George A. Romero revolutionized the Zombie in films. He wasn’t the first to portray Zombies in a movie – not by a long shot. No, he was the one that brought the Zombie into the mainstream and kept it there.
Diary of the Dead is another movie in the “The Dead” series (starting with the iconic “Night of the Living Dead”). While not a direct sequel to any of the movies, it takes place in the same…ummm… Universe. A group of art students are in the woods, filming a scene for a mummy horror film when the zombie outbreak starts. Hearing reports on the radio, at first they are sceptical (some more than others). As the night progresses and more reports start coming in, the students realize that maybe something it actually up. The group gathers together in an RV and head out of the city, attempting to escaper the carnage (and possibly get to their own homes in order check on family members). All the while they are capturing everything on film to document what is happening. Encounters with Zombie Doctors in hospitals and being attacked by siblings as well as being robbed by rogue military are all situations that add to the action and to the feeling of desperation. Characters you like get killed, and characters you don’t like also get killed (for a bit…and then again – Zombies, you know). Just when they think they’re safe… well, you know. Hey, why not head out the rich friend’s place where he’s got a panic room and all the amenities you could wish for… That all work out right? Um, this is a Zombie movie – a Romero Zombie film. The film has a quick pace that doesn’t allow you to get bored. As well, I think Romero did a great job “re-jigging” the Dead series for the modern era. Is this better than the original Night of the Living Dead? Of course not. Is it good? I’d say so
2006’s Slither does something very difficult: it manages to mix horror with Science Fiction (Sci-Fi), and adding a large dose of comedy…and gets it all right. I’ve reviewed the move in the past (here is the original, tiny write up: Slither 2006). It was so good, that I decided we should watch it again, and maybe put a little more effort in the write up this time.
Starring Canada’s own (hell,we were in the same high school at the same time), Nathan Fillion (Firefly anyone?), as Chief of Police of the town of Wheelsy, South Carolina, where a meteorite crashed to earth, carrying an alien life form. Shortly after it crashes to earth, local, well to do guy, Grant Grant (played by Michael Rooker), gets taken over by the creature after poking at the gelatinous, pulsing mass in the nearby woods (after almost, but not quite cheating on his wife). Soon Grant starts craving fresh, raw meat, and also starts mutating. When Grant’s lovely wife, Starla (Elizabeth Banks), see’s a misshapen Grant, he explains he had a reaction to a bee sting. Well, soon other things start happening, including the disappearance of neighbourhood pets, as well as Barbara, a local drinkin’ floozy…
Well, you see, Grant is now the host of an alien intelligence who spreads through taking over individuals, either through assimilation or through infection via a parasitic worm/slug like form. The creature can also use a life form as a host to breed the aforementioned worms/slugs…and it does – boy does it ever. Of course this turns in to a battle of a few against a lot, and is tense and action packed… as well as a lot of always cool grossness. The creature design is fantastic, and the whole cast does a great job in creating what feels like a heartfelt homage to the alien invasion/creature films of the 1950’s and 1960’s. This is a great Sci-Fi/Horror/comedy that I strongly suggest you check out.
Here is the trailer:
Night Of The Living Dead: Resurrection (2012)–You Know What? Maybe It’s Time For Amateurs To Leave Night Of The Living Dead Alone
Well you know enough about this movie now. Don’t bother wasting your time on this long winded, waste of time movie that uses the Night of the Living Dead namesake. It’s just plain boring. I really think that if you are going to butcher a movie, butcher your own movie and leave Night of the Living Dead out of it. Make up a new Zombie Movie name of your own and go with it… Ah,right, but why would anyone watch it? So, why not tack on a title of an iconic movie and hope to snag unsuspecting horror fans…
Screw you folks – you suck at making movies.
