Just a heads up as to what to expect this weekend from ilikebadmovies.com
So, a small town is invaded by a life form from space that looks a lot like a giant multiple headed lamprey with a penchant for making slug like babies (lots of them), and eating the locals. A group of four geeky science nerd teens and a young boy do their best to save the town (and most likely the world) from this infestation. It’s kind of weird that three of our movies had similar themes and creatures (Slither, Night of the Creeps and Deadly Spawn), not in that they are alien infestation movies (it’s kind of the theme), but the fact that the three creatures in the mentioned movies all propagate by releasing slug like grubs, liked to enter through the mouth id possible, and the main “mother” creature found someplace out of the way to grow and develop. Well, if they copied each other, this is the progenitor of all of ‘em. A silly movie, Deadly Spawn stays entertaining, and cheezy which is perfect for me. Lots of campiness to go around, and some really questionable actions by it’s characters may make you moan at times…but don’;t let that stop you from enjoying the movie. A true representative of it’s time, the early 1980’s, it still stands out as a fun, throwback to the creature features of the 50’s and 60’s…
Watch this film, my friends!
Alien Horror Week – Movie 3: Killer Klowns From Outer Space (1988)–Now This… This is A Movie You Should Watch
1988’s way over the top, Killer Klowns From Outer Space tells the tale of a group of evil aliens that come to Earth, specifically Crescent Cove, California, in their space craft to harvest humans. Pretty typical of a Sci-Fi horror film, I know, but these aliens look like demented clowns, and their space ship looks like a giant circus tent.
Starting off with a farmer going to investigate what looked like a comet that has fallen to Earth (he thinks it is Halley’s Comet), and stumbling across the Circus tent like Alien spacecraft, he and his dog are quickly captured by the Aliens. Now, of course the Farmer wasn’t the only one to see this shooting star like object. Mike (Grant Cramer), and his girlfriend Debbie (Suzanne Snyder), decide to also check it out. They find the spacecraft (just like the farmer did), and manage to find a way in, where they discover the remains of the farmer and his dog, cocooned in a cotton candy like substance (hey – they’re alien clowns… errr “Klowns”), and themselves just barely missing being capture by one of the aliens. After a hairy escape (including being chased by a balloon animal, they head to the police station. They tell their story to officer Dave Hanson (John Allen Nelson), who happens to be Debbie’s ex boyfriend. The story, of course sounds ridiculous – I mean, really? Space Alien Clowns? Bodies cocooned in cotton candy? It’s fair to say that Dave is is sceptical, but his fellow officer, the gruff jerk of a cop Mooney (played by the awesome John Vernon) calls them outright liars and wants to put them in jail for making up stories about murders and such. Dave at least agrees to chesk out what they are saying as they did say a couple of people were killed. Dropping Debbie off first (against her wishes), Mike takes Dave out to where they found the ship and the bodies, but unfortunately the ship is no longer there and Dave thinks they made the whole thing up and places under arrest. Well with the clowns loose in the town and more and more people falling victim to their ridiculously amusing weapons and ways, Dave and Mike don’t get far before Dave sees for himself the Killer Klowns and what they are capable of. Meanwhile, back at the police station, Maloney has himself that the entire town is trying to mess with his head with a coordinated series of call from all over town about killer clowns. When Dave calls into the station and instructs Maloney to call for back up, describing the Klown menace, he just thinks Dave is in on the whole thing to and refuses to get or give help. It’s not until one actually strolls into the station that he actually realizes this isn’t hoax. Of coarse, by that time… well, you know. So it’s all up to Mike, Dave and Debbie to infiltrate the Klown ship and save the day… Okay, I left a whole bunch out there at the end because I realized I was just rattling off the movie instead of reviewing it. I don’t want to do that. What I do want is for you to watch this movie because it’s cool, crazy and funny and desreves to be watched by soimeone who can appreciate it for what it is: a fun movie. No one can argue that it isn’t original – Hell, I doubt there is any movie that even resembles this film. A crazy concept, wrapped in a funny script and created by people that must love the genre, this is a film for any Sci-Fi/Horror or Comedy fan. Yeah, it is ridiculous, but it is supposed to be so. Sure, if you watch this movie expecting it to be a serious horror/sci-fi film, you will be mistaken – and most likely stupid, too. I mean, really: it’s about Killer Aliens from space that travel in a Circus tent space craft and look like demented clowns. Still,
it’s great ands it’s fun and you should watch it. Oh, you already saw it? Well, see it again!
