Okay, barely a review and much more a gushing over Lloyd Kaufman and Troma… and the Calgary Horror Convention. Actually had a chance to watch this Troma film in a theatre and with the added bonus of being in the presence of the great Lloyd Kaufman, Co-creator of Troma films and the legendary Toxic Avenger. Lloyd was great, the film was fun and I just ramble on and on and on. There is some bonus clips from the question and answer with Lloyd Kaufman at the end of the video. Hope you all enjoy!
I haven’t seen Blind Fury since it was out in the theatres in 1989. I remembered liking it, but other than the fact it starred Rutger Hauer as a blind, staff wielding white martial arts guy that fights bad guys… Well, It was like watching a new movie this go around, and I must say, I still like this movie.
Wolfcop is a little Canadian production that has been fighting to get made/released for a couple of years. Well I am so very happy to say that today, I watched Wolfcop in a major theatre.
A couple of years ago I ran into the folks behind Wolfcop at their table at the Calgary Entertainment and Horror Convention. At that time they were trying to drum up votes in a contest amongst indie films to get funded. They didn’t win, but they did drum up interest, and this year when they appeared the the expo, they were announcing the up coming release of Wolfcop. I was really glad to hear this as the folks behind the film seem pretty damned cool. Both years they handed out Wolfcop badges to those who would tweet or post to Facebook about Wolfcop. I did it both years and have both versions of the badge, which is pretty awesome. They did a good job grabbing my attention and I have been waiting to see this film. I am happy to say it was worth the wait.
Wolfcop tells the tale of Lou Garou, a drunk cop in a small town who get’s turned into a Werewolf. Instead of just going rogue like most Werewolves, he decides to start kickin’ criminal ass as Wolfcop. Also, while he’s doing that, he’s got to get to the bottom of why he’s a werewolf, and just what the hell is going on in his little town.
Wolfcop is a low budget homage to the cheezy slasher/monster horror flicks of the 70’s and 80’s. It’s not a movie to be taken seriously, it’s a movie to be enjoyed for what it is. This is the movie for the person who enjoyed Machete and Hobo With a Shotgun. If you rented those cheezy horror movies from your corner video store as a kid in the 80’s then Wolfcop is the movie for you. Watch it with an open mind, and take it for what it is and you might just find that you’ve watched a brilliant film.Unfortunately, it most likely won’t be in the theater for long, and even if it did, it’s a Canadian only release. But that means it most likely will be available for purchase, and if that’s the case, I say buy it!
Hey! Check out my video review of the recently released American Godzilla movie. Did they make up for the 1998 crapfest they called Godzilla? Damn straight they did!
So, we’ve decided to do a week of found/lost footage movies (i.e. “Shaky Cam”). You know what those are? Movies that are supposed to look like they were recorded on handheld devices, like The Blair Witch Project. There are quite a few, but just a tiny few worth watching. Hopefully we’ll see a couple that you would like to watch…
It was a toss up as to whether or not we were going to watch Alien or Deadly Spawn. My buddy made the argument for Deadly Spawn as it is a much less known movie, and I went along.
So, a small town is invaded by a life form from space that looks a lot like a giant multiple headed lamprey with a penchant for making slug like babies (lots of them), and eating the locals. A group of four geeky science nerd teens and a young boy do their best to save the town (and most likely the world) from this infestation. It’s kind of weird that three of our movies had similar themes and creatures (Slither, Night of the Creeps and Deadly Spawn), not in that they are alien infestation movies (it’s kind of the theme), but the fact that the three creatures in the mentioned movies all propagate by releasing slug like grubs, liked to enter through the mouth id possible, and the main “mother” creature found someplace out of the way to grow and develop. Well, if they copied each other, this is the progenitor of all of ‘em. A silly movie, Deadly Spawn stays entertaining, and cheezy which is perfect for me. Lots of campiness to go around, and some really questionable actions by it’s characters may make you moan at times…but don’;t let that stop you from enjoying the movie. A true representative of it’s time, the early 1980’s, it still stands out as a fun, throwback to the creature features of the 50’s and 60’s…
1978’s remake to the 1956 classic movie, Invasion of the Body Snatchers is in itself a true classic of Sci-Fi horror. Starring Donald Sutherland, Brook Adams, Leonard Nimoy and a very young Jeff Goldblum (among others), this great casted movie tells the story of an Alien Invasion of a most insidious sort. You see, and alien life form has appeared as an attractive flower… Only problem is the flower eventually creates a duplicate of yourself, while you whither and die. New York is now full of Zombie like individuals, who seem to be able to communicate without the need of verbalizing. Friends and family members, not yet infected are reporting that their affected loved ones seem to have been replaced, and that only the outside resembles them. The infestation spreads exponentially, and the unconverted are hunted by the converted. Some have learned that you can fool the duplicates if you keep to yourself, and show no emotions. Of course, how long can someone go on like that?
Invasion of the Body Snatchers does a good job of creating a very creepy mood, with a combination of filmography, great casting and a fantastic use of ambient sounds and anxiety creating music. I think another reason this movie seems scarier than most (to me at least), is that the people affected seem like real people and not just characters on a page. Also, the fact that it all takes place in a normal cityscape and not removed in space or in the far future makes it seem just that more real. If you like Sci-Fi and Horror then you’ve got to watch this one. Easily one of my favourites of this genre,, I have watched it many times and will watch it many more tomes before this mortal coil is done. Also, if you like this one, definitely check out the original, too as it also ids a fantastic story/movie.
1988’s way over the top, Killer Klowns From Outer Space tells the tale of a group of evil aliens that come to Earth, specifically Crescent Cove, California, in their space craft to harvest humans. Pretty typical of a Sci-Fi horror film, I know, but these aliens look like demented clowns, and their space ship looks like a giant circus tent.
Starting off with a farmer going to investigate what looked like a comet that has fallen to Earth (he thinks it is Halley’s Comet), and stumbling across the Circus tent like Alien spacecraft, he and his dog are quickly captured by the Aliens. Now, of course the Farmer wasn’t the only one to see this shooting star like object. Mike (Grant Cramer), and his girlfriend Debbie (Suzanne Snyder), decide to also check it out. They find the spacecraft (just like the farmer did), and manage to find a way in, where they discover the remains of the farmer and his dog, cocooned in a cotton candy like substance (hey – they’re alien clowns… errr “Klowns”), and themselves just barely missing being capture by one of the aliens. After a hairy escape (including being chased by a balloon animal, they head to the police station. They tell their story to officer Dave Hanson (John Allen Nelson), who happens to be Debbie’s ex boyfriend. The story, of course sounds ridiculous – I mean, really? Space Alien Clowns? Bodies cocooned in cotton candy? It’s fair to say that Dave is is sceptical, but his fellow officer, the gruff jerk of a cop Mooney (played by the awesome John Vernon) calls them outright liars and wants to put them in jail for making up stories about murders and such. Dave at least agrees to chesk out what they are saying as they did say a couple of people were killed. Dropping Debbie off first (against her wishes), Mike takes Dave out to where they found the ship and the bodies, but unfortunately the ship is no longer there and Dave thinks they made the whole thing up and places under arrest. Well with the clowns loose in the town and more and more people falling victim to their ridiculously amusing weapons and ways, Dave and Mike don’t get far before Dave sees for himself the Killer Klowns and what they are capable of. Meanwhile, back at the police station, Maloney has himself that the entire town is trying to mess with his head with a coordinated series of call from all over town about killer clowns. When Dave calls into the station and instructs Maloney to call for back up, describing the Klown menace, he just thinks Dave is in on the whole thing to and refuses to get or give help. It’s not until one actually strolls into the station that he actually realizes this isn’t hoax. Of coarse, by that time… well, you know. So it’s all up to Mike, Dave and Debbie to infiltrate the Klown ship and save the day… Okay, I left a whole bunch out there at the end because I realized I was just rattling off the movie instead of reviewing it. I don’t want to do that. What I do want is for you to watch this movie because it’s cool, crazy and funny and desreves to be watched by soimeone who can appreciate it for what it is: a fun movie. No one can argue that it isn’t original – Hell, I doubt there is any movie that even resembles this film. A crazy concept, wrapped in a funny script and created by people that must love the genre, this is a film for any Sci-Fi/Horror or Comedy fan. Yeah, it is ridiculous, but it is supposed to be so. Sure, if you watch this movie expecting it to be a serious horror/sci-fi film, you will be mistaken – and most likely stupid, too. I mean, really: it’s about Killer Aliens from space that travel in a Circus tent space craft and look like demented clowns. Still,
it’s great ands it’s fun and you should watch it. Oh, you already saw it? Well, see it again!
Having just watched Slither (again),last night and remembering the outcry from a lot of fans of the classic 1986 Night of the Creeps due to the many similarities between the two movies, I just had to watch Night of the Creeps (again), tonight.
Night of the Creeps is a neat Horror/Sci-Fi/Comedy about an infestation of alien slug like creatures when they are released on the unsuspecting Earth during the 1950s, landing in a town/city in the states. Initially infecting an escaped lunatic, and a young man on a date with his girl, resulting in a couple of deaths. Cut to the 1980’s where a couple of friends, Chris Romero and J.C.are new to college and trying to fit in. Chris has a crush on a hot girl, Cynthia Cronenberg. Cynthia, though has a meathead boyfriend who is in charge of the frat house that the two want to join (so Chris can hopefully impress Cynthia). In order to join, the two are given the task of stealing a cadaver and leave it on the steps of a rival frat house. While the two manage to enter a lab where they think they will find a corpse, they actually manage to stumble upon a body in cryogenic suspension,. They decide one body is as good as another, and try to take this one. When the corpse opens it’s eyes and grabs a hold of one of the two, they take off “screaming like banshees” (you’ll know why I put that in quotes when you watch the film). Well, turns out this is the corpse of the guy that was infected by the alien life form way back in 1959. So, now we have a reanimated corpse, under the control of an alien life form… The corpse, a sort of alien zombie kills a scientist in the lab and heads out…on the town, eventually ending up on the steps of a girl’s frat (the same one Cynthia calls home). Cynthia sees the zombie and sees his head explode, releasing a bunch of those alien worms… and they spread out. Soon a crap load of the town is infected, including the dead, which rise (hence the Zombie word), animated by there worms. J.C. himself falls prey to the creatures also, but not before he learns the secrets to the destruction of the worms…
Of course everything ramps up to a big good versus bad scene, but I have told you more than enough of the story. You should watch this movie, as it is damned fun. Definitely an homage to the sci-fi creature flicks of the 50’s and 60’s, if you enjoy sci-fi, horror and comedy then you have to see this one, folks. Check out the trailer below:
2006’s Slither does something very difficult: it manages to mix horror with Science Fiction (Sci-Fi), and adding a large dose of comedy…and gets it all right. I’ve reviewed the move in the past (here is the original, tiny write up: Slither 2006). It was so good, that I decided we should watch it again, and maybe put a little more effort in the write up this time.
Starring Canada’s own (hell,we were in the same high school at the same time), Nathan Fillion (Firefly anyone?), as Chief of Police of the town of Wheelsy, South Carolina, where a meteorite crashed to earth, carrying an alien life form. Shortly after it crashes to earth, local, well to do guy, Grant Grant (played by Michael Rooker), gets taken over by the creature after poking at the gelatinous, pulsing mass in the nearby woods (after almost, but not quite cheating on his wife). Soon Grant starts craving fresh, raw meat, and also starts mutating. When Grant’s lovely wife, Starla (Elizabeth Banks), see’s a misshapen Grant, he explains he had a reaction to a bee sting. Well, soon other things start happening, including the disappearance of neighbourhood pets, as well as Barbara, a local drinkin’ floozy…
Well, you see, Grant is now the host of an alien intelligence who spreads through taking over individuals, either through assimilation or through infection via a parasitic worm/slug like form. The creature can also use a life form as a host to breed the aforementioned worms/slugs…and it does – boy does it ever. Of course this turns in to a battle of a few against a lot, and is tense and action packed… as well as a lot of always cool grossness. The creature design is fantastic, and the whole cast does a great job in creating what feels like a heartfelt homage to the alien invasion/creature films of the 1950’s and 1960’s. This is a great Sci-Fi/Horror/comedy that I strongly suggest you check out.
So, this week is dedicated to Alien Based Horror movies. I expect a few possible turkeys, but I believe it’s going to be fun anyway. I am a fan of Science Fiction (Sci-Fi) and horror, and the two mix reasonable well at the hands of competent film makers… and some horribly awesome films when created by bad film makers. I hope we get to see both sides of the coin this week.
We haven’t filled the roster of films yet, so if you have a suggestion or two, feel free to send them on over by using this link:
2013’s Free Ride stars Anna Paquin and is based on a true story as a mom in the 1970’s that escapes an abusive relationship with her kids and heads to Florida. Once there she starts working for a major pot importer whom she meets through a friend. She is raising two daughters and not doing a particular job about that. Stuff happens, people get hurt/go to jail etc…
Okay, the acting isn’t bad in this film, but the story is freakin’ boring. Coming in at only an hour and twenty-six minutes, it felt like a damned eternity. You know, just because you have a story to tell, it doesn’t necessarily mean you should, We learn that the story/movie is written by one of the daughters… Next time stick to your diary, as this is a waste of time.
Check out the trailer below, but don’t be fooled by it as it’s all smoke and mirrors – the trailer is all you really need.
Escape From LA is the 1996 unnecessary sequel to the classic 1981 action film, Escape from New York. In Escape From New York, Snake Plissken (played by Kurt Russell), is enlisted to rescue the President, who’s plane has crashed in New York. New York, once a bustling metropolis, has been turned into a giant prison without guards, and run by different factions of criminals. Plissken goes in, and against all odds, rescues the President. In the 1996 sequel, Snake is back (and still being played by Kurt Russell). This time he is expected to retrieve a control for a space based nuclear weapons platform that was stolen by the new, President for Life’s daughter in an act of defiance, and brought to LA, now also a prison, separated from the rest of the continental United States by an earthquake, and given to Cuervo Jones (Georges Corraface), an ex Peruvian Shining Path rebel, and leader of the most powerful faction of criminals in L.A. Snake originally turns down the job… that is until he finds out he has no real choice in the matter, and only has about a day to complete the task…or else. Once in L.A., Plissken goes about the task of locating the President’s daughter and Cuervo. At first it seems like he may get some help from "Map to the Stars" Eddie (Steve Buscemi), but maybe…. just maybe Eddie has his own plans.
Anyway, Plissken gets captured, gets loose, gets into some fights (with and without weapons), and of course, gets the job done. But with almost all movies, things just aren’t that simple. Who is the true bad guy?
This is a silly, parody o the original Escape From New York. I could see some true fans of the original possibly hating this movie, but if you watch it with the mindset similar to mine, where you were looking for some silly action entertainment, then you might like it. Just don’t go in expecting a serious, action movie and you should be okay.
In 1977’s The Gauntlet, Clint Eastwood plays Ben Shockley, an alcoholic, circling the drain, Phoenix cop, sent by the police commissioner to Las Vegas to pick up a witness and escort them to Phoenix for an upcoming trial. Described as a two bit witness in a two bit trial, Ben is told he is given the job because he get’s jobs done. Arriving in Vegas, Ben is surprised to find out the witness is a female, August “Gus” Malley (played by Sandra Locke), and deathly afraid of leaving her cell, stating she and anyone with her would be killed. Ignoring her warning, Ben ushers her to an ambulance to leave the jail, and to rendezvous with with a rented car. After that car explodes (killing an Emergency Medical Technician), and then a chase and shoot out, Ben starts believing Gus as to the seriousness of the situation. As the situation progresses, more and more attempts are made on both Ben’s and Gus’ life, it becomes obvious (to Gus at first), that someone inside the Phoenix force is plotting to kill the two. When Ben asks some probing questions as to who Gus is being asked to testify against, it becomes obvious who the rat in the force is, and that they are up against something very big, and the only chance for either of them is to get to the Phoenix City Hall, but it’s not going to be easy. So what’s Ben going to do? He highjacks a Greyhound bus, shields the drivers section, and lets the Phoenix Police Department, which has been told erroneously, that Ben is a killer, that he is coming in, even providing the exact route they will be taking. The route is lined with police on all sides, hence the title of the movie, The Gauntlet, who unload countless rounds into the bus trying to stop them. Well, apparently they never saw any other Eastwood films, as if they did they would know that their efforts would fail. Once at City Hall, the bad guy (watch the movie to figure out who that really is), is outed under duress by a co-conspirator, who is then promptly silenced by that bad guy…and them something else happens (hehehe… sorry, I know that is cheezy).
Well, this is another damned fine Clint Eastwood movie and you should see this one – ton’s of action and great dialogue. What are you waiting for?
If you read my review of Every Which Way But Loose, then you know I like that movie. Well, this is the sequel to that movie, and you know what? I like this one too.
Any Which Way You Can is the 1980 follow up to the block buster comedy, Every Which Way But Loose, and it is damned funny. Clint Eastwood returns as the Truck Driver/prize fighter, Orangutan owning Philo Beddle, as well as Geoffrey Lewis as Orville Boggs as Philo’s best human buddy, and Manis the Ape as Clyde, Philo’s best non human buddy. Also returning is Ruth Gordon as Philo’s cantankerous mother and Sandra Locke as Philo’s love interest, Lynn Halsey-Taylor. In this movie, we find Philo has continued his side line as a tough son of a bitch prize fighter. Only he’s decided to retire, having noticed he was starting to enjoy the pain. Unfortunately, the Mafia wants to setup a match between Philo and Jack Wilson, a new style of fighter that mixes boxing and martial arts together, and has managed to kill three opponents and scramble the brains of a fourth victim. Approached by the Mafia, hoping to setup this fight, Philo initially says no, but when the mob ups it to $50,000, win or lose, Philo changes his mind and accepts the fight. When Philo and Jack actually meet, it turns out that they actually get a long. They decide there is no real reason for the fight and mutually decide to call it off. The Mafia, seeing that they are about to lose the biggest grossing illegal prize fight ever, decide to kidnap Lynn Halsey-Taylor, Philo’s returning (and redeemed), love interest in order to force the fight. Frank and Philo take care of that situation, but both realize that they can’t leave the question of who would have won the fight open, so they decide to battle it out. Oh! Also returning the is Black Widows: a comical outlaw biker gang that really have it in for Philo, despite the fact that when ever they come into conflict with him, he ends up kicking their ass and they end up with less bikes. This time though, things end on a high note for them and their relationship with Philo.
This is such a fun movie, and watched back to back with Every Which Way But Loose would make for a great evening of movie watching. I heartily recommend this film and it’s predecessor. Check out the trailer below:
It’s a piece of crap with a stupid plot, a stupid attempt at a “twist”… and I’m sure some freakin’ hipster will defend it as the direction of the new “Artcore” movement.
Just because you call a piece of crap a rose, doesn’t make it a rose.
So, a girl starts college, and her partying new dorm mate invites her to a party. Once there she’s introduced to “Smiley” – You get in an Internet chat room with someone, and while you are there, you type “I did it for the lulz” three times, and magically a distorted smiley face character comes out of know where and kills the person on the other side of the chat window. Not a terrible idea for a horror movie, but unfortunately, it is a terrible horror movie. I’m not even 100% sure where it went off the track, but it was one of those movies where you just end up waiting for it to end.
Don’t bother with this piece of crap folks… Unless you are the hipster that is going to email me about “Artcore” = and if you are, spare yourself and me the time and don’t bother formulating that email.
Screw the trailer, as this movie doesn’t deserve the posting of a trailer here.
Wow… It’s been so long since that I watched this movie, that I had completely forgot that I saw this movie. Not that I was missing much, bet yeah, I’ve seen this when I was a pretty young kid. Some things are best left in the past… Hehehe.
The Horror at 37,000 Feet is a made for TV horror film staring Chuck Connors, Buddy Ebsen and William Shatner that takes place on a 747 airliner…at apparently 37,000 feet. There’s a Druid stone on the plane (being moved from England to the U.S. to be part of a private bar of a successful architect. It’s the solstice, the ancient Druid god’s are angry and demanding a sacrifice. So, the movie is pretty weak, as one might expect for a made for TV movie of this time (1973), and I doubt many would like it. I enjoyed it mostly due to the memories it brought back and my weird love of crappy movies. If you want to relive some TV memories from the 70’s or also like cheezy bad movies, then I say go for it… If you don’t fit this mould, just walk away and don’t look back. Trivia: Paul Winfield also stars in this movie – William Shatner and Paul Winfield would later go on to be in Star Trek II – The Wrath of Khan nine years later in 1982.
Most people in North America would know this movie as Godzilla Versus the Smog Monster, though it’s original release title is Godzilla Versus Hedorah. That said, they are both the same movie.
In 1971’s Godzilla Vs. Hedorah , Japan has a new enemy: a new creature that has evolved to live on the pollutants of our modern society. Not only that, but it is producing deadly pollution itself, incapacitating and humans that may get close. This is a disaster!!! Oh, and guess what? Godzilla doesn’t like to see other monsters on it’s own turf. Yeah, Godzilla and Hedorah are heading for a showdown. I pity the Japanese that get caught in the middle!
So, this is a time when the Godzilla character was transitioning from a bad guy who seemed to get kicks from beating the crap out of Tokyo and other Japanese cities, to a protector of the Japanese people. That doesn’t mean that you won’t be injured or killed if you get too close: Godzilla is a Big Picture kind of monster, and may stomp the occasional person or building on the sidelines. Heck – you might even get drowned in a big piece of polluted monster if you are not careful – should have stayed away from Godzilla, idiot…
Godzilla Vs Hedorah is actually one of my favourite Godzilla movies, and I really like the three stage design of the Hedorah – pretty cool, and add a neat, cheezy transition effect between the stages and you’ve got gold. Add to that the hippiness of the movie – lots of trippy music and psychedelic gels, and some trippy animated series really reminds you of when this movie was made – and that in my opinion is a very good and neat thing. Without a doubt, I would say that this is the most unique Godzilla movie that I have watched (so far, at least). Should you watch it? You should watch ALL Godzilla movies (with the exception of the Mathew Broderick version), but you should especially watch this Godzilla movie.
I am so damned glad we are doing Godzilla Week because I am getting to relive some great childhood memories along the way.
1963’s King Kong vs Godzilla is a movie that I saw as a very young child and I tell you, it stuck with me through the years. Heck, I thought this movie was in black and white – turns out I watched it on a black and white TV back in the day! Well, this movie is in glorious colour.
So, a Godzilla has escaped from a frozen chunk of an iceberg, and recently King Kong has been discovered to be a real thing. Okay, he’s a bit of a lush (or junkie), having become addicted to a narcotic berry juice that the locals on the the south Pacific island that Kong calls home. Back to Godzilla: Of course Godzilla is bent of some big time Japanese destruction. From their previous encounters with Godzilla, the Japanese know they are in trouble. Why not play Godzilla off against Kong and maybe the two monsters will destroy each other and Japan can go back to it’s daily normal schedule? Well that is just what is done, in this epic meeting of two iconic movie monsters.
King Kong Versus Godzilla is a fun monster mash of Japanese destruction, tied together with and interesting concept: The action is being described and reported (between scenes), by what appear to be reporters working for the United Nations. Fun stuff!
1954’s Gojira (the Japanese name for Godzilla, and not some cheap knock off of the Godzilla licence) if the first appearance of Godzilla in film, and it’s a good one.
A Japanese film, through and through, Gojira tells the tale of an ancient beast, a creature of legends, that has been released from it’s lair beneath the ocean when it’s home is destroyed by atomic tests being conducted in the Pacific ocean (this is the early to mid-1950s, after all). At first a few boats go missing with no clues. When a few survivors are found, they speak seemingly gibberish about the ocean exploding. Seems only an old and grumpy man, knows what’s happening when he starts talking about the old legends of a giant lizard beast that would emerge and wreak havoc, and how they used to appease the beast by setting the occasional girl adrift on a raft for the creature’s snacking pleasure. Finally enough sightings and reports of the creature start coming through that a scientific research team is put together to study the beast. Once they discover that Godzilla is real, it’s then up to the military to destroy Godilla, who is now working it’s way towards Tokyo. As usual, (though not “as usual” for the audiences of 1954), traditional tactics do nothing but piss the monster off, and just causes more destruction. It’s not until a physically and emotionally scarred scientist is convinced to use his discovery, a device that destroys oxygen and liquefies living flesh, that Japan has even a slim hope of surviving the monster’s attack.
Gojira is as good as an introduction to a movie beast as any I’ve seen. The creature design has proven solid, as this 1954 Godzilla still looks like the same Godzilla that you would find in the 60’s,70’s and beyond (except for that crappy American Godzilla movie). Also, the creatures iconic roar is there, right from the start. It’s also interesting to watch this film with the knowledge that this was made in a Japan that is very different from today’s Japan. This is a Japan that was still healing from a World War that almost decimated them. The war is mentioned, and the testing of nuclear weapons are highlighted as a bad thing. If you like Godzilla, then you have to watch this film. If you are unsure if you like Godzilla, then you have to watch this and a number of other Godzilla movies if you really want to decide if you are a fan or not. I know I am.
You read that right: This week of movie watching is dedicated to everybody’s favourite, reptilian destroyer of Japanese cities, Godzilla (a.k.a. Gojira).
Why Godzilla? Well, it started after watching Dragonslayer – I was talking to my buddy and thought that perhaps a week dedicated to movies about Dragons might be a cool idea… Until I started searching out movies about Dragons – there aren’t many, and for the most part, the ones that do exist I am not interested in. Except one thing: I consider Godzilla to be a Dragon, and there are a lot of Godzilla movies to choose from, and I just happen to like Godzilla. I think this is what is known as a Win/Win situation folks. Over the next week I will write up the Godzilla movies I watch and share them with you, as usual. But take note: I will not be watching the travesty of a Godzilla movie that starred Mathew Broderick – to me that is not a true Godzilla movie.
Watchmojo.com put together their picks for the top 10 worst CGI effects in big budget movies. I would have a hard time nailing down 10 if I had to as there are so many to pick from. Still, this list definitely has dome good pics. Check it out below:
I’m pretty sure if you’ve been reading this blog for a while, you most likely know I like Roger Corman films. Well this is no different: A Corman film that I like.
1955’s The Fast and The Furious tells the story of a man, Frank Webster (played by John Ireland) who was wrongly accused of murder and wanting to clear his name. Being pursued by police, Webster is forced to take a woman, Connie Adair (played by Dorothy Malone) hostage and steal her car, with Webster hoping to make it to the Mexican border, and freedom beyond it. In order to avoid police road blocks, they pose as entrants in an antique auto race. The fact that Connie knows some of the entrants makes things a little sticky. Along this crazy adventure, Connie falls for Frank and vice/versa. A tale of injustice and love, this movie has schlock written all over it – luckily it’s short and doesn’t give enough time to get sick of it. Actually, clocking in at one hour and sixteen minutes, this movie is just about the perfect length for it’s subject matter.
Oh, and don’t go thinking that that crappy Fast and Furious film is a remake of this film – watch The Chase with Charlie Sheen to see the true remake of this film.