Vampire Week Movie 5 – Shadow of the Vampire (2000)–The Troubles of Casting a Vampire – In Your Vampire Movie
Set during the shooting of the iconic 1922 Vampire film, Nosferatu, Shadow of the Vampire tells the tale of the dangers that can face you when you look for too much realism in your films. Staring John Malkovich as famous German Director, Frederich Wilhelm Murnau, during his filming of the above mentioned Nosferatu. Taking his cast and crew to film on location in Czechoslovakia, where he instroduces the rest of the crew to the star of the film, Max Schreck, whom, Murnau explains, will be in character for the entire time of the filming, and will only be seen at night. Schreck is played masterfully by Willem Dafoe. When members of the crew start to disappear, we see interesting back and forth between Murnau and the Vampire, in which we find out that Murnau has made a very interesting and questionable bargain with the Vampire: His good behaviour for the life of one of his cast. Shame it’s so difficult to deal with the undead.
Shadow of the Vampire puts a new twist to the Vampire movie: it’s a movie about the making of a vampire movie – wherein the Director of said movie chose to hire a real Vampire to play the title role. The cast is composed of a lot of “A” Listers and they all do an amazing job in this unusual film. The story is gripping, and the switch between regular filming, and the representation of what Murnau is capturing on his cameras is a great way to capture the dualism of the story. After watching this, I was compelled to watch the original, 1922 Nosferatu the very next day. If you enjoy horror movies, plot twists and damn good acting then you owe it to yourself to watch this film. Check out the trailer below:
2013’s movie, Devil’s Pass, tells the story of a group of Americans, led by amateur film maker Holly King (played by Holly Goss), who head to Russia to investigate the Dyatlov Pass incident and the now infamous doomed hiking party of nine that were found inexplicably dead, mutilated, nearly nude and one member dosed in radiation. Over the years many people have put forward theories as to what happened to the original group, but know one really knows the truth. This group wants to be the ones to find the real reason for the slaughter. The group makes it to the area of the original events faster than expected. Once there they notice strange foot prints that seem to appear out of nowhere and disappear the same way, leading some of the group to accuse Holly of faking the prints for her film, something she categorically denies. Things get weirder: Holly and another member of the group uncover a large metal door that locks from the outside in the side of the mountain. Later, in the middle of the night the group is wakened by deafening noises and forced from their tents due to an avalanche, in which they lose one of their group and another gets a nasty compound fracture of the leg. Shortly after this, one member fires off a flare, hoping help may come. Soon two men approach, and while at first they believe it’s help, one of the group notes that the would be rescuers have no packs or supplies and therefore are most likely a threat. This turns out to be true when the two start firing at the group. Holly and one member have to leave behind the injured member whom they witness getting shot by the two men. Holly and friend open the mysterious door into the mountain and enter, the door immediately being locked (from the outside) behind them. Once inside, things start to get even weirder. Finding evidence of an old, secret US experiment in teleportation via photos amongst other documents, they start getting the idea that perhaps strange forces are at work. Soon the movie switched from horror to Science Fiction/Horror.
Devil’s Pass is a found footage style movie – a style that has been ridiculously over used ever since The Blair Witch Project proved you didn’t need expensive cameras and production values to make a good, scary movie. Unlike most of those found footage movies, this one is actually pretty good. I chose it seemingly at random on Netflix, I recommend this movie if your looking for something creepy and new to watch.
Check out the trailer below:
A generic feeling early 80’s Sci-Fi movie, this is a dark and visually muddy movie. A specialist is sent to a planet where experiments in creating a high protein food source has gone awry when the creature the scientists have created (a mutant, hybrid between human and whatever), goes rogue and starts killing and transforming the crew of the outpost.
The mature creature looks a little like an obese version of the Alien from, well.. Alien, and it’s pre-transformation looks a little like a you might see inhabiting the thermal vents of the Marianas trench. The actors are people I’ve never heard of, there’s a little bit of 80’s breast and that’s it.
