is no longer there and Dave thinks they made the whole thing up and places under arrest. Well with the clowns loose in the town and more and more people falling victim to their ridiculously amusing weapons and ways, Dave and Mike don’t get far before Dave sees for himself the Killer Klowns and what they are capable of. Meanwhile, back at the police station, Maloney has himself that the entire town is trying to mess with his head with a coordinated series of call from all over town about killer clowns. When Dave calls into the station and instructs Maloney to call for back up, describing the Klown menace, he just thinks Dave is in on the whole thing to and refuses to get or give help. It’s not until one actually strolls into the station that he actually realizes this isn’t hoax. Of coarse, by that time… well, you know. So it’s all up to Mike, Dave and Debbie to infiltrate the Klown ship and save the day… Okay, I left a whole bunch out there at the end because I realized I was just rattling off the movie instead of reviewing it. I don’t want to do that. What I do want is for you to watch this movie because it’s cool, crazy and funny and desreves to be watched by soimeone who can appreciate it for what it is: a fun movie. No one can argue that it isn’t original – Hell, I doubt there is any movie that even resembles this film. A crazy concept, wrapped in a funny script and created by people that must love the genre, this is a film for any Sci-Fi/Horror or Comedy fan. Yeah, it is ridiculous, but it is supposed to be so. Sure, if you watch this movie expecting it to be a serious horror/sci-fi film, you will be mistaken – and most likely stupid, too. I mean, really: it’s about Killer Aliens from space that travel in a Circus tent space craft and look like demented clowns. Still,
it’s great ands it’s fun and you should watch it. Oh, you already saw it? Well, see it again!
Check out the trailer below:
2006’s Slither does something very difficult: it manages to mix horror with Science Fiction (Sci-Fi), and adding a large dose of comedy…and gets it all right. I’ve reviewed the move in the past (here is the original, tiny write up: Slither 2006). It was so good, that I decided we should watch it again, and maybe put a little more effort in the write up this time.
Starring Canada’s own (hell,we were in the same high school at the same time), Nathan Fillion (Firefly anyone?), as Chief of Police of the town of Wheelsy, South Carolina, where a meteorite crashed to earth, carrying an alien life form. Shortly after it crashes to earth, local, well to do guy, Grant Grant (played by Michael Rooker), gets taken over by the creature after poking at the gelatinous, pulsing mass in the nearby woods (after almost, but not quite cheating on his wife). Soon Grant starts craving fresh, raw meat, and also starts mutating. When Grant’s lovely wife, Starla (Elizabeth Banks), see’s a misshapen Grant, he explains he had a reaction to a bee sting. Well, soon other things start happening, including the disappearance of neighbourhood pets, as well as Barbara, a local drinkin’ floozy…
Well, you see, Grant is now the host of an alien intelligence who spreads through taking over individuals, either through assimilation or through infection via a parasitic worm/slug like form. The creature can also use a life form as a host to breed the aforementioned worms/slugs…and it does – boy does it ever. Of course this turns in to a battle of a few against a lot, and is tense and action packed… as well as a lot of always cool grossness. The creature design is fantastic, and the whole cast does a great job in creating what feels like a heartfelt homage to the alien invasion/creature films of the 1950’s and 1960’s. This is a great Sci-Fi/Horror/comedy that I strongly suggest you check out.
Here is the trailer:
So, this week is dedicated to Alien Based Horror movies. I expect a few possible turkeys, but I believe it’s going to be fun anyway. I am a fan of Science Fiction (Sci-Fi) and horror, and the two mix reasonable well at the hands of competent film makers… and some horribly awesome films when created by bad film makers. I hope we get to see both sides of the coin this week.
We haven’t filled the roster of films yet, so if you have a suggestion or two, feel free to send them on over by using this link:
Eastwood Week Movie 4 – The Gauntlet (1977) – Never Count an Eastwood Character Out, and Never Set Him Up, And Most Of All, Never Bet Against Him
In 1977’s The Gauntlet, Clint Eastwood plays Ben Shockley, an alcoholic, circling the drain, Phoenix cop, sent by the police commissioner to Las Vegas to pick up a witness and escort them to Phoenix for an upcoming trial. Described as a two bit witness in a two bit trial, Ben is told he is given the job because he get’s jobs done. Arriving in Vegas, Ben is surprised to find out the witness is a female, August “Gus” Malley (played by Sandra Locke), and deathly afraid of leaving her cell, stating she and anyone with her would be killed. Ignoring her warning, Ben ushers her to an ambulance to leave the jail, and to rendezvous with with a rented car. After that car explodes (killing an Emergency Medical Technician), and then a chase and shoot out, Ben starts believing Gus as to the seriousness of the situation. As the situation progresses, more and more attempts are made on both Ben’s and Gus’ life, it becomes obvious (to Gus at first), that someone inside the Phoenix force is plotting to kill the two. When Ben asks some probing questions as to who Gus is being asked to testify against, it becomes obvious who the rat in the force is, and that they are up against something very big, and the only chance for either of them is to get to the Phoenix City Hall, but it’s not going to be easy. So what’s Ben going to do? He highjacks a Greyhound bus, shields the drivers section, and lets the Phoenix Police Department, which has been told erroneously, that Ben is a killer, that he is coming in, even providing the exact route they will be taking. The route is lined with police on all sides, hence the title of the movie, The Gauntlet, who unload countless rounds into the bus trying to stop them. Well, apparently they never saw any other Eastwood films, as if they did they would know that their efforts would fail. Once at City Hall, the bad guy (watch the movie to figure out who that really is), is outed under duress by a co-conspirator, who is then promptly silenced by that bad guy…and them something else happens (hehehe… sorry, I know that is cheezy).
Well, this is another damned fine Clint Eastwood movie and you should see this one – ton’s of action and great dialogue. What are you waiting for?
Check out the trailer below:
Eastwood Week Movie 3 – Any Which Way You Can (1980)–Clint’s Great Follow Up To Every Which Way But Loose
Any Which Way You Can is the 1980 follow up to the block buster comedy, Every Which Way But Loose, and it is damned funny. Clint Eastwood returns as the Truck Driver/prize fighter, Orangutan owning Philo Beddle, as well as Geoffrey Lewis as Orville Boggs as Philo’s best human buddy, and Manis the Ape as Clyde, Philo’s best non human buddy. Also returning is Ruth Gordon as Philo’s cantankerous mother and Sandra Locke as Philo’s love interest, Lynn Halsey-Taylor. In this movie, we find Philo has continued his side line as a tough son of a bitch prize fighter. Only he’s decided to retire, having noticed he was starting to enjoy the pain. Unfortunately, the Mafia wants to setup a match between Philo and Jack Wilson, a new style of fighter that mixes boxing and martial arts together, and has managed to kill three opponents and scramble the brains of a fourth victim. Approached by the Mafia, hoping to setup this fight, Philo initially says no, but when the mob ups it to $50,000, win or lose, Philo changes his mind and accepts the fight. When Philo and Jack actually meet, it turns out that they actually get a long. They decide there is no real reason for the fight and mutually decide to call it off. The Mafia, seeing that they are about to lose the biggest grossing illegal prize fight ever, decide to kidnap Lynn Halsey-Taylor, Philo’s returning (and redeemed), love interest in order to force the fight. Frank and Philo take care of that situation, but both realize that they can’t leave the question of who would have won the fight open, so they decide to battle it out. Oh! Also returning the is Black Widows: a comical outlaw biker gang that really have it in for Philo, despite the fact that when ever they come into conflict with him, he ends up kicking their ass and they end up with less bikes. This time though, things end on a high note for them and their relationship with Philo.
This is such a fun movie, and watched back to back with Every Which Way But Loose would make for a great evening of movie watching. I heartily recommend this film and it’s predecessor. Check out the trailer below:
So, yeah, the other night my buddy was going through options on Netflix when Hobo With a Shotgun popped up. Now, we’ve both watched Hobo many times (Hell, I watched it in the theatre twice). Why did we re-watch a low budget, silly-ass pseudo-Grindhouse movie? Why do we continue to re-watch a low budget, silly-ass pseudo-Grindhouse movie? Because it’s freakin’ awesome, that’s why!
Some movies are just easy for me to re-watch and this just happens to be one of those movies. Is it a great movie? No – it is a great silly, brutal over the top crazy movie. So over the top that every once in a while I watch it again. And again.
If you haven’t already, you should check out Hobo anyway you can. As mentioned, it’s on U.S. Netflix currently and can be found for cheap on DVD and Blu-Ray (check out my post about finding it for a great price here). Hobo tells the story of a…well, Hobo (played by the great Rutger Hauer), who finds himself in a new, crappy, dirty corrupt city. He fights back against the ruling family to make a difference. You know why? ‘Cause he’s the Hobo With a Shotgun.
So don’t be stupid, watch Hobo With a Shotgun (again, if you already have).
Vampire Week Movie 5 – Shadow of the Vampire (2000)–The Troubles of Casting a Vampire – In Your Vampire Movie
Set during the shooting of the iconic 1922 Vampire film, Nosferatu, Shadow of the Vampire tells the tale of the dangers that can face you when you look for too much realism in your films. Staring John Malkovich as famous German Director, Frederich Wilhelm Murnau, during his filming of the above mentioned Nosferatu. Taking his cast and crew to film on location in Czechoslovakia, where he instroduces the rest of the crew to the star of the film, Max Schreck, whom, Murnau explains, will be in character for the entire time of the filming, and will only be seen at night. Schreck is played masterfully by Willem Dafoe. When members of the crew start to disappear, we see interesting back and forth between Murnau and the Vampire, in which we find out that Murnau has made a very interesting and questionable bargain with the Vampire: His good behaviour for the life of one of his cast. Shame it’s so difficult to deal with the undead.
Shadow of the Vampire puts a new twist to the Vampire movie: it’s a movie about the making of a vampire movie – wherein the Director of said movie chose to hire a real Vampire to play the title role. The cast is composed of a lot of “A” Listers and they all do an amazing job in this unusual film. The story is gripping, and the switch between regular filming, and the representation of what Murnau is capturing on his cameras is a great way to capture the dualism of the story. After watching this, I was compelled to watch the original, 1922 Nosferatu the very next day. If you enjoy horror movies, plot twists and damn good acting then you owe it to yourself to watch this film. Check out the trailer below:
When 1974’s horror movie, It’s Alive was released, there was the creepiest commercial for the movie where you see a baby carriage, and hear what appears to be a normal baby cry…but as the camera pans around the baby carriage, you see a big monster hand coming out from inside the pram… Well that commercial used to scare the living crap out of me… seriously (hey, I was 4 or 5 at the time). Well, today I finally faced down that fear and watched the movie.
Check out that scary (for a 4 or 5 year old) TV spot here:
It’s Alive tells the tale of a couple, Frank and Lenore Davis (John Ryan and Sharon Farrell), who give birth to a child that is nothing short of a monster. The initial birth is a little tough, as the baby is larger than a normal baby, but the doctor is still confident is all right… Next thing you know the delivery room is full of the dead or dying bodies of the doctors an nurses that were assisting in the birth… and a monster baby is on the loose in the city of Los Angeles.
Dad wants the baby dead because it’s an abomination who’s existence has caused the loss of his job, and the ruination of his family. The big drug companies want the baby dead in the off chance he’s a by product of there chemicals. And the police want the baby dead… because it’s killing people. The only one that seems not to want the baby dead is the mother… at first, at least.
This is definitely a creepy movie, and reasonable well done, if a little slow. Having been as scared as I was of the damned commercial as a child, I do wish the movie was scarier than it is, though I am happy that it doesn’t totally suck. An interesting concept and if the idea sounds like something that you’d like, then definitely watch it.
Check out the trailer below and decide for yourself:
Jackie Brown is such a throwback to the Blaxploitation films of the 1970’s that I almost think that Tarantino travelled back in time to gather up some magic, earth toned 70’s mojo to pack into this film… or not.
Starring Pam Grier (yeah, the tough chick from… those 70’s Blaxploitation films… see? I told you!), as Jackie Brown, a tough attractive flight attendant, who supplements her meagre wage by smuggling cash into the US from Mexico for a gun runner named Ordell Roberts, played by the seriously awesome Samuel L. Jackson. When one of Ordell’s mules gets caught and incarcerated, Ordell aranges for their bail, and kills them so they won’t turn informant. Soon after, Jackie herself gets caught by the feds bringing in cash and drugs (which were placed on her, without her knowledge). Refusing to testify against Ordell, she is locked up. Despite her refusal to talk, Ordell is still worried that she may talk to the feds, so he arranges her release, and plans on killing her too. Turning the tables on Ordell (a pistol will do things like that), she negotiates with Ordell to pretend to be working with the feds while smuggling a crap load of cash for Ordell.
This movie, like almost all Tarantino films, is freakin’ jam packed full of great stars. Honestly, here is a list of the stars in this crazy, throwback of a movie:
- Pam Grier as Jackie Brown
- Samuel L. Jackson as Ordell Robbie
- Robert Forster as Max Cherry
- Bridget Fonda as Melanie Ralston
- Michael Keaton as Ray Nicolet
- Robert De Niro as Louis Gara
- Chris Tucker as Beaumont Livingston
- Michael Bowen as Mark Dargus
- Lisa Gay Hamilton as Sheronda
- Tommy "Tiny" Lister Jr. as Winston
- Hattie Winston as Simone
- Sid Haig as Judge
- Aimee Graham as Amy
- Diana Uribe as Anita Lopez
- T’Keyah Crystal Keymah as Raynelle
- Denise Crosby (uncredited) as Public defender
- Quentin Tarantino (uncredited) as Answering machine voice
- Helmut Berger (uncredited, archive footage) as Nanni Vitali
- Marissa Mell (uncredited, archive footage) as Giuliana Caroli
- Council Cargle (uncredited, archive footage) as Drew Sheppard
- Tony Curtis (uncredited, archive footage) as himself
-This list was copied directly from the Wikipedia article on this movie which can be found here .
Oozing cool, Jackie Brown delivers 1970’s awesomeness, updated (just enough), for a (mostly), modern audience. If you haven’t seen this film, and like the style of Tarantino films, then this is for you. If you like your films, antiseptically clean, then walk away…and why are you reading this blog anyway?
Check out the trailer below, and why not watch this masterpiece tonight?