Check out the trailer below:
Having just watched Slither (again),last night and remembering the outcry from a lot of fans of the classic 1986 Night of the Creeps due to the many similarities between the two movies, I just had to watch Night of the Creeps (again), tonight.
Night of the Creeps is a neat Horror/Sci-Fi/Comedy about an infestation of alien slug like creatures when they are released on the unsuspecting Earth during the 1950s, landing in a town/city in the states. Initially infecting an escaped lunatic, and a young man on a date with his girl, resulting in a couple of deaths. Cut to the 1980’s where a couple of friends, Chris Romero and J.C.are new to college and trying to fit in. Chris has a crush on a hot girl, Cynthia Cronenberg. Cynthia, though has a meathead boyfriend who is in charge of the frat house that the two want to join (so Chris can hopefully impress Cynthia). In order to join, the two are given the task of stealing a cadaver and leave it on the steps of a rival frat house. While the two manage to enter a lab where they think they will find a corpse, they actually manage to stumble upon a body in cryogenic suspension,. They decide one body is as good as another, and try to take this one. When the corpse opens it’s eyes and grabs a hold of one of the two, they take off “screaming like banshees” (you’ll know why I put that in quotes when you watch the film). Well, turns out this is the corpse of the guy that was infected by the alien life form way back in 1959. So, now we have a reanimated corpse, under the control of an alien life form… The corpse, a sort of alien zombie kills a scientist in the lab and heads out…on the town, eventually ending up on the steps of a girl’s frat (the same one Cynthia calls home). Cynthia sees the zombie and sees his head explode, releasing a bunch of those alien worms… and they spread out. Soon a crap load of the town is infected, including the dead, which rise (hence the Zombie word), animated by there worms. J.C. himself falls prey to the creatures also, but not before he learns the secrets to the destruction of the worms…
Of course everything ramps up to a big good versus bad scene, but I have told you more than enough of the story. You should watch this movie, as it is damned fun. Definitely an homage to the sci-fi creature flicks of the 50’s and 60’s, if you enjoy sci-fi, horror and comedy then you have to see this one, folks. Check out the trailer below:
2006’s Slither does something very difficult: it manages to mix horror with Science Fiction (Sci-Fi), and adding a large dose of comedy…and gets it all right. I’ve reviewed the move in the past (here is the original, tiny write up: Slither 2006). It was so good, that I decided we should watch it again, and maybe put a little more effort in the write up this time.
Starring Canada’s own (hell,we were in the same high school at the same time), Nathan Fillion (Firefly anyone?), as Chief of Police of the town of Wheelsy, South Carolina, where a meteorite crashed to earth, carrying an alien life form. Shortly after it crashes to earth, local, well to do guy, Grant Grant (played by Michael Rooker), gets taken over by the creature after poking at the gelatinous, pulsing mass in the nearby woods (after almost, but not quite cheating on his wife). Soon Grant starts craving fresh, raw meat, and also starts mutating. When Grant’s lovely wife, Starla (Elizabeth Banks), see’s a misshapen Grant, he explains he had a reaction to a bee sting. Well, soon other things start happening, including the disappearance of neighbourhood pets, as well as Barbara, a local drinkin’ floozy…
Well, you see, Grant is now the host of an alien intelligence who spreads through taking over individuals, either through assimilation or through infection via a parasitic worm/slug like form. The creature can also use a life form as a host to breed the aforementioned worms/slugs…and it does – boy does it ever. Of course this turns in to a battle of a few against a lot, and is tense and action packed… as well as a lot of always cool grossness. The creature design is fantastic, and the whole cast does a great job in creating what feels like a heartfelt homage to the alien invasion/creature films of the 1950’s and 1960’s. This is a great Sci-Fi/Horror/comedy that I strongly suggest you check out.
Here is the trailer:
So, this week is dedicated to Alien Based Horror movies. I expect a few possible turkeys, but I believe it’s going to be fun anyway. I am a fan of Science Fiction (Sci-Fi) and horror, and the two mix reasonable well at the hands of competent film makers… and some horribly awesome films when created by bad film makers. I hope we get to see both sides of the coin this week.