I’ve seen worse, but I’ve also seen much better. This movie seems to have a little bit of a cult following. I wonder if that is due to people who saw the movie at a young and impressionable age.
Anyway, I watched it on Netflix.
Here is the trailer:
So, I just watched a Zombie movie that was filmed in my home city of Calgary, Alberta, Canada. It was a low budget film, and it lacked polish and there was some questionable performances. You know what? Who cares – this was a fun, silly Zombie film.
The Dead Mile is a truly Canadian movie that combines hockey, a Zombie Walk and real Zombies to create an end of society, Zombie outbreak movie that delivers on the fun and the gore. A group of friends are preparing for an annual Zombie Walk when an actual, cow transmitted Zombie virus hits the city. The Zombie Walk participants are actually turning into Zombies, and our little group of friends need to find a way to survive. One of our characters, Tyler, works for a dick, Kevin Wong, who owns a comic shop, who is hosting a a signing event for a couple of horror stars to coincide with the Zombie Walk. Well these two get wrapped up in the whole Zombie outbreak and join forces with Kevin and his friends. They are soon joined by two simple, hockey obsessed guys, who suggest they make a break for the hockey/ice rink – a fortress according to them. Of course, like in all Zombie films, the fortress is never quite as… fortressy (yes, I know that’s not a real word – but it’s my blog so nananana-boo-boo), as they hope. One by one the group is diminished as members fall prey to the Zombie hordes. You know, like in a Zombie movie.
This movie is low budget and flawed, but really, who cares: most Zombie movies are. At least this movie delivers on the humour, and for a low budget film, it manages to look pretty good (and thank you for not finding it necessary to make the film look grungy and 70’s like – that works when for 70’s films only – you deserve kudos for not doing that). They also deliver on the gore, like a true Zombie movie should. I say this is worth a watch, especially if you are Canadian, and even more so if you are from Calgary. The movie’s writer/Director , K.J. Kleefeld and his crew did an admirable job. The film it self is available to rent online at https://vimeo.com/ondemand/thedeadmile for $4.99 – I though it was a little steep for a rental of an independent film, but I said “What the Hell,” I’m supporting a small film maker” (who just happens to be local – GO CANADA!!!). Check out the trailer below, and then go spend $4.99, you cheap bastard, and help some independent film makers.
Soylent Green takes place in New York City in 2022. The world is struggling to feed the masses a,d the human diet is primarily soy and plankton wafers (of different colours and quality) made by the Solent company. The wafers are found in red, yellow and the new, higher quality Soylent Green variety. When When New York city Police Detective Robert Thorn (played by Charlton Heston), is called to investigate the murder William R. Simonson, he discovers the dirty truth behind the Soylent corporation and their new wonder product, Soylent Green.
This movie paints an interesting if bleak view of the not so distant future: The humanity is struggling to feed it’s masses, while the upper crust lives in relative opulence. Rich executives have concubines (referred to as furniture) included with the rent of their homes. They get access to real foods instead of waiting in never ending lines for an allotment of tasteless survival food. Thorn’s persistent investigating turns up something very disturbing about the Soylent corporations new miracle food Soylent Green… Something that would definitely make it much less palatable .
This is an important Sci-Fi film, and I definitely suggest you watch it. It’s a bit slow, and if your Sci-Fi requires spaceships and laser guns, then don’t watch this as it will disappoint. But if you enjoy a good story then check it out.
Thank you to everyone that made the Calgary Horror Convention an AMAZING event. A fantastic lineup of guests, including a reunion of the cast from the fantastic 1990 remake of Night of the Living Dead: Bill Moseley, Tom Savini, Patricia Tallman and Tony Todd,
Wow… I had never heard of the Basket Case movies until my buddy suggested we watch them about a month ago. Well, last night we finished the last of the three movies and I have to say that I was left pleasantly surprised at how much these movies entertained me.
