So, a small town is invaded by a life form from space that looks a lot like a giant multiple headed lamprey with a penchant for making slug like babies (lots of them), and eating the locals. A group of four geeky science nerd teens and a young boy do their best to save the town (and most likely the world) from this infestation. It’s kind of weird that three of our movies had similar themes and creatures (Slither, Night of the Creeps and Deadly Spawn), not in that they are alien infestation movies (it’s kind of the theme), but the fact that the three creatures in the mentioned movies all propagate by releasing slug like grubs, liked to enter through the mouth id possible, and the main “mother” creature found someplace out of the way to grow and develop. Well, if they copied each other, this is the progenitor of all of ‘em. A silly movie, Deadly Spawn stays entertaining, and cheezy which is perfect for me. Lots of campiness to go around, and some really questionable actions by it’s characters may make you moan at times…but don’;t let that stop you from enjoying the movie. A true representative of it’s time, the early 1980’s, it still stands out as a fun, throwback to the creature features of the 50’s and 60’s…
Watch this film, my friends!
Having just watched Slither (again),last night and remembering the outcry from a lot of fans of the classic 1986 Night of the Creeps due to the many similarities between the two movies, I just had to watch Night of the Creeps (again), tonight.
Night of the Creeps is a neat Horror/Sci-Fi/Comedy about an infestation of alien slug like creatures when they are released on the unsuspecting Earth during the 1950s, landing in a town/city in the states. Initially infecting an escaped lunatic, and a young man on a date with his girl, resulting in a couple of deaths. Cut to the 1980’s where a couple of friends, Chris Romero and J.C.are new to college and trying to fit in. Chris has a crush on a hot girl, Cynthia Cronenberg. Cynthia, though has a meathead boyfriend who is in charge of the frat house that the two want to join (so Chris can hopefully impress Cynthia). In order to join, the two are given the task of stealing a cadaver and leave it on the steps of a rival frat house. While the two manage to enter a lab where they think they will find a corpse, they actually manage to stumble upon a body in cryogenic suspension,. They decide one body is as good as another, and try to take this one. When the corpse opens it’s eyes and grabs a hold of one of the two, they take off “screaming like banshees” (you’ll know why I put that in quotes when you watch the film). Well, turns out this is the corpse of the guy that was infected by the alien life form way back in 1959. So, now we have a reanimated corpse, under the control of an alien life form… The corpse, a sort of alien zombie kills a scientist in the lab and heads out…on the town, eventually ending up on the steps of a girl’s frat (the same one Cynthia calls home). Cynthia sees the zombie and sees his head explode, releasing a bunch of those alien worms… and they spread out. Soon a crap load of the town is infected, including the dead, which rise (hence the Zombie word), animated by there worms. J.C. himself falls prey to the creatures also, but not before he learns the secrets to the destruction of the worms…
Of course everything ramps up to a big good versus bad scene, but I have told you more than enough of the story. You should watch this movie, as it is damned fun. Definitely an homage to the sci-fi creature flicks of the 50’s and 60’s, if you enjoy sci-fi, horror and comedy then you have to see this one, folks. Check out the trailer below:
2006’s Slither does something very difficult: it manages to mix horror with Science Fiction (Sci-Fi), and adding a large dose of comedy…and gets it all right. I’ve reviewed the move in the past (here is the original, tiny write up: Slither 2006). It was so good, that I decided we should watch it again, and maybe put a little more effort in the write up this time.
Starring Canada’s own (hell,we were in the same high school at the same time), Nathan Fillion (Firefly anyone?), as Chief of Police of the town of Wheelsy, South Carolina, where a meteorite crashed to earth, carrying an alien life form. Shortly after it crashes to earth, local, well to do guy, Grant Grant (played by Michael Rooker), gets taken over by the creature after poking at the gelatinous, pulsing mass in the nearby woods (after almost, but not quite cheating on his wife). Soon Grant starts craving fresh, raw meat, and also starts mutating. When Grant’s lovely wife, Starla (Elizabeth Banks), see’s a misshapen Grant, he explains he had a reaction to a bee sting. Well, soon other things start happening, including the disappearance of neighbourhood pets, as well as Barbara, a local drinkin’ floozy…
Well, you see, Grant is now the host of an alien intelligence who spreads through taking over individuals, either through assimilation or through infection via a parasitic worm/slug like form. The creature can also use a life form as a host to breed the aforementioned worms/slugs…and it does – boy does it ever. Of course this turns in to a battle of a few against a lot, and is tense and action packed… as well as a lot of always cool grossness. The creature design is fantastic, and the whole cast does a great job in creating what feels like a heartfelt homage to the alien invasion/creature films of the 1950’s and 1960’s. This is a great Sci-Fi/Horror/comedy that I strongly suggest you check out.
