Watched the 2012 Canadian mocumentary movie, The Conspiracy. It is kind of wordy but pretty interesting. Check out the video for the full review!
Alien Horror Week – Movie 3: Killer Klowns From Outer Space (1988)–Now This… This is A Movie You Should Watch
1988’s way over the top, Killer Klowns From Outer Space tells the tale of a group of evil aliens that come to Earth, specifically Crescent Cove, California, in their space craft to harvest humans. Pretty typical of a Sci-Fi horror film, I know, but these aliens look like demented clowns, and their space ship looks like a giant circus tent.
Starting off with a farmer going to investigate what looked like a comet that has fallen to Earth (he thinks it is Halley’s Comet), and stumbling across the Circus tent like Alien spacecraft, he and his dog are quickly captured by the Aliens. Now, of course the Farmer wasn’t the only one to see this shooting star like object. Mike (Grant Cramer), and his girlfriend Debbie (Suzanne Snyder), decide to also check it out. They find the spacecraft (just like the farmer did), and manage to find a way in, where they discover the remains of the farmer and his dog, cocooned in a cotton candy like substance (hey – they’re alien clowns… errr “Klowns”), and themselves just barely missing being capture by one of the aliens. After a hairy escape (including being chased by a balloon animal, they head to the police station. They tell their story to officer Dave Hanson (John Allen Nelson), who happens to be Debbie’s ex boyfriend. The story, of course sounds ridiculous – I mean, really? Space Alien Clowns? Bodies cocooned in cotton candy? It’s fair to say that Dave is is sceptical, but his fellow officer, the gruff jerk of a cop Mooney (played by the awesome John Vernon) calls them outright liars and wants to put them in jail for making up stories about murders and such. Dave at least agrees to chesk out what they are saying as they did say a couple of people were killed. Dropping Debbie off first (against her wishes), Mike takes Dave out to where they found the ship and the bodies, but unfortunately the ship is no longer there and Dave thinks they made the whole thing up and places under arrest. Well with the clowns loose in the town and more and more people falling victim to their ridiculously amusing weapons and ways, Dave and Mike don’t get far before Dave sees for himself the Killer Klowns and what they are capable of. Meanwhile, back at the police station, Maloney has himself that the entire town is trying to mess with his head with a coordinated series of call from all over town about killer clowns. When Dave calls into the station and instructs Maloney to call for back up, describing the Klown menace, he just thinks Dave is in on the whole thing to and refuses to get or give help. It’s not until one actually strolls into the station that he actually realizes this isn’t hoax. Of coarse, by that time… well, you know. So it’s all up to Mike, Dave and Debbie to infiltrate the Klown ship and save the day… Okay, I left a whole bunch out there at the end because I realized I was just rattling off the movie instead of reviewing it. I don’t want to do that. What I do want is for you to watch this movie because it’s cool, crazy and funny and desreves to be watched by soimeone who can appreciate it for what it is: a fun movie. No one can argue that it isn’t original – Hell, I doubt there is any movie that even resembles this film. A crazy concept, wrapped in a funny script and created by people that must love the genre, this is a film for any Sci-Fi/Horror or Comedy fan. Yeah, it is ridiculous, but it is supposed to be so. Sure, if you watch this movie expecting it to be a serious horror/sci-fi film, you will be mistaken – and most likely stupid, too. I mean, really: it’s about Killer Aliens from space that travel in a Circus tent space craft and look like demented clowns. Still,
it’s great ands it’s fun and you should watch it. Oh, you already saw it? Well, see it again!
Check out the trailer below:
There are very few actors with a career as long as Eastwood’s, and for the ones that do, very few can say they made as many good movies as Eastwood has. From the toughest damned cowboy you’ve met to an Orang-utan owning prize fighter to the toughest damned cop you’ve ever seen, Clint has rocked it.
I know the blog is called I Like Bad Movies, but if you’ve read it long enough, you know that the truth is, I just plain like movies. So, don’t go thinking these are bad movies, because they are not – you’ll know when I watch a bad movie, and I don’t think that’s happening this week.
Yep, this is going to be a damned good week.
1994’s epic movie, Pulp Fiction, is a crazy, head spinning movie that just doesn’t give you a chance to take a breath. Like almost all Tarantino movies, it has a cast that is virtually a who’ who of Hollywood (as of 1994).
Pulp Fiction is a homage to the crazy B-Movies of the 60’s and 70’s, right down to the out of order timeline of events in the film. You’ve got a couple of thugs, or muscle for a Mobster by the name of Marcel, Vincent Vega (John Travolta), and Jules Winfield (Samuel L. Jackson), who among other jobs, are sent to collect a briefcase with…something in it, from some young guys, who apparently believe Marcel is a bitch (watch the movie…). Things go wrong and things get messy.
We also have a sub story about a boxer, Butch Coolidge (Bruce Willis), who’s been paid heavily by none other than non-bitch Marcel, to take a dive in his upcoming fight.. yeah, things go wrong, and Butch and his weird and annoying French girlfriend are on the run. Later, Butch and Marcel end up captives to some hillbilly homosexual sadist rapists. Things get crazy again. Release the Gimp. and in another segment, Butch surprises Vincent… with deadly results.
We also have Vincent, charged with keeping Marcel’s wife, Mia (Uma Thurman), entertained while Marcel is away. The two end up at a cool, over the top, 50’s style diner. There’s some talk of a $5 milk shake and a great dance off… and then later, back at Marcel’s and Mia’s things get crazy, Mia ends up almost dead, rushed to Vincent’s heroin dealer’s house with a syringe of adrenalin sticking out of her chest.
Somewhere in the middle, a crazy criminal couple (Tim Roth and Amanda Plummer) decide they want to rob the restaurant where Vincent and Jules are chilling out in. Things get intese this time, with Jules and holding a gun to Roth’s neck and explaining the deal to him…
Damn this movie is cool – awesome and out of sight. Some people (my wonderful wife included), do not like the fact that the story line is not linear, but I think that’s part of what makes the movie as great as it is. Should you watch this film? Yes, many times.
Check out the trailer below:
Quentin Tarantino’s 2003 movie, Kill Bill Volume 1 tells the story of “The Bride” (played by Uma Thurman), a former member of an assassination team known as the Deadly Vipers, and her journey of revenge against her former fellow assassins, and Bill, her former master and leader of the Deadly Vipers, for attacking and massacring her wedding party and leaving her for dead during a wedding rehearsal.
Thurman’s character, in this iteration of the Kill Bill Saga is known simply as the Bride. Waking from a coma, four years after Bill left her for dead on the floor of a church, he Bride takes little time to start her path of vengeance… starting right there in the hospital,taking out the redneck that paid a greaseball orderly to have sex with her… Oh, and she takes out that orderly, quickly. also… and takes off with his ridiculous, bright yellow truck, labeled “The Pussy Wagon”. First stop. after the killing in the hospital is to the home of Vernita Green (played by Vivica A. Fox). The two do epic battle with a short break in the middle when Vernita’s young daughter comes home. Soon the action restarts, and ends with The Bride heading to her next destination/victim, O-Ren Ishii (played by Lucy Liu), a former Viper and now leader of a consortium of Yakuza families. A flashback shows us just how she won the respect and fear of the male dominated Yakuza families. When The Bride shows up in Japan, she defeats what seems to be an almost endless number of minions, known as the Crazy 88s. The scene ends with a very stylistically shot scene with The Bride and Oren in a samurai sword battle. Pretty evenly matched… but you know who is going to win, and she does so in a spectacular fashion. Upon leaving, she leaves one former member of the Deadly Vipers alive: Sophie Fatale, (played by Julie Dreyfus), is left alive, albeit minus one arm, to send the message that The Bride is coming for him. Mixed up in the story ids a sub story, where the Bride travels to the island of Okinawa, and convinces the esteemed, but now retired sword smith, Hattori Hanzō (played by the awesome Sonny Chiba), to craft her a samurai sword. At first he declines… that is until she tells him the sword is to be used to Kill Bill. Now he’s in…
Kill Bill Vol. 1 is a little disjointed. Like Tarantino’s other masterpiece, Pulp Fiction, it has a disjointed timeline – the scenes are just not in linear order. I believe this may be in homage to the cheezy B-Movies of the past where projectionists would sometimes play the reels out of order, either due to mis-labeling or just carelessness. Either way, I like it.
Watch Kill Bill Volume 1… and if you’ve seen it, watch it again.
Check out the trailer below:
After a suggestion from my friend that normally watches these movies with suggested we do a Tarantino week…
Well, we are doing just that.
Westworld (1973)–When Will Mankind Learn That Robots Always Go Rogue and Destroy Their Human Keepers?
Imagine a time when you you can vacation as a gunslinger in the Wild-West, or as a Roman citizen. Imagine being able to indulge in all the vices that a certain age was known for. Want to shoot a man for cheating at cards? Go ahead. Want to take part in a huge Roman orgy in the Emperor’s palace? No problem. Well, the movie 1973 classic Science- Fiction movie, Westworld, takes us to a future where all this and more is possible through the use of complex, very human like robots (well, Androids to be more accurate).
Starring James Brolin and Richard Benjamin as two friends, John Blane and Peter Martin, who have decided to vacation at the Delos Amusement park. For $1000 a day each, they will live as if they are in the Wildwest in Delos’ Westworld, the wild west recreation. John, having been here before, is showing Peter the ropes as he is not convinced of the authenticity or value of the Delos park. Soon Peter is engaging in a shootout in a western bar with an intimidating Gunslinger, dressed all in black and played by the naturally menacing Yul Brenner. Quickly dispatching the gunslinging android, Peter starts getting an feel for the place, though it does take some convincing to make sure he knows he didn’t actually kill a human. An amorous encounter with a female ‘droid later further cements Peter’s buy in to Westworld. Occasionally we see the people overseeing the operations of the park. We hear of little malfunctions here and there, minor at first, but increasing in severity. One of the main operators argues for shutting down the park until the issues are corrected, but is voted down. Eventually the issues become so severe that the safety of the park’s guest is in danger – and eventually people start being killed. Sh… Stuff has hit the fan.
This is a great example of Science Fiction that is smartly written – in fact it’s written and directed by the great Michael Crichton. The movie isn’t perfect, but it is good. One warning: there are quite a few “Porn-stache” moustaches in this movie! lol.
Check out the trailer below, and then head out to your local seller of DVDs/Blu-Rays and get yourself a copy of this Sci-Fi masterpiece.
Hello hello hello!
So, after recently re-watching the second movie of the Star Trek reboot, Star Trek – Into Darkness, I have decided to revisit the Star Trek Movie Franchise and with up the experience. If you are a fan of the Star Trek universe, and are actually honest to yourself, then you know that there are many bad movies in this series (and of course a few good ones, also).
I am going to review (or whatever we call what I do here on this site) at least the first Trek films (the original series films), and perhaps film seven, Generations as it combines (poorly) The Original Series and The Next Generation. Who knows: I may continue through the entire catalogue of Trek Films… Time will tell.
I am a huge fan of Star Trek, but I am very aware that some of these films are real turkeys, but I am also of the opinion some are not just good Star Trek movies, but good Sci-Fi movies in general. I will try to be fair – I hope you enjoy – Keep watching!!!
So, I just watched a Zombie movie that was filmed in my home city of Calgary, Alberta, Canada. It was a low budget film, and it lacked polish and there was some questionable performances. You know what? Who cares – this was a fun, silly Zombie film.
The Dead Mile is a truly Canadian movie that combines hockey, a Zombie Walk and real Zombies to create an end of society, Zombie outbreak movie that delivers on the fun and the gore. A group of friends are preparing for an annual Zombie Walk when an actual, cow transmitted Zombie virus hits the city. The Zombie Walk participants are actually turning into Zombies, and our little group of friends need to find a way to survive. One of our characters, Tyler, works for a dick, Kevin Wong, who owns a comic shop, who is hosting a a signing event for a couple of horror stars to coincide with the Zombie Walk. Well these two get wrapped up in the whole Zombie outbreak and join forces with Kevin and his friends. They are soon joined by two simple, hockey obsessed guys, who suggest they make a break for the hockey/ice rink – a fortress according to them. Of course, like in all Zombie films, the fortress is never quite as… fortressy (yes, I know that’s not a real word – but it’s my blog so nananana-boo-boo), as they hope. One by one the group is diminished as members fall prey to the Zombie hordes. You know, like in a Zombie movie.
This movie is low budget and flawed, but really, who cares: most Zombie movies are. At least this movie delivers on the humour, and for a low budget film, it manages to look pretty good (and thank you for not finding it necessary to make the film look grungy and 70’s like – that works when for 70’s films only – you deserve kudos for not doing that). They also deliver on the gore, like a true Zombie movie should. I say this is worth a watch, especially if you are Canadian, and even more so if you are from Calgary. The movie’s writer/Director , K.J. Kleefeld and his crew did an admirable job. The film it self is available to rent online at https://vimeo.com/ondemand/thedeadmile for $4.99 – I though it was a little steep for a rental of an independent film, but I said “What the Hell,” I’m supporting a small film maker” (who just happens to be local – GO CANADA!!!). Check out the trailer below, and then go spend $4.99, you cheap bastard, and help some independent film makers.
Wow… I had never heard of the Basket Case movies until my buddy suggested we watch them about a month ago. Well, last night we finished the last of the three movies and I have to say that I was left pleasantly surprised at how much these movies entertained me.
The Basket Case movies tell the story of two Siamese, or co-joined twins, separated in childhood. One twin, Duane Bradley (played hilariously cheezily by Kevin Van Hentenryck) is a fully formed, mostly normal looking guy, but his brother, Belial, is a disgusting blob of flesh with one dangerously powerful arm and, a very strong leg and a disturbingly human face with a mouth full of jagged, dangerous teeth. Belial is a dangerous character who is understandable unbalanced. Spending most of his time in a basket (hence the name of the movies), he and Duane have a psychic bond and can communicate without words). Duane and Belial were separated against their will when children in a horrific home surgery. Now Belial and Duane are looking for revenge on the doctor’s that did the brutal operation. Belial, extracting his revenge – this little guy is a damned efficient killing machine – having killed a large number of people, gets into a scuffle and he and Duane fall out a window together. Apprehended and brought to a hospital, they both escape.
Basket Case 2 picks up where Basket Case left off – now Duane and Bradley find themselves in the home of Granny Ruth (played by Annie Ross), a woman who has taken it upon herself to provide sanctuary for horribly and bizarrely deformed people. The cast of strange creatures is interesting and funny – I thing the creature designer on this film most likely had a great time. This is a place where Belial can feel at home and not have to hide from the world. Duane, though is having a tougher time fitting in, as he feels like the outsider. That said, he manages to fall in love with Granny Ruth’s assistant, Susan (played by Heather Rattray), a seemingly normal young lady – and it seems that she loves Duane, too. Also, Belial finds love himself when he falls for a similarly mutated Eve. Soon Granny Ruth’s sanctuary is threatened by a sleazy reporter and photographer. Duane and Belial decide to organize the ragtag group of mutants into an efficient and deadly defence. After saving the day, Duane and Susan start to get it on… and Duane finds out the real reason Susan stays with Granny Ruth. Duane flips out and goes off the mental deep end (and something happens to Susan)… And the movie ends. Oh, I can’t forget to mention the weirdest love scene ever between two lumps of mutated flesh.
Basket Case 3, starts the moment Basket Case 2 ends. Duane wakes up to find himself in a straight jacket, calling out to whomever claiming that he’s all better now. Granny Ruth enters his padded cell and explains how long he’s been there and why. She also gives him some good news: he’s going to be an uncle, as Belial has impregnated Eve. Eve, being massively mutated, is starting to go into labour, and Granny Ruth is concerned that she may require medical attention. She packs up the entire group of mutants into a school bus and they take off to a sympathetic Doctor referred to as Uncle Hal. Uncle Hal has been taking care of a genius, multi-armed mutant, Little Hal. Duane, still a loose, mildly crazy loose cannon, is trying to escape at any cost. Meanwhile Eve Gives birth to a…a lot of little Belial copies, despite the fact that Belial loses it and attacks Uncle Hal (due to a flashback). Getting the attention of the Sheriff’s daughter, who he stupidly trusts, he soon finds himself behind bars, while the stupid deputy’s decided that they want to capture Belial for a reported $1,000,000 reward offered by a rag newspaper. Yeah, well that doesn’t go very well and one escapes with his life and a basket full of baby Belial looking offspring. The mutants aren’t going to stand for that, and they launch a brazen attack on the jail in order to save the babies. Things get even weirder.
Okay, these are low budget movies that leave a lot to be desired. That said, I really enjoyed them. Duane is an unbelievable silly character that while fake, is super fun to watch. Belial is such a weird character that it’s hard to find him scary, and the gallery of mutants under Granny Ruth’s roof are very… crazy. Still, I really liked these movies – they have a certain charm that is very rare in the horror genre, and if you can suspend your sense of disbelief, you might just have a good time watching these crazy movies.
I don’t knowhow many times I’ve seen the movie, Logan’s Run, but I know it’s more than 10 times. Why do I keep coming back? Must be the charm, because while it’s not a cinematic masterpieces, I find it compelling, and it’s concept interesting.
The story takes place in 2274, and the remains of humanity have been living in a domed, utopian like society, where all parts of living are taken care for you by a computer. Mankind lives for pleasure and there is no more struggle. There is just one trade off, though: You only get to live to the age of 30, and then you must enter “Carrousel” where you have the chance at renewal…though most likely you’ll just end up vaporized. To ensure no one exceeds their allotted 30 years, all humans are implanted with a life clock in their palm – a disk that changes colour as you age, and eventually flashes red when you’ve reached your time to enter carrousel. The majority enters carrousel with no issue, but some choose to run when their time approaches. When that happens, the computer sends a Sandman for you. A Sandman is basically a policeman who is entrusted to capture these Runners.
Michael York plays Logan 5, a Sandman who the computer decides to prematurely age (make his life clock blink, despite having several years left to him. This is done so he can run himself and find the legendary “Sanctuary” – a place spoken of by runners. Sanctuary is supposedly a safe place where you can live out your years past your allotted 30 years. Logan is forced to try to flee, as he is pursued by once fellow Sandmen. As he does he brings along a woman, Jessica (played by Jenny Agutter), who he believes my be sympathetic to runners and may have a clue as to where Sanctuary lies. After a few hairy situations, including a bad plastic surgeon with a young and sexy Farah Fawcett for a nurse and having to convince a group of dissidents that Logan is not a plant, and defeating a weird mirrored robot who’s job has been to process “nutrients from the Sea”, they eventually make it outside the dome, into the wild of the real world. After a few unusual experiences, and noticing that their Life Clocks are now clear, like a baby’s, they eventually find their way to the ruins of a city, Washington D.C. Once there they encounter an old man and his cats, played by the always great Peter Ustinov who tells of his life in the world, explaining how he lived with his birth parents (something quite alien to the dome dwellers). Convincing the old man to follow them, they eventually make their way back to the dome, leaving the old man waiting for them outside. Once in the dome, Logan is captured and interrogated by the central computer. When Logan’s answers cause a break down of the computer, the entire dome starts falling apart. Logan and Jessica lead the people outside where they encounter the old man… Queue credits.
Cheezy on many levels, Logan’s Run is still an important Science Fiction film (and book) that describes a world that some believed was not too far off. Aged, but entertaining, I heartily suggest this a s a watch.
Check out the trailer below:
2008’s The Midnight Meat Train (MMT) is something unusual: a good movie made from a Clive Barker story.
Don’t get me wrong, I like Clive Barker’s writing, but aside from Hellraiser, there aren’t many film adaptations of his work that I can point to and say, “this is a good movie.” Well, there is one more and this is it.
Based on a short story of the same name from the Books of Blood collection, MMT tells the story of a talented photographer in New York City by the name of Leon (played by Bradley Cooper), who after showing some of his pictures to a wealthy Galley owner Susan Hoff (played by the still beautiful Brook Shields), is spurred on to capture the true, grittiness of the City. Going out on night shoots, Leon captures a near mugging/rape of a famous model. Still, despite saving her from a gang of thugs, she disappears that night when she is attacked by a large, silently imposing man, known simply as Mahogany (and played by Vinnie Jones), with a meat hammer on the subway . Hearing of the disappearance the next day while reading the paper, he decides to go to the police, thinking that perhaps the thugs, after being initially scared off, might have come back and got on the same train as the model. When Leon brings this to the attention of the police, the officer that serves him seems strangely unconcerned.
Leon shows the photos he took of the near rape/mugging to Hoff, who states she loves them and challenges him to get two more photos to go along with these and she would host a showing of his work. Leon takes up the challenge. Returning to the subways, Leon notices a large silent figure that catches his imagination. The figure is that of Mahogany himself. Leon follows him, taking pictures, until wordlessly confronted by him in front of the aging hotel that Mahogany calls home. Frightened, Leon apologizes for bothering him and leaves. Later, when going over his photos of the incident of the model, he notices that Mahogany was on the train that the model entered, but never got off. Leon starts to obsess over Mahogany and continues following him, discovering that during the day he works at a large scale butcher, as a meat renderer. Leon sneaks into the butcher to get more photos, and is almost caught by Mahogany. Leon starts to connect other disappearances that had occurred on the New York Subway line with train schedules. He works out that below the butcher shop, there must be an abandoned subway station, where Mahogany unloads the bodies and gets rid of the evidence. He presents this to his fiancé, in a scene reminiscent of something from the movie A Beautiful Mind. Freaked out and thinking Leon is going crazy, she begs him to stop following Mahogany and get back to day shooting. Leon promises… But goes back to following Mahogany. That night, he catches Mahogany in the act, photographing the scene while Mahogany prepares the body of his victim like one would prepare meat. Chased, captured, marked (via scarification) and eventually escaping, Leon now knows for sure that Mahogany is behind the disappearances. Returning home, beaten and disturbed, his fiancé freaking out – he tells her what he saw and that he took phots but the camera was taken from him during his ordeal. On her own volition, she and a friend decide to go to Mahogany’s room after he leaves and look for Leon’s camera – While there, she finds subway schedules going back a century, with train times circled that correlate to disappearances that happened. Also… her friend is captured and bludgeoned by Mahogany, and she barely escapes with her life. Going to the police, the same officer that dealt with Leon shows the same level of unconcern and stated that Mahogany reported something stolen, the train schedules, and that he wants them back. Claiming that her friend, who was captured by Mahogany has it, and if they want the schedules, they have to find him.
Okay… what the hell am I doing? I’m freakin’ describing the whole freakin’ movie. Look – Mahogany is a guy that has a job, and that job is to help feed… something inhuman. It’s an important job and he would normally have gone unnoticed, but something in Leon’s make up made him attune to Mahogany. At the end of the movie, all is revealed, and it is a typical Clive Barker twisted concept – an idea that below the surface of what we as normal humans perceive, there is another world of darkness – the stuff nightmares are made of. Midnight Meat Train did a good job of bringing that world to the big screen. Do I suggest watching it? Oh Hell yes.
Check out the trailer here:
My awesome wife and I saw the new Evil Dead remake this weekend and I have to say it was fantastic. Not a direct remake as much as a re-imagining of the original, but it manages to keep the basics of the original.
This movie was a great horror on it’s own and a great addition to the Evil Dead movies as a whole. If you are a horror fan then you owe it to yourself to see this film.
Here’s the trailer if you’re not convinced:
Over the last week or so I’ve come to a conclusion: Stuart Gordon, the Director behind Society, From Beyond, The Re-Animator and MANY more films is just awesome at what he does: making weirdly compelling and original horror movies. Castle Freak is no exception.
Gordon brings together some of his favourite actors, Jeffrey Combs and Barbara Crampton who play John and Susan Riley, a troubled married couple who along with their blind daughter travel to Italy to visit the 12th century castle that John has inherited from a recently deceased Duchess.
The couple plan on selling the estate once a proper inventory of the estates assets is compiled. While completing this task the family plans on staying in the castle.
Almost immediately they hear strange noises. The daughter decides to follow a cat and some sounds and believes she has heard another person in the house. Being blind, she can only describe what she hears… Her mother believes that she is imagining things. The weird noises continue, and the seemingly spontaneous breaking of a large mirror gets John thinking that there might be more going on here than just the normal noises of a very old castle.
Soon we find out why the couple is having troubles, when a flashback shows an incident where John was driving his daughter and son home one night, drunk, and gets into an accident. The accident kills their son and blinds their daughter. Asking his wife if she’ll ever forgive him, she says no, and admits that it’s her plan to make him keep suffering for the incident. Upset and enrages, John heads to town where he gets drunk and pick up an attractive hooker. He takes her back to the castle and they have sex. When he is done he tells her to go. Little does John know that the source of the sounds is actually a horribly disfigured man that had been held in one of the castle’s dungeons, and that he has escaped his captivity (by biting off his thumb in order to escape manacles. This man capture’s the prostitute and sexually mutilates her. John is considered the prime suspect ands is taken into custody by the local police when the body of the prostitute and his maid are found.
John, in the meantime has figured out that the one causing the issues is actually the son of the duchess, who despite being reported as dead, was kept in the dungeon and beaten. No one believes him though. HE tries to convince the police who will have none of that. Eventually escaping and heading back to the castle to save his family, John and the creature fight on the roof with tragic consequences.
There’s quite a twist thrown in somewhere past the middle of the film regarding John’s relationship with the beast and the Duchess that I won’t reveal here. This film feels like a Stuart Gordon film and definitely is getting recommended by me.
Watch this film and check out the trailer below:
This was a weird one, and I am so surprised that I never watched this before now.
1989’s Society is an interesting film that tells the story of Bill Whitney (played by Billy Warlock), a 17 year old California High School student who is tone of two children of the very well off Whitney family. He has a cute sister, Jenny who is just a little older than he is, a cheerleader girlfriend and is popular at school. Why isn’t Bill happy?
Bill has had the feeling that he doesn’t belong. He doesn’t look like the rest of his family. They don’t communicate with him, other than idle chit chat, and recently he thinks he’s noticed some weird, seemingly impossible physical differences between himself and his family. His psychiatrist (oh yeah, he’s seeing a psychiatrist), Dr. Cleveland tells him he’s being paranoid and that he has to learn to fit in and accept his place in… society.
When a friend (and sister’s ex-boyfriend), David Blanchard, tries to let Bill know that things are not what they seem with his family, Bill rejects the idea out of hand. Eventually David gets Bill to listen to a secret recording David took of Jenny’s coming out party that seems to indicate that it was a family approved orgy, and that his parents really are keeping things from him. Providing his psychiatrist with a copy of the tape to prove that he isn’t paranoid, and that there are weird things going on in his family does nothing, when Dr. Cleveland plays it back and it’s a completely different, tame recording on the tape. What’s going on?
Bill starts raising hell and finds himself in some very weird and dangerous hot water. Eventually the truth is revealed to Bill, by Dr. Cleveland: The rich are a separate species from normal humans, and have been feeding off of us poor for as long as people have been around. In a glorious scene of crazy gross special effects, we get to see an orgy on eating and the weirdest transformations I have seen on film.
This movie has a lot going for it and I definitely suggest you watch it, though I will warn you that it is really quite gross. The acting isn’t the best but it definitely isn’t close to the worse either. I liked this film a lot and hope you will also.
Check out the trailer here:
The ABCs of Death is an interesting concept for a horror film: 26 short horror stories from 26 writer/directors, each tale based on the letter of the alphabet they’ve been assigned.
Clocking in at two hours and nine minutes and spanning horror genres from one end to the other, ABCs doesn’t give you a chance to be bored as it moves from one story to another so quickly.
26 directors from around the world means you get a look at what other cultures consider scary. From a freaky Bigfoot/Snowman to farting Japanese lesbians, expect to shake your head a few times wondering what the hell you just watched.
That said, I think this is a good movie and an excellent idea. It’s kind of like a horror sampler, and due to watching this film, I’ve got several writer/directors to add to my much watch list – I just hope that these creators are good when their work is expanded from two or three minutes to an hour and a half or more.
Go to Amazon or wherever you buy your movies from and get this one – I’m pretty sure you haven’t seen anything like it before.