The Basket Case movies tell the story of two Siamese, or co-joined twins, separated in childhood. One twin, Duane Bradley (played hilariously cheezily by Kevin Van Hentenryck) is a fully formed, mostly normal looking guy, but his brother, Belial, is a disgusting blob of flesh with one dangerously powerful arm and, a very strong leg and a disturbingly human face with a mouth full of jagged, dangerous teeth. Belial is a dangerous character who is understandable unbalanced. Spending most of his time in a basket (hence the name of the movies), he and Duane have a psychic bond and can communicate without words). Duane and Belial were separated against their will when children in a horrific home surgery. Now Belial and Duane are looking for revenge on the doctor’s that did the brutal operation. Belial, extracting his revenge – this little guy is a damned efficient killing machine – having killed a large number of people, gets into a scuffle and he and Duane fall out a window together. Apprehended and brought to a hospital, they both escape.
Basket Case 2 picks up where Basket Case left off – now Duane and Bradley find themselves in the home of Granny Ruth (played by Annie Ross), a woman who has taken it upon herself to provide sanctuary for horribly and bizarrely deformed people. The cast of strange creatures is interesting and funny – I thing the creature designer on this film most likely had a great time. This is a place where Belial can feel at home and not have to hide from the world. Duane, though is having a tougher time fitting in, as he feels like the outsider. That said, he manages to fall in love with Granny Ruth’s assistant, Susan (played by Heather Rattray), a seemingly normal young lady – and it seems that she loves Duane, too. Also, Belial finds love himself when he falls for a similarly mutated Eve. Soon Granny Ruth’s sanctuary is threatened by a sleazy reporter and photographer. Duane and Belial decide to organize the ragtag group of mutants into an efficient and deadly defence. After saving the day, Duane and Susan start to get it on… and Duane finds out the real reason Susan stays with Granny Ruth. Duane flips out and goes off the mental deep end (and something happens to Susan)… And the movie ends. Oh, I can’t forget to mention the weirdest love scene ever between two lumps of mutated flesh.
Basket Case 3, starts the moment Basket Case 2 ends. Duane wakes up to find himself in a straight jacket, calling out to whomever claiming that he’s all better now. Granny Ruth enters his padded cell and explains how long he’s been there and why. She also gives him some good news: he’s going to be an uncle, as Belial has impregnated Eve. Eve, being massively mutated, is starting to go into labour, and Granny Ruth is concerned that she may require medical attention. She packs up the entire group of mutants into a school bus and they take off to a sympathetic Doctor referred to as Uncle Hal. Uncle Hal has been taking care of a genius, multi-armed mutant, Little Hal. Duane, still a loose, mildly crazy loose cannon, is trying to escape at any cost. Meanwhile Eve Gives birth to a…a lot of little Belial copies, despite the fact that Belial loses it and attacks Uncle Hal (due to a flashback). Getting the attention of the Sheriff’s daughter, who he stupidly trusts, he soon finds himself behind bars, while the stupid deputy’s decided that they want to capture Belial for a reported $1,000,000 reward offered by a rag newspaper. Yeah, well that doesn’t go very well and one escapes with his life and a basket full of baby Belial looking offspring. The mutants aren’t going to stand for that, and they launch a brazen attack on the jail in order to save the babies. Things get even weirder.
Okay, these are low budget movies that leave a lot to be desired. That said, I really enjoyed them. Duane is an unbelievable silly character that while fake, is super fun to watch. Belial is such a weird character that it’s hard to find him scary, and the gallery of mutants under Granny Ruth’s roof are very… crazy. Still, I really liked these movies – they have a certain charm that is very rare in the horror genre, and if you can suspend your sense of disbelief, you might just have a good time watching these crazy movies.
Yep, I watched it.
A 1971 pseudo environmental warning horror film about a scientist (mad, of course) who combines the invasive species, The Walking Catfish, and mankind to create a killer fishman – himself.
He kidnaps and kills a few people, looks ridiculous and is silly.