Here is the trailer:
So, this week is dedicated to Alien Based Horror movies. I expect a few possible turkeys, but I believe it’s going to be fun anyway. I am a fan of Science Fiction (Sci-Fi) and horror, and the two mix reasonable well at the hands of competent film makers… and some horribly awesome films when created by bad film makers. I hope we get to see both sides of the coin this week.
We haven’t filled the roster of films yet, so if you have a suggestion or two, feel free to send them on over by using this link:
Eastwood Week Movie 4 – The Gauntlet (1977) – Never Count an Eastwood Character Out, and Never Set Him Up, And Most Of All, Never Bet Against Him
In 1977’s The Gauntlet, Clint Eastwood plays Ben Shockley, an alcoholic, circling the drain, Phoenix cop, sent by the police commissioner to Las Vegas to pick up a witness and escort them to Phoenix for an upcoming trial. Described as a two bit witness in a two bit trial, Ben is told he is given the job because he get’s jobs done. Arriving in Vegas, Ben is surprised to find out the witness is a female, August “Gus” Malley (played by Sandra Locke), and deathly afraid of leaving her cell, stating she and anyone with her would be killed. Ignoring her warning, Ben ushers her to an ambulance to leave the jail, and to rendezvous with with a rented car. After that car explodes (killing an Emergency Medical Technician), and then a chase and shoot out, Ben starts believing Gus as to the seriousness of the situation. As the situation progresses, more and more attempts are made on both Ben’s and Gus’ life, it becomes obvious (to Gus at first), that someone inside the Phoenix force is plotting to kill the two. When Ben asks some probing questions as to who Gus is being asked to testify against, it becomes obvious who the rat in the force is, and that they are up against something very big, and the only chance for either of them is to get to the Phoenix City Hall, but it’s not going to be easy. So what’s Ben going to do? He highjacks a Greyhound bus, shields the drivers section, and lets the Phoenix Police Department, which has been told erroneously, that Ben is a killer, that he is coming in, even providing the exact route they will be taking. The route is lined with police on all sides, hence the title of the movie, The Gauntlet, who unload countless rounds into the bus trying to stop them. Well, apparently they never saw any other Eastwood films, as if they did they would know that their efforts would fail. Once at City Hall, the bad guy (watch the movie to figure out who that really is), is outed under duress by a co-conspirator, who is then promptly silenced by that bad guy…and them something else happens (hehehe… sorry, I know that is cheezy).
Well, this is another damned fine Clint Eastwood movie and you should see this one – ton’s of action and great dialogue. What are you waiting for?
Check out the trailer below:
Eastwood Week Movie 3 – Any Which Way You Can (1980)–Clint’s Great Follow Up To Every Which Way But Loose
Any Which Way You Can is the 1980 follow up to the block buster comedy, Every Which Way But Loose, and it is damned funny. Clint Eastwood returns as the Truck Driver/prize fighter, Orangutan owning Philo Beddle, as well as Geoffrey Lewis as Orville Boggs as Philo’s best human buddy, and Manis the Ape as Clyde, Philo’s best non human buddy. Also returning is Ruth Gordon as Philo’s cantankerous mother and Sandra Locke as Philo’s love interest, Lynn Halsey-Taylor. In this movie, we find Philo has continued his side line as a tough son of a bitch prize fighter. Only he’s decided to retire, having noticed he was starting to enjoy the pain. Unfortunately, the Mafia wants to setup a match between Philo and Jack Wilson, a new style of fighter that mixes boxing and martial arts together, and has managed to kill three opponents and scramble the brains of a fourth victim. Approached by the Mafia, hoping to setup this fight, Philo initially says no, but when the mob ups it to $50,000, win or lose, Philo changes his mind and accepts the fight. When Philo and Jack actually meet, it turns out that they actually get a long. They decide there is no real reason for the fight and mutually decide to call it off. The Mafia, seeing that they are about to lose the biggest grossing illegal prize fight ever, decide to kidnap Lynn Halsey-Taylor, Philo’s returning (and redeemed), love interest in order to force the fight. Frank and Philo take care of that situation, but both realize that they can’t leave the question of who would have won the fight open, so they decide to battle it out. Oh! Also returning the is Black Widows: a comical outlaw biker gang that really have it in for Philo, despite the fact that when ever they come into conflict with him, he ends up kicking their ass and they end up with less bikes. This time though, things end on a high note for them and their relationship with Philo.
This is such a fun movie, and watched back to back with Every Which Way But Loose would make for a great evening of movie watching. I heartily recommend this film and it’s predecessor. Check out the trailer below:
Eastwood Week Movie 2 – Every Which Way But Loose (1978) – Clint’s a Prize Fighting, Orangutan Owner With A Big Heart and Bigger Fists
Damn this is a fun movie. I saw this one back in 1978 when my Uncle Andre brought me to see it with him. I was eight, going on nine and I had a freakin’ field day. I loved the movie then, and I love the movie now.
Clint Eastwood plays Philo Beddoe, a truck driver who sidelines as a prize fighter to supplement his income. Philo is also the owner of Clyde, an Orang-utan that he won in a fight. Philo’s best buddy is Orville Bogg. Philo falls for a tiny blonde country singer by the name of Lynn Halsey-Taylor (Sandra Locke), who he pusues (though she doesn’t try to get away). Lynn tells Philo of her abusive, controlling boyfriend who doesn’t mind is she sees guys on the side. She paints a bleak picture of a controlling jerk. Philo falls for this and her story of wanting to save up for a Country music club of her own, needing only $7000 (and unsure of how much she has as the jerk boyfriend controls all the cash). Philo, feeling for her, offers to take care of that boyfriend – something she declines. Instead, he starts giving her cash to get her toward that goal of getting her club. Well, one day Philo goes to the hotel where she was staying to find she and the abuser have left, leaving little or no trace. Philo decides he should follow/find her (thinking she may be in trouble). Orville and Clyde come along for the ride, quickly picking up a very cute Beverly D’Angelo who was working at a side of the road fruit stand – Orville charmed her and she decided to joining the search for Lynn. Philo take a couple of fights along the way to raise some cash. At one fight, after winning, the guys in charge of the betting try to screw them out of their winnings, only to be put in their place by an up until then quiet Beverly D’Angelo. Very funny. Of course the seach for Lynn doesn’t end particularly happy. Feeling bad for himself, Philo takes a fight against Tank Murdock, the king of the illegal fights. A great fight ends the movie, with a little bit of a twist…
Damn this is a good, funny movie. I strongly suggest you see this one. Check out the trailer below:
How have I not seen High Plains Drifter before this? this 1973 Western is a gritty, dark tale. A tale of deceit, of murder and vengeance. Heck, it’s even a ghost story. This is a very unique film, and a very good one at that. A drifter enters a small town, apparently looking for a drink, a shave, a bath and a bed. Once there he is confronted by three guys, Company men, they are called. In defense he kills all three. The local sheriff tells him they were known to be trouble and that he didn’t have to worry about charges. Heck, the sheriff would like to hire him to protect the town from three gun fighters, just released from jail that will most likely be coming back to the town to seek vengeance for their incarceration. The stranger, played by Clint Eastwood, at first declines, but when the sheriff offers him “anything he wants,” he accepts the job, and goes about making big changes to the town. These changes cause some of the town to question the decision to put him in charge of the town’s defense. The stranger is also troubled by dreams, dreams of the town’s Marshal being whipped to death by the men who he is hired to protect the town. While the murder is taking place, the people of the town stand by and do nothing to stop it. Is it a dream? Or are these memories? It seems pretty obvious to me. The stranger gets the town busy making changes. He run drills simulating an attack and has the town folk put up resistance, preparing them for the inevitable attack that is to come. He also orders unusual things to be done, like painting the town red, and having the towns people tear apart a livery barn to build picnic tables an such… The business men of the town are really questioning their initial decision to hire this stranger. So much so that they try to kill him themselves… Yeah, good luck boys. When the attack comes, the towns people’s weak attempts at fighting off the gun men come to little, and eventually (hell, pretty damned quickly), they have the upper hand, and have gathered the remaining towns folk together in the saloon. Well, this isn’t over folks – they still have to deal with the Stranger…
Okay, let’s not give it all away. I will say that this is a creepy, dark Western. It’s also one of the best Westerns I have ever seen. Actually this is just a really good movie, chock full of darkness and hidden meanings. Heck, it’s a Western and a Ghost story, and it does both great. For the first movie of Eastwood Week, I have to say it’s an incredible start. Check out the trailer below, and then immediately go find yourself a copy and watch it today!
There are very few actors with a career as long as Eastwood’s, and for the ones that do, very few can say they made as many good movies as Eastwood has. From the toughest damned cowboy you’ve met to an Orang-utan owning prize fighter to the toughest damned cop you’ve ever seen, Clint has rocked it.
I know the blog is called I Like Bad Movies, but if you’ve read it long enough, you know that the truth is, I just plain like movies. So, don’t go thinking these are bad movies, because they are not – you’ll know when I watch a bad movie, and I don’t think that’s happening this week.
Yep, this is going to be a damned good week.
In 1971’s Godzilla Vs. Hedorah , Japan has a new enemy: a new creature that has evolved to live on the pollutants of our modern society. Not only that, but it is producing deadly pollution itself, incapacitating and humans that may get close. This is a disaster!!! Oh, and guess what? Godzilla doesn’t like to see other monsters on it’s own turf. Yeah, Godzilla and Hedorah are heading for a showdown. I pity the Japanese that get caught in the middle!
So, this is a time when the Godzilla character was transitioning from a bad guy who seemed to get kicks from beating the crap out of Tokyo and other Japanese cities, to a protector of the Japanese people. That doesn’t mean that you won’t be injured or killed if you get too close: Godzilla is a Big Picture kind of monster, and may stomp the occasional person or building on the sidelines. Heck – you might even get drowned in a big piece of polluted monster if you are not careful – should have stayed away from Godzilla, idiot…
Godzilla Vs Hedorah is actually one of my favourite Godzilla movies, and I really like the three stage design of the Hedorah – pretty cool, and add a neat, cheezy transition effect between the stages and you’ve got gold. Add to that the hippiness of the movie – lots of trippy music and psychedelic gels, and some trippy animated series really reminds you of when this movie was made – and that in my opinion is a very good and neat thing. Without a doubt, I would say that this is the most unique Godzilla movie that I have watched (so far, at least). Should you watch it? You should watch ALL Godzilla movies (with the exception of the Mathew Broderick version), but you should especially watch this Godzilla movie.
Check out the trailer below:
1963’s King Kong vs Godzilla is a movie that I saw as a very young child and I tell you, it stuck with me through the years. Heck, I thought this movie was in black and white – turns out I watched it on a black and white TV back in the day! Well, this movie is in glorious colour.
So, a Godzilla has escaped from a frozen chunk of an iceberg, and recently King Kong has been discovered to be a real thing. Okay, he’s a bit of a lush (or junkie), having become addicted to a narcotic berry juice that the locals on the the south Pacific island that Kong calls home. Back to Godzilla: Of course Godzilla is bent of some big time Japanese destruction. From their previous encounters with Godzilla, the Japanese know they are in trouble. Why not play Godzilla off against Kong and maybe the two monsters will destroy each other and Japan can go back to it’s daily normal schedule? Well that is just what is done, in this epic meeting of two iconic movie monsters.
King Kong Versus Godzilla is a fun monster mash of Japanese destruction, tied together with and interesting concept: The action is being described and reported (between scenes), by what appear to be reporters working for the United Nations. Fun stuff!
So, check out this amazing monster movie!
Here is the trailer:
Staring Peter MacNicol (better known to some as the short, curly haired lawyer, John Cage, from the TV show Ally McBeal), as Galen Bradwarden, a young apprentice of the Wizard, Ulrich of Craggenmoor (Ralph Richardson), who takes up the Wizard’s quest to slay the Dragon, Vermithrax Pejorative, after Ulrich is apparently killed while proving a point by brutish henchman Tyrian, right hand of King Casiodorus (Peter Eyre). Ulrich had just accepted the task of killing the Dragon when a delegation of peasants approached him asking for his help. Kind Casiodorus had implemented a lottery, offering up a female virgin each year to appease the beast. The people have had enough of the Lottery and living under the fear of the Dragon, and are at their wits end. Now seeing their hopes die almost immediately, with the death of Ulrich, they head back to their town. Soon, though, they are joined by Galen, who has just inherited the Wizard’s magic amulet, who states that he will take up his former Master’s task and slay the Dragon himself. Along the way he risks strong resistance from the King, who believes his lottery system is best for his people, and is temporarily jailed so as not to meddle with the lottery. It’s not until the King’s own daughter is in jeopardy that the King releases Galen in the hopes Galen can actually end the Dragon menace. Along the journey, Galen discovers one of their party is not what they seem (no, not a traitor)…
So, this early 190’s fantasy film still looks beautiful (not something that most movies with special effects from that era can say), and is still interesting. As stated in the title of the review/write up, the Dragon in this movie is still one of my favourite designs of a Dragon in movies, ever. Maybe it’s second to Smaug, now, though I’ll decide that after the third and final Hobbit movie. Still, this movie, in my opinion, still hold up well. I heartily suggest this as a must watch for any fan of the Fantasy genre.
So, here we are, with the seventh and last movie of our Vampire movie week. With this movie, 1992’s Bram Stoker’s Dracula, we have in a away returned to the beginning. Our first movie of our Vampire week, 1979’s Dracula starring Frank Langella, and tonight’s movie, Bram Stoker’s Dracula (1992), are both retellings of the classic Dracula story.
Starring the great Gary Oldman as Count Dracula, and taking place primarily in 1897 (with some important scenes happening in 1462). Count Dracula has decided to purchase several properties in London, England and his case has been handed to a new solicitor (like a lawyer), Jonathan Harker (played by Keanu Reeves, with the absolutely worse English accent I have heard in I don’t know how long). Harker has taken on Dracula’s portfolio from a Mr Renfield (played extremely well by Tom Waits), who has since gone completely insane. Harker must travel to Transylvania to meet with Count Dracula to discuss his plan to purchase Carfax Abbey. Once in the hands of Dracula, he soon finds that he is a prisoner. While there are some perks (there are some pretty sexy vampire chicks), he escapes, a changed man, and heads back to London. Dracula, himself changed from a decrepit, creepy old man, to a now dashing young gentleman, has put a spell on Harker’s fiancé, Mina (played by Winona Rider who also struggles with her accent… though nothing like Keanu’s). Oh… He also seduces, rapes and drains Lucy, Mina’s friend. Yeah, this is Dracula – he does stuff like that. Enter Van Helsing, (portrayed by Anthony Hopkins) everybody’s favourite Vampire hunter.
Okay – this is the classic Dracula story, retold in 1992 with a good cast and a big budget. Director Francis Ford Coppola did a good job bringing the story back to the screen in this very watchable retelling. Is it better than the 1979 version? I wouldn’t say so, but it is good enough to watch and enjoy. Also, it’s good enough to forgive that awful accent of Reeve’s. Check out the trailer below:
A gritty, dark Vampire movie that tells the tale of Caleb Colson (Adrian Pasdar), a small town young man who meets an attractive woman one night and offers her a ride home one late night. Along t he way, insisting on a kiss from her before he drives her home. She kisses him, but also leaves him with a bite on his neck, shortly before she jumps out of his truck and takes off running (home, I guess).
Soon Caleb is struggling , stumbling home in the early daylight hours, smoke billowing from his exposed skin. Spotted by his little sister and father before he arrives at their home, all of a sudden a blacked out recreational vehicle (and RV) drives up and someone quickly scoops him up. Who’s inside the RV but a bunch of bad ass vampires, debating on how to kill Caleb… until the girl that bit him reveals that while she bit him, she did not bleed him, meaning that he too, is now a Vampire, and pleads for his life. They vamps decide to give him a little time to prove himself. Unfortunately he’s not a killer at heart and has trouble doing the deeds that a Vampire must do. The girl that turned him feeds him to keep him alive, though this is something that cannot go on… Failing test after test, the other Vampires want to get rid of Caleb, though he does manage to buy himself a little time by orchestrating a daring escape while the crew of Vamps are holed up and under fire from the police. An incident later leaves Caleb with a decision between the Vampires and his own family… A choice Caleb has no real trouble deciding. Of course the Vampires won’t let someone leave quietly, right?
This is a dam fine Vampire movie. Unfortunately whit was released around the time of the Lost Boys (also a good Vampire movie – but not as good), and did poorly at the box office, despite good reviews. Great performances from leathery tough guy, Lance Henriksen and then up and comer Bill Paxton are just the cherry on the top. If you haven’t seen this movie (and are into Vampire movies), then you must, and if it’s been a while since you have seen it, then it deserves a re-watch.
Check out the trailer below:
When 1974’s horror movie, It’s Alive was released, there was the creepiest commercial for the movie where you see a baby carriage, and hear what appears to be a normal baby cry…but as the camera pans around the baby carriage, you see a big monster hand coming out from inside the pram… Well that commercial used to scare the living crap out of me… seriously (hey, I was 4 or 5 at the time). Well, today I finally faced down that fear and watched the movie.
Check out that scary (for a 4 or 5 year old) TV spot here:
It’s Alive tells the tale of a couple, Frank and Lenore Davis (John Ryan and Sharon Farrell), who give birth to a child that is nothing short of a monster. The initial birth is a little tough, as the baby is larger than a normal baby, but the doctor is still confident is all right… Next thing you know the delivery room is full of the dead or dying bodies of the doctors an nurses that were assisting in the birth… and a monster baby is on the loose in the city of Los Angeles.
Dad wants the baby dead because it’s an abomination who’s existence has caused the loss of his job, and the ruination of his family. The big drug companies want the baby dead in the off chance he’s a by product of there chemicals. And the police want the baby dead… because it’s killing people. The only one that seems not to want the baby dead is the mother… at first, at least.
This is definitely a creepy movie, and reasonable well done, if a little slow. Having been as scared as I was of the damned commercial as a child, I do wish the movie was scarier than it is, though I am happy that it doesn’t totally suck. An interesting concept and if the idea sounds like something that you’d like, then definitely watch it.
Check out the trailer below and decide for yourself:
Battle of the Damned (2013)–Dolph Lundgren Kickin’ Zombie (like) Butt With Some Cool Robot Sidekicks
Well, this was surprisingly fun. 2013’s Battle of the Damned stars Dolph Lundgren as Major Max Gatling, who with his small group of mercenaries are hired to extract a rich company boss’ daughter from within’ a zone of a city overrun with zombie like (fast zombie like) disease victims.
This movie was another that I just didn’t expect much at all from, but was actually surprised by how entertaining it actually was. The story: A guy is hired, along with his mercenary buddies to save the industrialist daughter, endangered by zombies (sort of) from withn’ a city full of those beasts. She’s found refuge with a group of survivors, lorded over by a well meaning but jerkish leader by the name of “Duke.” Duke is convinced no one can make it out alive, and tries to make sure that Gatling doesn’t risk any of his group, going so far as to leave him handcuffed to a post, exposed for the zombies to get… But of course Gatling is too bad ass to die that way. Escaping (with help), they of course run into some robots who are very happy to take orders from Gatling. Next up: Robot versus Zombie action.
Okay, silly? Maybe but awesome? Definitely. If you like a good action movie, Zombies and Robots, well this movie has it all. Does it deserve any awards? Oh hell no – but is is fun and I heartily recommend it! Check out the trailer below:
Jackie Brown is such a throwback to the Blaxploitation films of the 1970’s that I almost think that Tarantino travelled back in time to gather up some magic, earth toned 70’s mojo to pack into this film… or not.
Starring Pam Grier (yeah, the tough chick from… those 70’s Blaxploitation films… see? I told you!), as Jackie Brown, a tough attractive flight attendant, who supplements her meagre wage by smuggling cash into the US from Mexico for a gun runner named Ordell Roberts, played by the seriously awesome Samuel L. Jackson. When one of Ordell’s mules gets caught and incarcerated, Ordell aranges for their bail, and kills them so they won’t turn informant. Soon after, Jackie herself gets caught by the feds bringing in cash and drugs (which were placed on her, without her knowledge). Refusing to testify against Ordell, she is locked up. Despite her refusal to talk, Ordell is still worried that she may talk to the feds, so he arranges her release, and plans on killing her too. Turning the tables on Ordell (a pistol will do things like that), she negotiates with Ordell to pretend to be working with the feds while smuggling a crap load of cash for Ordell.
This movie, like almost all Tarantino films, is freakin’ jam packed full of great stars. Honestly, here is a list of the stars in this crazy, throwback of a movie:
- Pam Grier as Jackie Brown
- Samuel L. Jackson as Ordell Robbie
- Robert Forster as Max Cherry
- Bridget Fonda as Melanie Ralston
- Michael Keaton as Ray Nicolet
- Robert De Niro as Louis Gara
- Chris Tucker as Beaumont Livingston
- Michael Bowen as Mark Dargus
- Lisa Gay Hamilton as Sheronda
- Tommy "Tiny" Lister Jr. as Winston
- Hattie Winston as Simone
- Sid Haig as Judge
- Aimee Graham as Amy
- Diana Uribe as Anita Lopez
- T’Keyah Crystal Keymah as Raynelle
- Denise Crosby (uncredited) as Public defender
- Quentin Tarantino (uncredited) as Answering machine voice
- Helmut Berger (uncredited, archive footage) as Nanni Vitali
- Marissa Mell (uncredited, archive footage) as Giuliana Caroli
- Council Cargle (uncredited, archive footage) as Drew Sheppard
- Tony Curtis (uncredited, archive footage) as himself
-This list was copied directly from the Wikipedia article on this movie which can be found here .
Oozing cool, Jackie Brown delivers 1970’s awesomeness, updated (just enough), for a (mostly), modern audience. If you haven’t seen this film, and like the style of Tarantino films, then this is for you. If you like your films, antiseptically clean, then walk away…and why are you reading this blog anyway?
Check out the trailer below, and why not watch this masterpiece tonight?
1994’s epic movie, Pulp Fiction, is a crazy, head spinning movie that just doesn’t give you a chance to take a breath. Like almost all Tarantino movies, it has a cast that is virtually a who’ who of Hollywood (as of 1994).
Pulp Fiction is a homage to the crazy B-Movies of the 60’s and 70’s, right down to the out of order timeline of events in the film. You’ve got a couple of thugs, or muscle for a Mobster by the name of Marcel, Vincent Vega (John Travolta), and Jules Winfield (Samuel L. Jackson), who among other jobs, are sent to collect a briefcase with…something in it, from some young guys, who apparently believe Marcel is a bitch (watch the movie…). Things go wrong and things get messy.
We also have a sub story about a boxer, Butch Coolidge (Bruce Willis), who’s been paid heavily by none other than non-bitch Marcel, to take a dive in his upcoming fight.. yeah, things go wrong, and Butch and his weird and annoying French girlfriend are on the run. Later, Butch and Marcel end up captives to some hillbilly homosexual sadist rapists. Things get crazy again. Release the Gimp. and in another segment, Butch surprises Vincent… with deadly results.
We also have Vincent, charged with keeping Marcel’s wife, Mia (Uma Thurman), entertained while Marcel is away. The two end up at a cool, over the top, 50’s style diner. There’s some talk of a $5 milk shake and a great dance off… and then later, back at Marcel’s and Mia’s things get crazy, Mia ends up almost dead, rushed to Vincent’s heroin dealer’s house with a syringe of adrenalin sticking out of her chest.
Somewhere in the middle, a crazy criminal couple (Tim Roth and Amanda Plummer) decide they want to rob the restaurant where Vincent and Jules are chilling out in. Things get intese this time, with Jules and holding a gun to Roth’s neck and explaining the deal to him…
Damn this movie is cool – awesome and out of sight. Some people (my wonderful wife included), do not like the fact that the story line is not linear, but I think that’s part of what makes the movie as great as it is. Should you watch this film? Yes, many times.
Check out the trailer below:
True Romance is a crazy, wild ride of a movie. Written by Quentin Tarantino, and starring Christian Slater as Clarence Worley and Patricia Arquette as Alabama Whitman, a young couple who meet at a Sonny Chiba triple play at a theatre in Detroit. They hit off real good, have dinner and then both end up at Clarence’s apartment, having sex. Alabama then admits she’s a hooker hired by his boss, to help him blow off some steam. She also admits that she’s managed to fall in love with him over the course of the evening. This is fortunate, as apparently Clarence has fallen in love with her also. Having known each other for a whole night, they do the logical thing and get married. Now Clarence has to deal with Alabama’s Pimp, Drexl (Gary Oldman). What confronting the pimp, and after a ruckus, and a visit from Clarence’s muse/alter ego/imaginary friend in his head, Drexl ends up dead, and Clarence accidentally ends up with a suitcase full of cocaine. The newly webs hatch a plan to sell the cocaine and restart their lives somewhere warm… Well, the coke was the Mobs, and soon the two are being tracked down by some unsavoury characters, one being the always awesome Christopher Walken as gangster Vincenzo Coccotti. Before the duo leave Detroit for California, they stop by Clarence’s estranged fathers, a police officer by the name of Clifford, played by Dennis Hopper a Detroit police officer, to find out what the police believe the motive for Drexl’s murder. After they leave, Coccotti and his crew end up at Cliffords to drill him on the location of Clarence and Alabama… A great exchange between two great actors happens…only one survives.
Off to Cali, the dynamic duo meet up with an old friends of Clarence, who begrudgingly agrees to help him sell the cocaine to a director he kind of knows, using a go between, played by Bronson Pinchot. Things go wrong, cops get involved, a meeting happend and everything goes to crap…
This movie is crazy and cool – crazy cool? Yeah. Unlike the Kill Bill movies (and the others I will be reviewing), this is written by Tarantino, but directed by Tony Scott, and therefore has a different feeling than Tanatino directed films – but don’t think that is a bad thing, it’s just different. This is a great film and deserves to be watched.
Check out the trailer:
When we finished Quentin Tarantino’s 2003 movie, Kill Bill Volume 1, Bill (played by David Caradine) was still alive… This pretty much guaranteed us a Volume 2.
Volume 2, released in early 2004, opens with a flash beck to Bill shooting Uma Thurman’s character, The Bride, and leaving her, presumably, for dead on the floor of a small church. Then we see The Bride herself, driving, recounting what happened in Volume 1, and then calmly letting us know that she is going to kill Bill. Soon we see Bill, speaking to his brother,Budd (played by Michael Madsen), himself a former Deadly Viper, warning him that The Bride is most likely on her way to kill him. Budd, who now spends his time working as a bouncer in a titty bar, explains that they all deserve any kind of vengeance that the Bride may bestow upon them, for what they did to her. Later, The Bride, expecting to ambush Budd, end up on the wrong side of a 12 gauge shotgun packed full of rock salt. Incapacitated, Budd buries her alive, in a cemetery, and calls fellow Viper, Elle Driver (played by Daryl Hannah), bragging of his deed, and offering up The Bride’s Hanzo sword to her for a cool million dollars – an offer she snaps at. Meanwhile, we flashback to The Bride…who flashes back to her martial arts training at the hands of a merciless master by the name of Pai Mei (Gordon Liu). We see a young Bride as she develops her techniques through repetition and the seeming heartlessness of her master. Eventually it is obvious that she has won his respect. Now we flashback to the present, with the Bride using one of the many techniques taught to her by Pai Mei to escape. Meanwhile, back at Budd’s trailer, Elle has shown up to get the sword. Providing Budd a suitcase full of cash (a million dollars, I presume), she inspects the weapon while Budd starts grabbing handfuls of cash out of the suitcase… Only to find a surprise – a deadly surprise, waits for him in all that cash. Now with Budd out of the way, The Bride has made her way back to Budd’s place to find Elle – which is good, because she too was on the Bride’s list of those that have to die… A great sword fight breaks out, and along the way we discover that Elle, who also was sent to learn under Pai Mei, had killed the old master by poisoning his meal. We also lean that the Master had plucked one of Ell’s eyes out during her training for being insubordinate to the old man. Enrages, The Bride takes instant justice by relieving Elle of her remaining eye…
Now on to Bill… The Bride, now referred to as Beatrix, has tracked Bill to Mexico. Meeting an elderly, dirt bag of a gentleman by the name of Esteban Vihaio, who tells her Bill’s location, because he believes Bill would want him to. Making it to Bill’s, she receives a shocks when she discovers some interesting personal info…and a dart of truth serum to the neck. More flashbacks and some serious talking, and then battle… awesome battle.
You know the name of the movies, so you figure out what the outcome is (watch the movies if you haven’t already). These two movies were meant to be released as a single movie, but the run time would be over 4 hours so they were broken into two. Watch both back to back for the original intended experience, The Kill Bill movies are fantastic and you should watch them.
Check out the trailer below:
Quentin Tarantino’s 2003 movie, Kill Bill Volume 1 tells the story of “The Bride” (played by Uma Thurman), a former member of an assassination team known as the Deadly Vipers, and her journey of revenge against her former fellow assassins, and Bill, her former master and leader of the Deadly Vipers, for attacking and massacring her wedding party and leaving her for dead during a wedding rehearsal.
Thurman’s character, in this iteration of the Kill Bill Saga is known simply as the Bride. Waking from a coma, four years after Bill left her for dead on the floor of a church, he Bride takes little time to start her path of vengeance… starting right there in the hospital,taking out the redneck that paid a greaseball orderly to have sex with her… Oh, and she takes out that orderly, quickly. also… and takes off with his ridiculous, bright yellow truck, labeled “The Pussy Wagon”. First stop. after the killing in the hospital is to the home of Vernita Green (played by Vivica A. Fox). The two do epic battle with a short break in the middle when Vernita’s young daughter comes home. Soon the action restarts, and ends with The Bride heading to her next destination/victim, O-Ren Ishii (played by Lucy Liu), a former Viper and now leader of a consortium of Yakuza families. A flashback shows us just how she won the respect and fear of the male dominated Yakuza families. When The Bride shows up in Japan, she defeats what seems to be an almost endless number of minions, known as the Crazy 88s. The scene ends with a very stylistically shot scene with The Bride and Oren in a samurai sword battle. Pretty evenly matched… but you know who is going to win, and she does so in a spectacular fashion. Upon leaving, she leaves one former member of the Deadly Vipers alive: Sophie Fatale, (played by Julie Dreyfus), is left alive, albeit minus one arm, to send the message that The Bride is coming for him. Mixed up in the story ids a sub story, where the Bride travels to the island of Okinawa, and convinces the esteemed, but now retired sword smith, Hattori Hanzō (played by the awesome Sonny Chiba), to craft her a samurai sword. At first he declines… that is until she tells him the sword is to be used to Kill Bill. Now he’s in…
Kill Bill Vol. 1 is a little disjointed. Like Tarantino’s other masterpiece, Pulp Fiction, it has a disjointed timeline – the scenes are just not in linear order. I believe this may be in homage to the cheezy B-Movies of the past where projectionists would sometimes play the reels out of order, either due to mis-labeling or just carelessness. Either way, I like it.
Watch Kill Bill Volume 1… and if you’ve seen it, watch it again.
Check out the trailer below: