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Posts tagged “1967

Sergio Leone’s Dollars Trilogy (A Fist Full of Dollars(1964),For a Few Dollars More (1965), The Good the Bad and the Ugly (1966))

sergioSergio Leone is/was the King of Spaghetti Westerns, and with The Man With No Name Trilogy (A Fist Full of Dollars, For a Few Dollars More and The Good, The Bad and The Ugly), he might just deserve the title of King of All Westerns, in general.

This is the series of films that took a small time, little known TV actor by the name of Clint Eastwood and made him a house hold name. In each movie he seems to go by a different name (Monco, Blondie and Joe), but is best known as the Man With No Name, a bounty hunter that proves that the good guy in a movie doesn’t always really have to be that good of a guy – an anti-hero, I guess. Two of the movies (For a Few Dollars More and The Good, The Bad and the Ugly), costar Lee Van Cleef, the flint eyed leathery veteran of countless Spaghetti Westerns before and after this series. All three movies are scored with the incredible music of Ennio Morricone.

Visually stunning in their bleakness, Sergio paints a picture of a ruthless West filled with bandits and regular people, Rich man and poor men. And one thing in common for everyone is that they are trying to make a living in the west. Eastwood, in each of the films plays a cigar smoking, tall, quiet, solitary character who is quick and accurate on the draw, and if you have a bounty on your head, you’d be best to steer away from him.

Each of these movies stands alone – that is, you don’t have to watch one to follow the other, and I guess they’re not really sequels, but bound together in spirit. They are not just good Spaghetti Westerns, not just good Westerns, but actually great movies in their own right. While (re) watching The Good, The Bad and the Ugly, I was stunned by just how complex a movie it really is. Not only is it a kick ass western, but it even tries to come to grips with the horror that was the American Civil War. There is a strangely poignant scene where Blondie is walking through the area where a battle between the Union and the Confederates had just happened – coming upon a dying soldier, shivering, Blondie wraps his coat around him and gives the man a draw from his cigar, just before the soldier dies – This didn’t have to be in the movie, but it’s little things like this that elevates these movies above the rest.

So, don’t watch these movies if you’re looking for a light, fluffy watching experience – Watch these movies if you want to see great movies with great actors in great roles. I’m of the opinion that even if you don’t like Westerns, if you watch these film with an open mind, you would still like them.

Watch these movies and watch them often.

A Fistful of Dollars Trailer

For a Few Dollars More Trailer

The Good, The Bad and the Ugly Trailer


Death Rides a Horse (1967)–Spaghetti Western Wonderfulness

DRHIn the 1960s there was an explosion of Westerns made in Italy by Italian film makers. These were dubbed “Spaghetti Westerns” and are/were the Western equivalent of Grindhouse films, and while most of these movies were pretty damned bad, occasionally one would actually turn out to be a good movie – 1967’s Death Rides a Horse is one of those good ones.

Starring John Phillip Law as Bill Meceita, a man seeking revenge on the bandits that he witnessed killing his family when  he was a young. The only evidence he was able to gather, as a boy. was a single, unique spur that one of the murdering bastards left behind. Years later a recently released convict, Ryan, played the always great, flinty eyed Lee Van Cleef, kills two men in self defense that were sent to kill him. The Sherriff noticed that one of the dead men was wearing spurs that exactly match the one that had been left at the scene on the Meceita family massacre so many years before. The sheriff informs Bill, and tells him the name of the stranger, Ryan thinking that perhaps Ryan can help lead him to the men who killed his family.

When Bill catches up to Ryan, he finds him sympathetic but not willing to help, as he has a large amount of money owed to him by the same bastards that killed Ryan’s family, and if Bill kills them, Ryan can’t collect. Leaving Bill temporarily stranded (in order to gain a head start), but not defenseless. Of course this only works for a bit as Bill is extremely motivated to get these guys. Ryan is looking at collecting $15,000 from each member of this gang, as he spent 15 years in prison for something they ALL took part in. Bill, killing these guys, makes it harder and harder to collect. Add to this a sub plot where one of these banditos is now a town official, promising to improve the lives of the town folks, but actually planning on taking off with all the town’s money, in a faked heist, and making it look like Ryan is part of it. Bill comes to Ryan’s aid, and for the rest of the movie they work together as a team. An interesting twist near the end makes the relationship between Bill and Ryan even more twisted. Add in some great shootouts and you have this film.