That is all this movie has going for it. Watch it if you like, I found it on Netflix (U.S.). Apparently it was also known as Zaat and is available on Youtube.
Here is the Trailer. and look below that for the entire movie (as “Zaat”)
And Here’s the whole movie:
Last night I watch the masterful biopic, Hitchcock, about the Master of Suspense, Alfred Hitchcock and absolutely loved it. The movie takes place during the filming of Psycho. What I learned was that Psycho was loosely based upon the crimes of Ed Gein, a serial killer, body snatcher and possible necrophilliac from Plainfield, Wisconsin. This left me wondering about who this Ed Gein was and were there any movie based specifically about him and not just inspired by his crime. A quick Google search and I foung the movie, Deranged from 1974.
Deranged starts with a warning that everything in the film is based on real events and that the names have been changed to protect the innocent…. blah, blah,blah! Telling the story of a man that was raised by an overbearing religious fanatic mother that taught him that all women, aside from herself, were diseased whores out to corrupt him. Not allowed to socialize with others outside of school, Ed was bound to come out twisted. Ed, obsessed with his mother, devoted himself to her caretaking. When she suffered a stroke, he became even more so. Upon her death he boarded up the rooms that she used and left himself a small area in the house for his own use.
In the movie, Ed soon finds himself missing his mother terribly, and convinced himself that she was actually sleeping and not dead. His mother’s voice calls to him telling him to retrieve her and bring her back to their home. Exhuming the body, Ed does just that. Mother, having been buried for the better part of a year was not in prime shape, so Ed decides to make repairs to his mother. Using bits of fish skin and the like he fixes her up as best he can. Eventually, he studies taxidermy to improve his skills. Not content with animals, Ed exhumes bodies from the grave yard, taking parts of or whole bodies from fresh graves. Ed’s a ghoul.
Soon Ed ups the ante when he becomes smitten with a local bar owner and kidnaps her. Hoping she’ll be his wife, he introduces her to his mother and dinner guests: posed bodis of the peopl he stole from the graveyard. Playing along, she convinced him to release her bound hand, and attempts to escape… Sorry! Ed ain’t letting you go. Instead of a wedding, she’s dead now.
Ed keeps up his shit with no one suspecting him at all, until a girl keeping shop dissapears with signs of foul play. The last person in the shop was Ed and the local Sherriff goes off to Ed’s farm house to talk to him. That’s where they find the body of the girl and evidence of all of Ed’s grisly crimes. The movie then ends with a write up of Ed being found insane…
Okay, this is not a great movie, but I did find it interesting as I knew little of Ed Gein. There have been a lot of movies about Ed and based on him. Not many of the biopics are very good, but this is one of the first. Should you watch it? If your interested in the crimes of Ed, then yes. If not, then don’t bother.
It was worse than Zombie Babies (which I also hated).
Everyone attached to this movie should have been banned from ever attempting to create anything artistic. And guess what? They made a sequel.
So… What’s wrong with the movie? It’s boring and poorly made. Oh, did I mention that it was boring?
Don’t watch this piece of shit.
Trailer? Oh, why the hell not:
2008’s The Midnight Meat Train (MMT) is something unusual: a good movie made from a Clive Barker story.
Don’t get me wrong, I like Clive Barker’s writing, but aside from Hellraiser, there aren’t many film adaptations of his work that I can point to and say, “this is a good movie.” Well, there is one more and this is it.
Based on a short story of the same name from the Books of Blood collection, MMT tells the story of a talented photographer in New York City by the name of Leon (played by Bradley Cooper), who after showing some of his pictures to a wealthy Galley owner Susan Hoff (played by the still beautiful Brook Shields), is spurred on to capture the true, grittiness of the City. Going out on night shoots, Leon captures a near mugging/rape of a famous model. Still, despite saving her from a gang of thugs, she disappears that night when she is attacked by a large, silently imposing man, known simply as Mahogany (and played by Vinnie Jones), with a meat hammer on the subway . Hearing of the disappearance the next day while reading the paper, he decides to go to the police, thinking that perhaps the thugs, after being initially scared off, might have come back and got on the same train as the model. When Leon brings this to the attention of the police, the officer that serves him seems strangely unconcerned.