We haven’t filled the roster of films yet, so if you have a suggestion or two, feel free to send them on over by using this link:
Eastwood Week Movie 3 – Any Which Way You Can (1980)–Clint’s Great Follow Up To Every Which Way But Loose
Any Which Way You Can is the 1980 follow up to the block buster comedy, Every Which Way But Loose, and it is damned funny. Clint Eastwood returns as the Truck Driver/prize fighter, Orangutan owning Philo Beddle, as well as Geoffrey Lewis as Orville Boggs as Philo’s best human buddy, and Manis the Ape as Clyde, Philo’s best non human buddy. Also returning is Ruth Gordon as Philo’s cantankerous mother and Sandra Locke as Philo’s love interest, Lynn Halsey-Taylor. In this movie, we find Philo has continued his side line as a tough son of a bitch prize fighter. Only he’s decided to retire, having noticed he was starting to enjoy the pain. Unfortunately, the Mafia wants to setup a match between Philo and Jack Wilson, a new style of fighter that mixes boxing and martial arts together, and has managed to kill three opponents and scramble the brains of a fourth victim. Approached by the Mafia, hoping to setup this fight, Philo initially says no, but when the mob ups it to $50,000, win or lose, Philo changes his mind and accepts the fight. When Philo and Jack actually meet, it turns out that they actually get a long. They decide there is no real reason for the fight and mutually decide to call it off. The Mafia, seeing that they are about to lose the biggest grossing illegal prize fight ever, decide to kidnap Lynn Halsey-Taylor, Philo’s returning (and redeemed), love interest in order to force the fight. Frank and Philo take care of that situation, but both realize that they can’t leave the question of who would have won the fight open, so they decide to battle it out. Oh! Also returning the is Black Widows: a comical outlaw biker gang that really have it in for Philo, despite the fact that when ever they come into conflict with him, he ends up kicking their ass and they end up with less bikes. This time though, things end on a high note for them and their relationship with Philo.
This is such a fun movie, and watched back to back with Every Which Way But Loose would make for a great evening of movie watching. I heartily recommend this film and it’s predecessor. Check out the trailer below:
Eastwood Week Movie 2 – Every Which Way But Loose (1978) – Clint’s a Prize Fighting, Orangutan Owner With A Big Heart and Bigger Fists
Damn this is a fun movie. I saw this one back in 1978 when my Uncle Andre brought me to see it with him. I was eight, going on nine and I had a freakin’ field day. I loved the movie then, and I love the movie now.
Clint Eastwood plays Philo Beddoe, a truck driver who sidelines as a prize fighter to supplement his income. Philo is also the owner of Clyde, an Orang-utan that he won in a fight. Philo’s best buddy is Orville Bogg. Philo falls for a tiny blonde country singer by the name of Lynn Halsey-Taylor (Sandra Locke), who he pusues (though she doesn’t try to get away). Lynn tells Philo of her abusive, controlling boyfriend who doesn’t mind is she sees guys on the side. She paints a bleak picture of a controlling jerk. Philo falls for this and her story of wanting to save up for a Country music club of her own, needing only $7000 (and unsure of how much she has as the jerk boyfriend controls all the cash). Philo, feeling for her, offers to take care of that boyfriend – something she declines. Instead, he starts giving her cash to get her toward that goal of getting her club. Well, one day Philo goes to the hotel where she was staying to find she and the abuser have left, leaving little or no trace. Philo decides he should follow/find her (thinking she may be in trouble). Orville and Clyde come along for the ride, quickly picking up a very cute Beverly D’Angelo who was working at a side of the road fruit stand – Orville charmed her and she decided to joining the search for Lynn. Philo take a couple of fights along the way to raise some cash. At one fight, after winning, the guys in charge of the betting try to screw them out of their winnings, only to be put in their place by an up until then quiet Beverly D’Angelo. Very funny. Of course the seach for Lynn doesn’t end particularly happy. Feeling bad for himself, Philo takes a fight against Tank Murdock, the king of the illegal fights. A great fight ends the movie, with a little bit of a twist…
Damn this is a good, funny movie. I strongly suggest you see this one. Check out the trailer below:
Wow… It’s been so long since that I watched this movie, that I had completely forgot that I saw this movie. Not that I was missing much, bet yeah, I’ve seen this when I was a pretty young kid. Some things are best left in the past… Hehehe.
The Horror at 37,000 Feet is a made for TV horror film staring Chuck Connors, Buddy Ebsen and William Shatner that takes place on a 747 airliner…at apparently 37,000 feet. There’s a Druid stone on the plane (being moved from England to the U.S. to be part of a private bar of a successful architect. It’s the solstice, the ancient Druid god’s are angry and demanding a sacrifice.
So, the movie is pretty weak, as one might expect for a made for TV movie of this time (1973), and I doubt many would like it. I enjoyed it mostly due to the memories it brought back and my weird love of crappy movies. If you want to relive some TV memories from the 70’s or also like cheezy bad movies, then I say go for it… If you don’t fit this mould, just walk away and don’t look back.
Trivia: Paul Winfield also stars in this movie – William Shatner and Paul Winfield would later go on to be in Star Trek II – The Wrath of Khan nine years later in 1982.
In 1971’s Godzilla Vs. Hedorah , Japan has a new enemy: a new creature that has evolved to live on the pollutants of our modern society. Not only that, but it is producing deadly pollution itself, incapacitating and humans that may get close. This is a disaster!!! Oh, and guess what? Godzilla doesn’t like to see other monsters on it’s own turf. Yeah, Godzilla and Hedorah are heading for a showdown. I pity the Japanese that get caught in the middle!
So, this is a time when the Godzilla character was transitioning from a bad guy who seemed to get kicks from beating the crap out of Tokyo and other Japanese cities, to a protector of the Japanese people. That doesn’t mean that you won’t be injured or killed if you get too close: Godzilla is a Big Picture kind of monster, and may stomp the occasional person or building on the sidelines. Heck – you might even get drowned in a big piece of polluted monster if you are not careful – should have stayed away from Godzilla, idiot…
Godzilla Vs Hedorah is actually one of my favourite Godzilla movies, and I really like the three stage design of the Hedorah – pretty cool, and add a neat, cheezy transition effect between the stages and you’ve got gold. Add to that the hippiness of the movie – lots of trippy music and psychedelic gels, and some trippy animated series really reminds you of when this movie was made – and that in my opinion is a very good and neat thing. Without a doubt, I would say that this is the most unique Godzilla movie that I have watched (so far, at least). Should you watch it? You should watch ALL Godzilla movies (with the exception of the Mathew Broderick version), but you should especially watch this Godzilla movie.
Check out the trailer below:
1963’s King Kong vs Godzilla is a movie that I saw as a very young child and I tell you, it stuck with me through the years. Heck, I thought this movie was in black and white – turns out I watched it on a black and white TV back in the day! Well, this movie is in glorious colour.
So, a Godzilla has escaped from a frozen chunk of an iceberg, and recently King Kong has been discovered to be a real thing. Okay, he’s a bit of a lush (or junkie), having become addicted to a narcotic berry juice that the locals on the the south Pacific island that Kong calls home. Back to Godzilla: Of course Godzilla is bent of some big time Japanese destruction. From their previous encounters with Godzilla, the Japanese know they are in trouble. Why not play Godzilla off against Kong and maybe the two monsters will destroy each other and Japan can go back to it’s daily normal schedule? Well that is just what is done, in this epic meeting of two iconic movie monsters.
King Kong Versus Godzilla is a fun monster mash of Japanese destruction, tied together with and interesting concept: The action is being described and reported (between scenes), by what appear to be reporters working for the United Nations. Fun stuff!
So, check out this amazing monster movie!
Here is the trailer:
You read that right: This week of movie watching is dedicated to everybody’s favourite, reptilian destroyer of Japanese cities, Godzilla (a.k.a. Gojira).
Why Godzilla? Well, it started after watching Dragonslayer – I was talking to my buddy and thought that perhaps a week dedicated to movies about Dragons might be a cool idea… Until I started searching out movies about Dragons – there aren’t many, and for the most part, the ones that do exist I am not interested in. Except one thing: I consider Godzilla to be a Dragon, and there are a lot of Godzilla movies to choose from, and I just happen to like Godzilla. I think this is what is known as a Win/Win situation folks. Over the next week I will write up the Godzilla movies I watch and share them with you, as usual. But take note: I will not be watching the travesty of a Godzilla movie that starred Mathew Broderick – to me that is not a true Godzilla movie.