This is a long movie, and the conversion from film to digital (at least the version I have), is very crapilly done. There are bit where you can tell a few seconds of film are just missing. It’s dirty and very low resolution. Some of the actors voices are very obviously dubbed (hey, most of them were bit part Italian actors working for very little money) and not particularly great thespians. Even so, this movie oozes cool, especially with an awesome soundtrack from the amazing Ennio Morricone I absolutely enjoyed every second of this film and most likely will go on a minor Spaghetti Western binge.

And… we’re in luck folks: Not only is this movie available for really cheap on almost countless cheap bin DVD compilations, it’s also available for streaming for free (for now at least).

Check out the trailer below and the entire move below that (please let me know if the link is broken):

 

Death Rides a Horse (1967) – Trailer

 

Death Rides a Horse (1967) – The Entire Movie


Quartermass and the Pit (1967) – A British Sci-Fi Masterpiece

A classic Hammer Sci-Fi film from 1967, Quartermass and the Pit, a suggestion from a reader – and a great suggestion at that. This is  a film that I had planned on watching for a long time, and I am glad I finally got around to it.

Crews working at a London Underground station unearth a some primitive ape-man skeletons. Soon, scientists are called in to take over the dig, and then the military when they find what is first believed to be a bomb, but turns out to be an ancient Martian spacecraft, along what appears to be it’s original, insect like crew. While the aliens have long passed away, the ship itself turns out to be alive in some way, and starts projecting ancient Martian memories to the London public, causing mayhem and panic. It is, of course, up to the scientists to save everyone.

Here is the plot description from Wikipedia, as I am not doing the film justice with my description – be forewarned, almost all Wikipedia plot descriptions give away everything:

Workers building an extension to the London Underground at Hobbs End dig up skeletal remains.Palaeontologist Dr Matthew Roney (James Donald) is called in and deduces that they are the remnants of a group of apemen over five million years old, more ancient than any previous finds. One of Roney’s assistants uncovers part of a metallic object. Believing it to be an unexploded bomb, they call in an army bomb disposal team.

Meanwhile, Professor Bernard Quatermass (Andrew Keir) is dismayed to learn that his plans for the colonisation of the Moon are to be taken over by the military. He gives a cold reception to Colonel Breen (Julian Glover) who has been assigned to join Quatermass’ British Experimental Rocket Group. When the bomb disposal team call for Breen’s assistance, Quatermass accompanies him to the site. Breen concludes it is a V-weapon, but Quatermass disagrees. When another skeleton is found in an inner chamber, Quatermass and Roney realise that the object must also be five million years old. Quatermass suspects it is of alien origin, but Roney is certain the apemen are terrestrial.

Quatermass becomes intrigued by the name of the area, recalling that “hob” is an old name for theDevil. Working with Roney’s assistant, Barbara Judd (Barbara Shelley), Quatermass finds historical accounts of hauntings and other spectral appearances going back over many centuries. They deduce that these events coincided with any disturbances of the ground around Hobbs End.

An attempt to open a sealed chamber using a borazon drill fails to make any progress. However, a few moments after the drill is stopped, a small hole is seen, though the drill operator, Sladden (Duncan Lamont), is certain it was not created by his machine. The hole widens to reveal the contents: the corpses of three-legged, insectoid creatures with horned heads. Roney and Judd work to preserve the bodies before they decay. An examination of the creatures’ physiology suggests they came from the planet Mars. Quatermass and Roney note the similarity between the appearance of the creatures and the Devil.

Sladden is overcome by a powerful telekinetic force emanating from the missile and flees to the sanctuary of a church. Sladden tells Quatermass he saw a vision of hordes of the creatures from the missile. Quatermass believes this is a race memory. Seeking proof, he returns to Hobbs End, bringing a machine Roney has been working on which taps into the primeval psyche. While trying to replicate the circumstances under which Sladden was affected, he notices that Judd has fallen under its influence. Using Roney’s machine, he is able to record her thoughts.

Quatermass presents his theory to a government minister (Edwin Richfield) and other officials. The occupants of the missile came from the dying Mars. Unable to survive on Earth, they chose to preserve some part of their race by creating a colony by proxy by significantly enhancing the intelligence of the natives. The descendants of these apemen evolved into modern humans but retain the vestiges of the Martian influence buried in their subconscious. He plays the recording of Judd’s mind as evidence: it shows hordes of Martians engaged in what he interprets as a racial purge, cleansing the Martian hives of weaker members of the race. A disbelieving Breen offers an alternative theory: the missile is a Nazi propaganda exercise designed to sow fear of an alien invasion among the populace. The minister rejects Quatermass’ theory in favour of Breen’s and decides to unveil the missile to the press.

Disaster strikes at the press event. The missile apparently draws power from the broadcasting equipment, and its influence is magnified. The streets of London erupt into violence as those affected go on a rampage. Breen becomes drawn towards the missile and is killed. Quatermass falls under alien control as well, but is snapped out of it by Roney, who is unaffected. The two men realise that a small portion of the population are immune. The psychic energy becomes stronger, ripping up streets and buildings, and the spectral image of a Martian towers over the city, centred on Hobbs End. Recalling stories about how the Devil could be defeated with iron and water, Quatermass theorises the alien energy could be discharged into the earth. Roney climbs to the top of a building crane and swings it into the spectre. The crane bursts into flames as it discharges the energy, killing Roney. With this, the image disappears. As Quatermass and Judd rest amongst the rubble of Hobbs End, Fire Engine and Police bells can be heard ringing in the distance.

This is a true Science Fiction classic that deserves so much more attention than it gets. I cannot recommend this film enough, if you are a real Sci-Fi fan. Intelligently written and well acted with an original plot – more than most movies (especially ones highlighted on this site), it is actually available in it’s entirety on Youtube – so you have NO reason not to see it.

Check out the trailer here:

And watch the whole movie here:


They Came From Beyond Space (1967) – Boring British Sci-Fi

A British Sci-Fi film from 1967, They Came from Beyond Space is a lack lustre, uninspired flick that barely kept my attention.

The premise is that what seem to meteors fall to earth. When they are investigated by top scientists, those scientists become controlled by another, alien intelligence that puts them to work on a plan to build ships to help these Aliens to return to their original planet. One scientist is not affected as he has a silver plate in his skull from surgery after a car accident – the plate interferes with the mind control method used by these aliens. This scientist leads the battle against the aliens. Add a plague that makes peoplk seem dead, so that the aliens can take the bodies to the moon where they are revived and used as slaves.

There you go – that is They Came From Beyond Space. Should you watch it? You decide. It is freely available as it has slipped into the public domain.

Here is a clip:

And here is the whole movie:


Mars Need Women (1967) – And Actors

Mars needs women – they have a Y chromosome deficiency on the planet making the deficit of women to men at a 100 to 1 level (like any lan party or comic convention), and they’ve come to Earth to replenish their supply of babes.

A quirky, super low budget film that was made for television, this is kind of fun. Good? Oh, Hell no – but fun. A lot of actors in this are also found in Curse of the Swamp Creature and Zontar – The Thing From Venus (both reviewed on this blog), as I believe they share writers/directors. I guess there was a stable of actors for use in these crappy films.. I doubt that the film made much of a splash at the time, as it is hard to find a copy of it now. I did find a copy on Youtube (that I watched to write this), but most links reference the Rob Zombie song of the same name.

Here is the plot summary from Wikipedia:

The premise is that a military decoding station has intercepted a message, only three words, “Mars Needs Women”. As the plot unfolds it’s revealed that Martians have a genetic deficiency that produces only male babies. They launch a mission to Earth consisting of five Martians who recruit volunteer women to come to Mars. They meet strong resistance on the part of the Earth authorities. 

Oh, and a Martian falls in love with a hot female DNA expert.
 

Should you watch it? Oh, probably not, but if you decide that you want to check it out on youtube.

Here’s a clip:

And here is the whole thing (no,  i’t not in Russian – there’s just Russian subtitles available if you need them):