Leon shows the photos he took of the near rape/mugging to Hoff, who states she loves them and challenges him to get two more photos to go along with these and she would host a showing of his work. Leon takes up the challenge. Returning to the subways, Leon notices a large silent figure that catches his imagination. The figure is that of Mahogany himself. Leon follows him, taking pictures, until wordlessly confronted by him in front of the aging hotel that Mahogany calls home. Frightened, Leon apologizes for bothering him and leaves. Later, when going over his photos of the incident of the model, he notices that Mahogany was on the train that the model entered, but never got off. Leon starts to obsess over Mahogany and continues following him, discovering that during the day he works at a large scale butcher, as a meat renderer. Leon sneaks into the butcher to get more photos, and is almost caught by Mahogany. Leon starts to connect other disappearances that had occurred on the New York Subway line with train schedules. He works out that below the butcher shop, there must be an abandoned subway station, where Mahogany unloads the bodies and gets rid of the evidence. He presents this to his fiancé, in a scene reminiscent of something from the movie A Beautiful Mind. Freaked out and thinking Leon is going crazy, she begs him to stop following Mahogany and get back to day shooting. Leon promises… But goes back to following Mahogany. That night, he catches Mahogany in the act, photographing the scene while Mahogany prepares the body of his victim like one would prepare meat. Chased, captured, marked (via scarification) and eventually escaping, Leon now knows for sure that Mahogany is behind the disappearances. Returning home, beaten and disturbed, his fiancé freaking out – he tells her what he saw and that he took phots but the camera was taken from him during his ordeal. On her own volition, she and a friend decide to go to Mahogany’s room after he leaves and look for Leon’s camera – While there, she finds subway schedules going back a century, with train times circled that correlate to disappearances that happened. Also… her friend is captured and bludgeoned by Mahogany, and she barely escapes with her life. Going to the police, the same officer that dealt with Leon shows the same level of unconcern and stated that Mahogany reported something stolen, the train schedules, and that he wants them back. Claiming that her friend, who was captured by Mahogany has it, and if they want the schedules, they have to find him.
Okay… what the hell am I doing? I’m freakin’ describing the whole freakin’ movie. Look – Mahogany is a guy that has a job, and that job is to help feed… something inhuman. It’s an important job and he would normally have gone unnoticed, but something in Leon’s make up made him attune to Mahogany. At the end of the movie, all is revealed, and it is a typical Clive Barker twisted concept – an idea that below the surface of what we as normal humans perceive, there is another world of darkness – the stuff nightmares are made of. Midnight Meat Train did a good job of bringing that world to the big screen. Do I suggest watching it? Oh Hell yes.
Check out the trailer here:
1973’s British production, The Legend of Hell House is a stylish, early 1970s horror movie that kind of surprised me. You see, I usually find 60’s and 70’s British horror to be boring… and mostly crap. With the exception of some (but not all) Hammer films. Well I am glad to say The Legend of Hell House is an exception to this.
The story is basically this: A millionaire, Mr. Deutsch hires a group of “specialists” to investigate a purported Haunted house, The Belasco House, in an effort to either prove or disprove life after death. The Belasco house had been the home of Emeric Belasco, a rumoured, evil giant of a man who reportedly held massive orgies in the home. Later, after the death of Belasco, people who entered the house either died or suffered insanity.
In the 1950s, a group that entered and tried to get to the bottom of the hauntings ended in tragedy. The only survivor, a 15 year old physical medium named Ben Fisher survived. Now, in 1974, Ben (played by Roddy McDowell), along with physicist Dr. Lionel Barrett (Clive Revill), his wife, Ann Barrett (Gayle Hunnicutt) and spiritual medium Florence Tanner (Pamela Franklin) make up the new team that was hired to investigate.