So… Welcome to Godzilla Week my Internet friends!
George A. Romero’s 1976 (or 1977 or even 1978 depending on your source), film, Martin, tells the tale of a man, Martin, who may or may not be a vampire…
Martin is a weird film. John Amplas played the title role, a weird, young looking man who has come to live with his great uncle, Tateh Cuda, an Old World Man who accuses Martin of being a Vampire – referring to him as Nosferatu. It doesn’t help that in the opening minutes of the film, we witness Martin drug, rape and bleed a woman on the train he took to get to said Uncle’s house. Once at the house, his uncle instructs Martin forcefully not to speak to Christine (a cousin I believe), and then goes about trying various traditional Vampire repellents (you know, like garlic and crucifixes), but Martin let’s him know that there’s no real magic. Martin starts working at Tateh’s butcher shop and meets local women while making deliveries – these woman later become his victims (or meals, if you will). One of these women eventually becomes Martin’s lover (she’s cheating on her husband). She finds herself attracted to Martin’s quietness, and lack of opinions and judgements. Martin, at first, runs from her advances, but after talking over the phone (and on air), with a local late night DJ, he decides to give into her advances. At the same time, while speaking to the DJ, he tries to remove the mystery from Vampirism . The DJ’s audience just eats this stuff up, and Martin is a hit. Martin’s relationship with this woman changes his feeding habits, and the fact that his uncle forbade him from feeding on anyone from their already dying town, so he soon finds himself in Pittsburgh looking for victims. There he manages to feed well, but took chances that almost got him caught twice. Sated, he returns home only to find his love interest has taken her own life. And that event triggers… another major event.
So we have a guy that may or may not be a vampire who is becoming a bit of an anonymous pop icon, sleeping with a local, married woman, living in a home with a Great Uncle who is trying to ward you off, as he is convinced Martin is none other than Nosferatu. This is pretty interesting stuff here and it’s all put together by one of the Horror genre’s greats, George A. Romero (Night of the Living Dead, anyone?). You never really know if you’re watching a vampire or just a crazy guy who believes he’s a vampire. We see scenes in black and white of events that would have to happen a long time in the past, but we’re never told whether or not these are Martin’s memories or figments of his imagination. Add that to the fact that he tells Christine, in passing, that he is 84 years old. What… What is going on here. A good movie – that, my friends, is what is going on here.
Check out the trailer below, and if you get a chance, check out the movie too.
Vampire Week Movie 5 – Shadow of the Vampire (2000)–The Troubles of Casting a Vampire – In Your Vampire Movie
Set during the shooting of the iconic 1922 Vampire film, Nosferatu, Shadow of the Vampire tells the tale of the dangers that can face you when you look for too much realism in your films. Staring John Malkovich as famous German Director, Frederich Wilhelm Murnau, during his filming of the above mentioned Nosferatu. Taking his cast and crew to film on location in Czechoslovakia, where he instroduces the rest of the crew to the star of the film, Max Schreck, whom, Murnau explains, will be in character for the entire time of the filming, and will only be seen at night. Schreck is played masterfully by Willem Dafoe. When members of the crew start to disappear, we see interesting back and forth between Murnau and the Vampire, in which we find out that Murnau has made a very interesting and questionable bargain with the Vampire: His good behaviour for the life of one of his cast. Shame it’s so difficult to deal with the undead.
Shadow of the Vampire puts a new twist to the Vampire movie: it’s a movie about the making of a vampire movie – wherein the Director of said movie chose to hire a real Vampire to play the title role. The cast is composed of a lot of “A” Listers and they all do an amazing job in this unusual film. The story is gripping, and the switch between regular filming, and the representation of what Murnau is capturing on his cameras is a great way to capture the dualism of the story. After watching this, I was compelled to watch the original, 1922 Nosferatu the very next day. If you enjoy horror movies, plot twists and damn good acting then you owe it to yourself to watch this film. Check out the trailer below:
Suspiria is a 1977 horror movie directed by the Italian master, Dario Argento, and the fist of a trilogy of horror. And it’s weird… and loud.
Suspiria tells the story of America ballet dance student, Suzy Bannion who takes up study at a prestigious dance study in Germany, but quickly discovers that things are not what they may seem. Upon arriving at the school on a ridiculously rainy night, only to see an upset girl fleeing and mumbling something about a secret and a flower – and then to be refused entrance. Next we see a girl die in an artistically weird stabbing… The next day Suzy manages to get to the school, meets Madame Blanc and Miss Tanner, and is shown around the school and introduced to the girls in the locker room. Suzy is told that the room she was to stay in is not ready and that she will stay with another student for the time being. At the school, Suzy has a fainting spell (after a weird encounter with the school’s cook)… later she seems okay…
Alright: All I am doing is describing what happened in the movie – and that is a silly thing to do. It’s al artistic Italian Horror by the master Dario Argento and it is about a Ballet School run by witches…
Argento manages to create a creepy, artistic weird horror flick of sorts that keeps you watching. The strong uses of colour is very jarring as well as is the cacophonous soundtrack which built up so much tension in me that I almost felt nauseous. Seriously, I have never had a soundtrack for a film affect me so… and it was loud. This is a trippy experience of a film and definitely bot for everyone. If you have an open mind (and not overly sensitive ears) , then this will be a memorable watch. Will you like it? Many won’t – I did, but with reservations. You check it out and tell me what you think. Here’s the trailer:
When 1974’s horror movie, It’s Alive was released, there was the creepiest commercial for the movie where you see a baby carriage, and hear what appears to be a normal baby cry…but as the camera pans around the baby carriage, you see a big monster hand coming out from inside the pram… Well that commercial used to scare the living crap out of me… seriously (hey, I was 4 or 5 at the time). Well, today I finally faced down that fear and watched the movie.
Check out that scary (for a 4 or 5 year old) TV spot here:
It’s Alive tells the tale of a couple, Frank and Lenore Davis (John Ryan and Sharon Farrell), who give birth to a child that is nothing short of a monster. The initial birth is a little tough, as the baby is larger than a normal baby, but the doctor is still confident is all right… Next thing you know the delivery room is full of the dead or dying bodies of the doctors an nurses that were assisting in the birth… and a monster baby is on the loose in the city of Los Angeles.
Dad wants the baby dead because it’s an abomination who’s existence has caused the loss of his job, and the ruination of his family. The big drug companies want the baby dead in the off chance he’s a by product of there chemicals. And the police want the baby dead… because it’s killing people. The only one that seems not to want the baby dead is the mother… at first, at least.
This is definitely a creepy movie, and reasonable well done, if a little slow. Having been as scared as I was of the damned commercial as a child, I do wish the movie was scarier than it is, though I am happy that it doesn’t totally suck. An interesting concept and if the idea sounds like something that you’d like, then definitely watch it.
Check out the trailer below and decide for yourself:
Battle of the Damned (2013)–Dolph Lundgren Kickin’ Zombie (like) Butt With Some Cool Robot Sidekicks
Well, this was surprisingly fun. 2013’s Battle of the Damned stars Dolph Lundgren as Major Max Gatling, who with his small group of mercenaries are hired to extract a rich company boss’ daughter from within’ a zone of a city overrun with zombie like (fast zombie like) disease victims.
This movie was another that I just didn’t expect much at all from, but was actually surprised by how entertaining it actually was. The story: A guy is hired, along with his mercenary buddies to save the industrialist daughter, endangered by zombies (sort of) from withn’ a city full of those beasts. She’s found refuge with a group of survivors, lorded over by a well meaning but jerkish leader by the name of “Duke.” Duke is convinced no one can make it out alive, and tries to make sure that Gatling doesn’t risk any of his group, going so far as to leave him handcuffed to a post, exposed for the zombies to get… But of course Gatling is too bad ass to die that way. Escaping (with help), they of course run into some robots who are very happy to take orders from Gatling. Next up: Robot versus Zombie action.
Okay, silly? Maybe but awesome? Definitely. If you like a good action movie, Zombies and Robots, well this movie has it all. Does it deserve any awards? Oh hell no – but is is fun and I heartily recommend it! Check out the trailer below:
1994’s epic movie, Pulp Fiction, is a crazy, head spinning movie that just doesn’t give you a chance to take a breath. Like almost all Tarantino movies, it has a cast that is virtually a who’ who of Hollywood (as of 1994).
Pulp Fiction is a homage to the crazy B-Movies of the 60’s and 70’s, right down to the out of order timeline of events in the film. You’ve got a couple of thugs, or muscle for a Mobster by the name of Marcel, Vincent Vega (John Travolta), and Jules Winfield (Samuel L. Jackson), who among other jobs, are sent to collect a briefcase with…something in it, from some young guys, who apparently believe Marcel is a bitch (watch the movie…). Things go wrong and things get messy.
We also have a sub story about a boxer, Butch Coolidge (Bruce Willis), who’s been paid heavily by none other than non-bitch Marcel, to take a dive in his upcoming fight.. yeah, things go wrong, and Butch and his weird and annoying French girlfriend are on the run. Later, Butch and Marcel end up captives to some hillbilly homosexual sadist rapists. Things get crazy again. Release the Gimp. and in another segment, Butch surprises Vincent… with deadly results.
We also have Vincent, charged with keeping Marcel’s wife, Mia (Uma Thurman), entertained while Marcel is away. The two end up at a cool, over the top, 50’s style diner. There’s some talk of a $5 milk shake and a great dance off… and then later, back at Marcel’s and Mia’s things get crazy, Mia ends up almost dead, rushed to Vincent’s heroin dealer’s house with a syringe of adrenalin sticking out of her chest.
Somewhere in the middle, a crazy criminal couple (Tim Roth and Amanda Plummer) decide they want to rob the restaurant where Vincent and Jules are chilling out in. Things get intese this time, with Jules and holding a gun to Roth’s neck and explaining the deal to him…
Damn this movie is cool – awesome and out of sight. Some people (my wonderful wife included), do not like the fact that the story line is not linear, but I think that’s part of what makes the movie as great as it is. Should you watch this film? Yes, many times.
Check out the trailer below:
True Romance is a crazy, wild ride of a movie. Written by Quentin Tarantino, and starring Christian Slater as Clarence Worley and Patricia Arquette as Alabama Whitman, a young couple who meet at a Sonny Chiba triple play at a theatre in Detroit. They hit off real good, have dinner and then both end up at Clarence’s apartment, having sex. Alabama then admits she’s a hooker hired by his boss, to help him blow off some steam. She also admits that she’s managed to fall in love with him over the course of the evening. This is fortunate, as apparently Clarence has fallen in love with her also. Having known each other for a whole night, they do the logical thing and get married. Now Clarence has to deal with Alabama’s Pimp, Drexl (Gary Oldman). What confronting the pimp, and after a ruckus, and a visit from Clarence’s muse/alter ego/imaginary friend in his head, Drexl ends up dead, and Clarence accidentally ends up with a suitcase full of cocaine. The newly webs hatch a plan to sell the cocaine and restart their lives somewhere warm… Well, the coke was the Mobs, and soon the two are being tracked down by some unsavoury characters, one being the always awesome Christopher Walken as gangster Vincenzo Coccotti. Before the duo leave Detroit for California, they stop by Clarence’s estranged fathers, a police officer by the name of Clifford, played by Dennis Hopper a Detroit police officer, to find out what the police believe the motive for Drexl’s murder. After they leave, Coccotti and his crew end up at Cliffords to drill him on the location of Clarence and Alabama… A great exchange between two great actors happens…only one survives.
Off to Cali, the dynamic duo meet up with an old friends of Clarence, who begrudgingly agrees to help him sell the cocaine to a director he kind of knows, using a go between, played by Bronson Pinchot. Things go wrong, cops get involved, a meeting happend and everything goes to crap…
This movie is crazy and cool – crazy cool? Yeah. Unlike the Kill Bill movies (and the others I will be reviewing), this is written by Tarantino, but directed by Tony Scott, and therefore has a different feeling than Tanatino directed films – but don’t think that is a bad thing, it’s just different. This is a great film and deserves to be watched.
Check out the trailer:
Quentin Tarantino’s 2003 movie, Kill Bill Volume 1 tells the story of “The Bride” (played by Uma Thurman), a former member of an assassination team known as the Deadly Vipers, and her journey of revenge against her former fellow assassins, and Bill, her former master and leader of the Deadly Vipers, for attacking and massacring her wedding party and leaving her for dead during a wedding rehearsal.
Thurman’s character, in this iteration of the Kill Bill Saga is known simply as the Bride. Waking from a coma, four years after Bill left her for dead on the floor of a church, he Bride takes little time to start her path of vengeance… starting right there in the hospital,taking out the redneck that paid a greaseball orderly to have sex with her… Oh, and she takes out that orderly, quickly. also… and takes off with his ridiculous, bright yellow truck, labeled “The Pussy Wagon”. First stop. after the killing in the hospital is to the home of Vernita Green (played by Vivica A. Fox). The two do epic battle with a short break in the middle when Vernita’s young daughter comes home. Soon the action restarts, and ends with The Bride heading to her next destination/victim, O-Ren Ishii (played by Lucy Liu), a former Viper and now leader of a consortium of Yakuza families. A flashback shows us just how she won the respect and fear of the male dominated Yakuza families. When The Bride shows up in Japan, she defeats what seems to be an almost endless number of minions, known as the Crazy 88s. The scene ends with a very stylistically shot scene with The Bride and Oren in a samurai sword battle. Pretty evenly matched… but you know who is going to win, and she does so in a spectacular fashion. Upon leaving, she leaves one former member of the Deadly Vipers alive: Sophie Fatale, (played by Julie Dreyfus), is left alive, albeit minus one arm, to send the message that The Bride is coming for him. Mixed up in the story ids a sub story, where the Bride travels to the island of Okinawa, and convinces the esteemed, but now retired sword smith, Hattori Hanzō (played by the awesome Sonny Chiba), to craft her a samurai sword. At first he declines… that is until she tells him the sword is to be used to Kill Bill. Now he’s in…
Kill Bill Vol. 1 is a little disjointed. Like Tarantino’s other masterpiece, Pulp Fiction, it has a disjointed timeline – the scenes are just not in linear order. I believe this may be in homage to the cheezy B-Movies of the past where projectionists would sometimes play the reels out of order, either due to mis-labeling or just carelessness. Either way, I like it.
Watch Kill Bill Volume 1… and if you’ve seen it, watch it again.
Check out the trailer below:
Telling the story of a female gang, know as the Dagger Debs (a sub gang made of the girl friends of The Daggers, and all male gang), run by tough chick Lace (played by Robbie Lee) who rules her gang through fear. Soon a small time confrontation in a diner ends with a new member of the gang, Maggie, who impressed Lace with her whip like skills and lack of fear.Lace and Maggie grow closer, which get’s fellow gang member, Patch (played by Monica Gayle), jealous as Maggie seems to be displacing her as Lace’s right hand girl. At the same time, Dominic (played by Asher Brauner), leader of the Daggers and Lace’s man takes a fancy to Maggie, forcing himself on her in her home one night. Seeing an opportunity, Patch starts laying the seeds of dissent by planting the idea that Maggie is actually after Dominic.
After a raid on a rival gang at a roller rink goes bad, and Dominic is killed, and Lace ends up in the hospital, Maggie decides that the remaining Daggers are just too weak to follow, she brings the girls to a “Black” neighbourhood and meets up with some militaristic woman gang members whom they team up with to take out that rival gang. Successfully destroying the rivals, now a conflict breaks out between Lace and Maggie. Believing Maggie is trying to usurp her as leader, and that she was trying to take Dominic (before he died of course), Maggie and Lace engage in a switchblade fight…
Okay, enough… I actually had fun watching this terrible movie. There are very few redeeming qualities to this film, or even this genre of film, but it is damn fun. The incredible cheeziness of the script, acting and overall concept makes this an almost must watch!
Check out the trailer below and make your own decision.
2013’s Bounty Killer has been touring the movie circuit (recentlyplay at Edmonton Alberta’s Dedfest), and having recently watched it, I thought I should tell you a little about it.
Starring Christian Pitre as Mary Death and Mathew Marsden as Drifter, two Bounty Killers competing for fame and fortune in a post apocalyptic world. Like bounty hunters of today, but always bringing in their bounty dead (simpler that way). They’re pretty much against the establishment – until the establishment is destroyed by a giant Company – then they join forces to kick some corporate butt.
Oh, and there’s some personal history between Drifter and Mary Death
This feels like someone put a whole bunch of Roger Corman ideas in a blender and came up with a modern version of something that would be at home at a 1970’s drive in theatre. This is not a good movie but it is a sure a fun movie.
Don’t watch it expecting as serious film – watch it expecting something ridiculous and you will not be disappointed.
Check out the trailer below: