The Site For B-Movie Lovers

Posts tagged “Eastwood

Shaky Cam Week–Found Footage Movies

So, we’ve decided to do a week of found/lost footage movies (i.e. “Shaky Cam”). You know what those are? Movies that are supposed to look like they were recorded on handheld devices, like The Blair Witch Project. There are quite a few, but just a tiny few worth watching. Hopefully we’ll see a couple that you would like to watch…

Keep your eyes on the site!!!

Advertisements

Eastwood Week Movie 4 – The Gauntlet (1977) – Never Count an Eastwood Character Out, and Never Set Him Up, And Most Of All, Never Bet Against Him

The_gauntletIn 1977’s The Gauntlet, Clint Eastwood plays Ben Shockley, an alcoholic, circling the drain, Phoenix cop, sent by the police commissioner to Las Vegas to pick up a witness and escort them to Phoenix for an upcoming trial. Described as a two bit witness in a two bit trial, Ben is told he is given the job because he get’s jobs done. Arriving in Vegas, Ben is surprised to find  out the witness is a female, August “Gus” Malley (played by Sandra Locke), and deathly afraid of leaving her cell, stating she and anyone with her would be killed. Ignoring her warning, Ben ushers her to an ambulance to leave the jail, and to rendezvous with with a rented car. After that car explodes (killing an Emergency Medical Technician), and then a chase and shoot out, Ben starts believing Gus as to the seriousness of the situation. As the situation progresses, more and more attempts are made on both Ben’s and Gus’ life, it becomes obvious (to Gus at first), that someone inside the Phoenix force is plotting to kill the two. When Ben asks some probing questions as to who Gus is being asked to testify against, it becomes obvious who the rat in the force is, and that they are up against something very big, and the only chance for either of them is to get to the Phoenix City Hall, but it’s not going to be easy. So what’s Ben going to do? He highjacks a Greyhound bus, shields the drivers section, and lets the Phoenix Police Department, which has been told erroneously, that Ben is a killer, that he is coming in, even providing the exact route they will be taking. The route is lined with police on all sides, hence the title of the movie, The Gauntlet, who unload countless rounds into the bus trying to stop them. Well, apparently they never saw any other Eastwood films, as if they did they would know that their efforts would fail.  Once at City Hall, the bad guy (watch the movie to figure out who that really is), is outed under duress by a co-conspirator, who is then promptly silenced by that bad guy…and them something else happens (hehehe… sorry, I know that is cheezy).

Well, this is another damned fine Clint Eastwood movie and you should see this one – ton’s of action and great dialogue. What are you waiting for?

Check out the trailer below:


Eastwood Week Movie 3 – Any Which Way You Can (1980)–Clint’s Great Follow Up To Every Which Way But Loose

Any_which_way_you_canIf you read my review of Every Which Way But Loose, then you know I like that movie. Well, this is the sequel to that movie, and you know what? I like this one too.

Any Which Way You Can is the 1980 follow up to the block buster comedy, Every Which Way But Loose, and it is damned funny. Clint Eastwood returns as the Truck Driver/prize fighter, Orangutan owning Philo Beddle, as well as Geoffrey Lewis as Orville Boggs as Philo’s best human buddy, and Manis the Ape as Clyde, Philo’s best non human buddy. Also returning is Ruth Gordon as Philo’s cantankerous mother and Sandra Locke as Philo’s love interest, Lynn Halsey-Taylor. In this movie, we find Philo has continued his side line as a tough son of a bitch prize fighter. Only he’s decided to retire, having noticed he was starting to enjoy the pain. Unfortunately, the Mafia wants to setup a match between Philo and Jack Wilson, a new style of fighter that mixes boxing and martial arts together, and has managed to kill three opponents and scramble the brains of a fourth victim. Approached by the Mafia, hoping to setup this fight, Philo initially says no, but when the mob ups it to $50,000, win or lose, Philo changes his mind and accepts the fight. When Philo and Jack actually meet, it turns out that they actually get a long. They decide there is no real reason for the fight and mutually decide to call it off. The Mafia, seeing that they are about to lose the biggest grossing illegal prize fight ever, decide to kidnap Lynn Halsey-Taylor, Philo’s returning (and redeemed), love interest in order to force the fight. Frank and Philo take care of that situation, but both realize that they can’t leave the question of who would have won the fight open, so they decide to battle it out. Oh! Also returning the is Black Widows: a comical outlaw biker gang that really have it in for Philo, despite the fact that when ever they come into conflict with him, he ends up kicking their ass and they end up with less bikes. This time though, things end on a high note for them and their relationship with Philo.

This is such a fun movie, and watched back to back with Every Which Way But Loose would make for a great evening of movie watching. I heartily recommend this film and it’s predecessor. Check out the trailer below:


Eastwood Week Movie 2 – Every Which Way But Loose (1978) – Clint’s a Prize Fighting, Orangutan Owner With A Big Heart and Bigger Fists

EverywhichwaybutloosemovieposterDamn this is a fun movie. I saw this one back in 1978 when my Uncle Andre brought me to see it with him. I was eight, going on nine and I had a freakin’ field day. I loved the movie then, and I love the movie now.

Clint Eastwood plays Philo Beddoe, a truck driver who sidelines as a prize fighter to supplement his income. Philo is also the owner of Clyde, an Orang-utan that he won in a fight. Philo’s best buddy is Orville Bogg. Philo falls for a tiny blonde country singer by the name of Lynn Halsey-Taylor (Sandra Locke), who he pusues (though she doesn’t try to get away). Lynn tells Philo of her abusive, controlling  boyfriend who doesn’t mind is she sees guys on the side. She paints a bleak picture of a controlling jerk. Philo falls for this and her story of wanting to save up for a Country music club of her own, needing only $7000 (and unsure of how much she has as the jerk boyfriend controls all the cash). Philo, feeling for her, offers to take care of that boyfriend – something she declines. Instead, he starts giving her cash to get her toward that goal of getting her club. Well, one day Philo goes to the hotel where she was staying to find she and the abuser have left, leaving little or no trace. Philo decides he should follow/find her (thinking she may be in trouble). Orville and Clyde come along for the ride, quickly picking up a very cute Beverly D’Angelo who was working at a side of the road fruit stand – Orville charmed her and she decided to joining the search for Lynn. Philo take a couple of fights along the way to raise some cash. At one fight, after winning, the guys in charge of the betting try to screw them out of their winnings, only to be put in their place by an up until then quiet Beverly D’Angelo. Very funny. Of course the seach for Lynn doesn’t end particularly happy. Feeling bad for himself, Philo takes a fight against Tank Murdock, the king of the illegal fights. A great fight ends the movie, with a little bit of a twist…

Damn this is a good, funny movie. I strongly suggest you see this one. Check out the trailer below:


Eastwood Week Movie 1 – High Plains Drifter (1973)

High_Plains_Drifter_posterWow… Wowwowwow.

Wow.

How have I not seen High Plains Drifter before this? this 1973 Western is a gritty, dark tale. A tale of deceit, of murder and vengeance. Heck, it’s even a ghost story. This is a very unique film, and a very good one at that. A drifter enters a small town, apparently looking for a drink, a shave, a bath and a bed. Once there he is confronted by three guys, Company men, they are called. In defense he kills all three. The local sheriff tells him they were known to be trouble and that he didn’t have to worry about charges. Heck, the sheriff would like to hire him to protect the town from three gun fighters, just released from jail that will most likely be coming back to the town to seek vengeance for their incarceration. The stranger, played by Clint Eastwood, at first declines, but when the sheriff offers him “anything he wants,” he accepts the job, and goes about making big changes to the town. These changes cause some of the town to question the decision to put him in charge of the town’s defense. The stranger is also troubled by dreams, dreams of the town’s Marshal being whipped to death by the men who he is hired to protect the town. While the murder is taking place, the people of the town stand by and do nothing to stop it. Is it a dream? Or are these memories? It seems pretty obvious to me. The stranger gets the town busy making changes. He run drills simulating an attack and has the town folk put up resistance, preparing them for the inevitable attack that is to come. He also orders unusual things to be done, like painting the town red, and having the towns people tear apart a livery barn to build picnic tables an such… The business men of the town are really questioning their initial decision to hire this stranger. So much so that they try to kill him themselves… Yeah, good luck boys. When the attack comes, the towns people’s weak attempts at fighting off the gun men come to little, and eventually (hell, pretty damned quickly), they have the upper hand, and have gathered the remaining towns folk together in the saloon. Well, this isn’t over folks – they still have to deal with the Stranger…

Okay, let’s not give it all away. I will say that this is a creepy, dark Western. It’s also one of the best Westerns I have ever seen. Actually this is just a really good movie, chock full of darkness and hidden meanings. Heck, it’s a Western and a Ghost story, and it does both great. For the first movie of Eastwood Week, I have to say it’s an incredible start. Check out the trailer below, and then immediately go find yourself a copy and watch it today!


Do You Feel Lucky Punk? Because This Week Is Clint Eastwood Week

Clint_Eastwood_-_1960sThis is going to be a damned good week. That’s right: this week is Clint Eastwood week.

There are very few actors with a career as long as Eastwood’s, and for the ones that do, very few can say they made as many good movies as Eastwood has. From the toughest damned cowboy you’ve met to an Orang-utan owning prize fighter to the toughest damned cop you’ve ever seen, Clint has rocked it.

I know the blog is called I Like Bad Movies, but if you’ve read it long enough, you know that the truth is, I just plain like movies. So, don’t go thinking these are bad movies, because they are not – you’ll know when I watch a bad movie, and I don’t think that’s happening this week.

Yep, this is going to be a damned good week.


Sergio Leone’s Dollars Trilogy (A Fist Full of Dollars(1964),For a Few Dollars More (1965), The Good the Bad and the Ugly (1966))

sergioSergio Leone is/was the King of Spaghetti Westerns, and with The Man With No Name Trilogy (A Fist Full of Dollars, For a Few Dollars More and The Good, The Bad and The Ugly), he might just deserve the title of King of All Westerns, in general.

This is the series of films that took a small time, little known TV actor by the name of Clint Eastwood and made him a house hold name. In each movie he seems to go by a different name (Monco, Blondie and Joe), but is best known as the Man With No Name, a bounty hunter that proves that the good guy in a movie doesn’t always really have to be that good of a guy – an anti-hero, I guess. Two of the movies (For a Few Dollars More and The Good, The Bad and the Ugly), costar Lee Van Cleef, the flint eyed leathery veteran of countless Spaghetti Westerns before and after this series. All three movies are scored with the incredible music of Ennio Morricone.

Visually stunning in their bleakness, Sergio paints a picture of a ruthless West filled with bandits and regular people, Rich man and poor men. And one thing in common for everyone is that they are trying to make a living in the west. Eastwood, in each of the films plays a cigar smoking, tall, quiet, solitary character who is quick and accurate on the draw, and if you have a bounty on your head, you’d be best to steer away from him.

Each of these movies stands alone – that is, you don’t have to watch one to follow the other, and I guess they’re not really sequels, but bound together in spirit. They are not just good Spaghetti Westerns, not just good Westerns, but actually great movies in their own right. While (re) watching The Good, The Bad and the Ugly, I was stunned by just how complex a movie it really is. Not only is it a kick ass western, but it even tries to come to grips with the horror that was the American Civil War. There is a strangely poignant scene where Blondie is walking through the area where a battle between the Union and the Confederates had just happened – coming upon a dying soldier, shivering, Blondie wraps his coat around him and gives the man a draw from his cigar, just before the soldier dies – This didn’t have to be in the movie, but it’s little things like this that elevates these movies above the rest.

So, don’t watch these movies if you’re looking for a light, fluffy watching experience – Watch these movies if you want to see great movies with great actors in great roles. I’m of the opinion that even if you don’t like Westerns, if you watch these film with an open mind, you would still like them.

Watch these movies and watch them often.

A Fistful of Dollars Trailer

For a Few Dollars More Trailer

The Good, The Bad and the Ugly Trailer