The fist night together in Belasco House, the group partakes in a séance (or sitting). During this sitting, Florence claims to be channel a spirit, and in a weird, manly voice warns and threatens the group, while physical objects around the room are shaken and moved without anyone touching them. While the group is shaken up, Dr. Barrett believes that there must be a scientific reason for the events.
As the days go by, Florence is visited by what appears to be several spirits, but most notably, one claiming to be Belasco’s son, asking to be released. These visits seem to end with Florence being physically attacked – even by an evil, determined black cat.
Florence isn’t the only one being targeted – they all are. Ann Barrett, becomes temporarily possessed while sleep walking and tries to engage Ben in sex. Ben, realizing it is the spirit talking and not really Ann, slaps her awake – she comes to and runs away. – A note: Ann is pretty hot – Ben must have used some serious will power here-. Also, during another sitting, Dr. Barrett is targeted by flying objects that are hurled in his direction seemingly by invisible hands. Dr. Barrett, though, is still convinced that this can be explained scientifically.
Barrett has a large piece of equipment delivered to the house that I think drains the ethereal energy of the house – Florence attempts to destroy the machine but fails. Barrett starts up his machine and gets to work. While they are doing so, Florence gets up and enters the chapel of the house… where tragedy befalls her. While this is happening, in the room with the machine, Dr. Barrett believes that the machine has done it’s job, and even Ben agrees, declaring the home “clear.” Well, almost immediately a bunch of crap happens and Dr. Barrett is killed. Ann and Ben enter the chapel, and find Florence dead. Ben, coming to a realization, hurls accusations at the spirit, belittling it, and soon they discover a hidden chamber… and the truth of the evil Emeric Belasco…
Well, as I stated at the beginning of this post, I generally find British horror from this time boring , but I enjoyed this quite a bit. It was an interesting story and the acting was good. Not a lot of gore, but that’s okay. Should you watch it? That’s completely up to you.
Check out the trailer below:
Eddie the Sleep Walking Cannibal tells the story of a Danish painter, Lars (played by Thure Lindhardt), who travels to a small Canadian town in order to both teach art and to hopefully get his muse back and start painting again.
Lars has trouble fitting into the community at first, stating off his adventure by hitting a male deer (a Buck), with his truck – that scene, while grim has a certain morbid humour to it that sets the stage for the rest of the movie. Shortly after starting teaching, one of his students, Eddie, (played masterfully by Dylan Smith), an adult mute with what seems to be a learning disability loses his care giver, his aunt, and ends up in the care of Lars, living in his home with him.
Soon Lars finds out Eddie has an interesting, if disturbing habit of walking and killing (and eating) living things in his sleep. Witnessing this, Lars finds that it drives his creative juices and suddenly he can paint again – the sleep walking Eddie becomes his muse.
Eddie starts off killing and eating a small animal but soon progresses to humans. Each time, Lars is inspired again to paint, and each painting he cerates, he sells and uses the proceeds to help the small community that he now resides in.
Lars soon learns that Eddie only does things when he is upset, and as Eddie becomes more comfortable with Lars, he stops the killing. Lars, feeling the need to create, tries to create a situation that upsets Eddie in order to spur on his nocturnal activities. Lars is becoming addicted to Eddie in a way.
This movie explores a weird and unusual subject. Lars at first is a sympathetic character, but morphs into someone unlikeable. His relationships within the community develop in an interesting manner as does his descent into darkness. Strong performances by the supporting cast helps to elevate this movie from an interesting B movie to something that I strongly suggest you watch. Keep an eye out for Stephen McHattie as Lars’ agent – you might remember him as Elaine’s therapist/lover from Seinfeld.
Check it out! Here is the trailer: