So, this week is dedicated to Alien Based Horror movies. I expect a few possible turkeys, but I believe it’s going to be fun anyway. I am a fan of Science Fiction (Sci-Fi) and horror, and the two mix reasonable well at the hands of competent film makers… and some horribly awesome films when created by bad film makers. I hope we get to see both sides of the coin this week.
We haven’t filled the roster of films yet, so if you have a suggestion or two, feel free to send them on over by using this link:
Eastwood Week Movie 3 – Any Which Way You Can (1980)–Clint’s Great Follow Up To Every Which Way But Loose
Any Which Way You Can is the 1980 follow up to the block buster comedy, Every Which Way But Loose, and it is damned funny. Clint Eastwood returns as the Truck Driver/prize fighter, Orangutan owning Philo Beddle, as well as Geoffrey Lewis as Orville Boggs as Philo’s best human buddy, and Manis the Ape as Clyde, Philo’s best non human buddy. Also returning is Ruth Gordon as Philo’s cantankerous mother and Sandra Locke as Philo’s love interest, Lynn Halsey-Taylor. In this movie, we find Philo has continued his side line as a tough son of a bitch prize fighter. Only he’s decided to retire, having noticed he was starting to enjoy the pain. Unfortunately, the Mafia wants to setup a match between Philo and Jack Wilson, a new style of fighter that mixes boxing and martial arts together, and has managed to kill three opponents and scramble the brains of a fourth victim. Approached by the Mafia, hoping to setup this fight, Philo initially says no, but when the mob ups it to $50,000, win or lose, Philo changes his mind and accepts the fight. When Philo and Jack actually meet, it turns out that they actually get a long. They decide there is no real reason for the fight and mutually decide to call it off. The Mafia, seeing that they are about to lose the biggest grossing illegal prize fight ever, decide to kidnap Lynn Halsey-Taylor, Philo’s returning (and redeemed), love interest in order to force the fight. Frank and Philo take care of that situation, but both realize that they can’t leave the question of who would have won the fight open, so they decide to battle it out. Oh! Also returning the is Black Widows: a comical outlaw biker gang that really have it in for Philo, despite the fact that when ever they come into conflict with him, he ends up kicking their ass and they end up with less bikes. This time though, things end on a high note for them and their relationship with Philo.
This is such a fun movie, and watched back to back with Every Which Way But Loose would make for a great evening of movie watching. I heartily recommend this film and it’s predecessor. Check out the trailer below:
Vampire Week Movie 5 – Shadow of the Vampire (2000)–The Troubles of Casting a Vampire – In Your Vampire Movie
Set during the shooting of the iconic 1922 Vampire film, Nosferatu, Shadow of the Vampire tells the tale of the dangers that can face you when you look for too much realism in your films. Staring John Malkovich as famous German Director, Frederich Wilhelm Murnau, during his filming of the above mentioned Nosferatu. Taking his cast and crew to film on location in Czechoslovakia, where he instroduces the rest of the crew to the star of the film, Max Schreck, whom, Murnau explains, will be in character for the entire time of the filming, and will only be seen at night. Schreck is played masterfully by Willem Dafoe. When members of the crew start to disappear, we see interesting back and forth between Murnau and the Vampire, in which we find out that Murnau has made a very interesting and questionable bargain with the Vampire: His good behaviour for the life of one of his cast. Shame it’s so difficult to deal with the undead.
Shadow of the Vampire puts a new twist to the Vampire movie: it’s a movie about the making of a vampire movie – wherein the Director of said movie chose to hire a real Vampire to play the title role. The cast is composed of a lot of “A” Listers and they all do an amazing job in this unusual film. The story is gripping, and the switch between regular filming, and the representation of what Murnau is capturing on his cameras is a great way to capture the dualism of the story. After watching this, I was compelled to watch the original, 1922 Nosferatu the very next day. If you enjoy horror movies, plot twists and damn good acting then you owe it to yourself to watch this film. Check out the trailer below:
2013’s movie, Devil’s Pass, tells the story of a group of Americans, led by amateur film maker Holly King (played by Holly Goss), who head to Russia to investigate the Dyatlov Pass incident and the now infamous doomed hiking party of nine that were found inexplicably dead, mutilated, nearly nude and one member dosed in radiation. Over the years many people have put forward theories as to what happened to the original group, but know one really knows the truth. This group wants to be the ones to find the real reason for the slaughter. The group makes it to the area of the original events faster than expected. Once there they notice strange foot prints that seem to appear out of nowhere and disappear the same way, leading some of the group to accuse Holly of faking the prints for her film, something she categorically denies. Things get weirder: Holly and another member of the group uncover a large metal door that locks from the outside in the side of the mountain. Later, in the middle of the night the group is wakened by deafening noises and forced from their tents due to an avalanche, in which they lose one of their group and another gets a nasty compound fracture of the leg. Shortly after this, one member fires off a flare, hoping help may come. Soon two men approach, and while at first they believe it’s help, one of the group notes that the would be rescuers have no packs or supplies and therefore are most likely a threat. This turns out to be true when the two start firing at the group. Holly and one member have to leave behind the injured member whom they witness getting shot by the two men. Holly and friend open the mysterious door into the mountain and enter, the door immediately being locked (from the outside) behind them. Once inside, things start to get even weirder. Finding evidence of an old, secret US experiment in teleportation via photos amongst other documents, they start getting the idea that perhaps strange forces are at work. Soon the movie switched from horror to Science Fiction/Horror.
Devil’s Pass is a found footage style movie – a style that has been ridiculously over used ever since The Blair Witch Project proved you didn’t need expensive cameras and production values to make a good, scary movie. Unlike most of those found footage movies, this one is actually pretty good. I chose it seemingly at random on Netflix, I recommend this movie if your looking for something creepy and new to watch.
Check out the trailer below:
Jackie Brown is such a throwback to the Blaxploitation films of the 1970’s that I almost think that Tarantino travelled back in time to gather up some magic, earth toned 70’s mojo to pack into this film… or not.
Starring Pam Grier (yeah, the tough chick from… those 70’s Blaxploitation films… see? I told you!), as Jackie Brown, a tough attractive flight attendant, who supplements her meagre wage by smuggling cash into the US from Mexico for a gun runner named Ordell Roberts, played by the seriously awesome Samuel L. Jackson. When one of Ordell’s mules gets caught and incarcerated, Ordell aranges for their bail, and kills them so they won’t turn informant. Soon after, Jackie herself gets caught by the feds bringing in cash and drugs (which were placed on her, without her knowledge). Refusing to testify against Ordell, she is locked up. Despite her refusal to talk, Ordell is still worried that she may talk to the feds, so he arranges her release, and plans on killing her too. Turning the tables on Ordell (a pistol will do things like that), she negotiates with Ordell to pretend to be working with the feds while smuggling a crap load of cash for Ordell.
This movie, like almost all Tarantino films, is freakin’ jam packed full of great stars. Honestly, here is a list of the stars in this crazy, throwback of a movie:
- Pam Grier as Jackie Brown
- Samuel L. Jackson as Ordell Robbie
- Robert Forster as Max Cherry
- Bridget Fonda as Melanie Ralston
- Michael Keaton as Ray Nicolet
- Robert De Niro as Louis Gara
- Chris Tucker as Beaumont Livingston
- Michael Bowen as Mark Dargus
- Lisa Gay Hamilton as Sheronda
- Tommy "Tiny" Lister Jr. as Winston
- Hattie Winston as Simone
- Sid Haig as Judge
- Aimee Graham as Amy
- Diana Uribe as Anita Lopez
- T’Keyah Crystal Keymah as Raynelle
- Denise Crosby (uncredited) as Public defender
- Quentin Tarantino (uncredited) as Answering machine voice
- Helmut Berger (uncredited, archive footage) as Nanni Vitali
- Marissa Mell (uncredited, archive footage) as Giuliana Caroli
- Council Cargle (uncredited, archive footage) as Drew Sheppard
- Tony Curtis (uncredited, archive footage) as himself
-This list was copied directly from the Wikipedia article on this movie which can be found here .
Oozing cool, Jackie Brown delivers 1970’s awesomeness, updated (just enough), for a (mostly), modern audience. If you haven’t seen this film, and like the style of Tarantino films, then this is for you. If you like your films, antiseptically clean, then walk away…and why are you reading this blog anyway?
Check out the trailer below, and why not watch this masterpiece tonight?
1994’s epic movie, Pulp Fiction, is a crazy, head spinning movie that just doesn’t give you a chance to take a breath. Like almost all Tarantino movies, it has a cast that is virtually a who’ who of Hollywood (as of 1994).
Pulp Fiction is a homage to the crazy B-Movies of the 60’s and 70’s, right down to the out of order timeline of events in the film. You’ve got a couple of thugs, or muscle for a Mobster by the name of Marcel, Vincent Vega (John Travolta), and Jules Winfield (Samuel L. Jackson), who among other jobs, are sent to collect a briefcase with…something in it, from some young guys, who apparently believe Marcel is a bitch (watch the movie…). Things go wrong and things get messy.
We also have a sub story about a boxer, Butch Coolidge (Bruce Willis), who’s been paid heavily by none other than non-bitch Marcel, to take a dive in his upcoming fight.. yeah, things go wrong, and Butch and his weird and annoying French girlfriend are on the run. Later, Butch and Marcel end up captives to some hillbilly homosexual sadist rapists. Things get crazy again. Release the Gimp. and in another segment, Butch surprises Vincent… with deadly results.
We also have Vincent, charged with keeping Marcel’s wife, Mia (Uma Thurman), entertained while Marcel is away. The two end up at a cool, over the top, 50’s style diner. There’s some talk of a $5 milk shake and a great dance off… and then later, back at Marcel’s and Mia’s things get crazy, Mia ends up almost dead, rushed to Vincent’s heroin dealer’s house with a syringe of adrenalin sticking out of her chest.
Somewhere in the middle, a crazy criminal couple (Tim Roth and Amanda Plummer) decide they want to rob the restaurant where Vincent and Jules are chilling out in. Things get intese this time, with Jules and holding a gun to Roth’s neck and explaining the deal to him…
Damn this movie is cool – awesome and out of sight. Some people (my wonderful wife included), do not like the fact that the story line is not linear, but I think that’s part of what makes the movie as great as it is. Should you watch this film? Yes, many times.
Check out the trailer below:
When we finished Quentin Tarantino’s 2003 movie, Kill Bill Volume 1, Bill (played by David Caradine) was still alive… This pretty much guaranteed us a Volume 2.
Volume 2, released in early 2004, opens with a flash beck to Bill shooting Uma Thurman’s character, The Bride, and leaving her, presumably, for dead on the floor of a small church. Then we see The Bride herself, driving, recounting what happened in Volume 1, and then calmly letting us know that she is going to kill Bill. Soon we see Bill, speaking to his brother,Budd (played by Michael Madsen), himself a former Deadly Viper, warning him that The Bride is most likely on her way to kill him. Budd, who now spends his time working as a bouncer in a titty bar, explains that they all deserve any kind of vengeance that the Bride may bestow upon them, for what they did to her. Later, The Bride, expecting to ambush Budd, end up on the wrong side of a 12 gauge shotgun packed full of rock salt. Incapacitated, Budd buries her alive, in a cemetery, and calls fellow Viper, Elle Driver (played by Daryl Hannah), bragging of his deed, and offering up The Bride’s Hanzo sword to her for a cool million dollars – an offer she snaps at. Meanwhile, we flashback to The Bride…who flashes back to her martial arts training at the hands of a merciless master by the name of Pai Mei (Gordon Liu). We see a young Bride as she develops her techniques through repetition and the seeming heartlessness of her master. Eventually it is obvious that she has won his respect. Now we flashback to the present, with the Bride using one of the many techniques taught to her by Pai Mei to escape. Meanwhile, back at Budd’s trailer, Elle has shown up to get the sword. Providing Budd a suitcase full of cash (a million dollars, I presume), she inspects the weapon while Budd starts grabbing handfuls of cash out of the suitcase… Only to find a surprise – a deadly surprise, waits for him in all that cash. Now with Budd out of the way, The Bride has made her way back to Budd’s place to find Elle – which is good, because she too was on the Bride’s list of those that have to die… A great sword fight breaks out, and along the way we discover that Elle, who also was sent to learn under Pai Mei, had killed the old master by poisoning his meal. We also lean that the Master had plucked one of Ell’s eyes out during her training for being insubordinate to the old man. Enrages, The Bride takes instant justice by relieving Elle of her remaining eye…
Now on to Bill… The Bride, now referred to as Beatrix, has tracked Bill to Mexico. Meeting an elderly, dirt bag of a gentleman by the name of Esteban Vihaio, who tells her Bill’s location, because he believes Bill would want him to. Making it to Bill’s, she receives a shocks when she discovers some interesting personal info…and a dart of truth serum to the neck. More flashbacks and some serious talking, and then battle… awesome battle.
You know the name of the movies, so you figure out what the outcome is (watch the movies if you haven’t already). These two movies were meant to be released as a single movie, but the run time would be over 4 hours so they were broken into two. Watch both back to back for the original intended experience, The Kill Bill movies are fantastic and you should watch them.
Check out the trailer below:
Quentin Tarantino’s 2003 movie, Kill Bill Volume 1 tells the story of “The Bride” (played by Uma Thurman), a former member of an assassination team known as the Deadly Vipers, and her journey of revenge against her former fellow assassins, and Bill, her former master and leader of the Deadly Vipers, for attacking and massacring her wedding party and leaving her for dead during a wedding rehearsal.
Thurman’s character, in this iteration of the Kill Bill Saga is known simply as the Bride. Waking from a coma, four years after Bill left her for dead on the floor of a church, he Bride takes little time to start her path of vengeance… starting right there in the hospital,taking out the redneck that paid a greaseball orderly to have sex with her… Oh, and she takes out that orderly, quickly. also… and takes off with his ridiculous, bright yellow truck, labeled “The Pussy Wagon”. First stop. after the killing in the hospital is to the home of Vernita Green (played by Vivica A. Fox). The two do epic battle with a short break in the middle when Vernita’s young daughter comes home. Soon the action restarts, and ends with The Bride heading to her next destination/victim, O-Ren Ishii (played by Lucy Liu), a former Viper and now leader of a consortium of Yakuza families. A flashback shows us just how she won the respect and fear of the male dominated Yakuza families. When The Bride shows up in Japan, she defeats what seems to be an almost endless number of minions, known as the Crazy 88s. The scene ends with a very stylistically shot scene with The Bride and Oren in a samurai sword battle. Pretty evenly matched… but you know who is going to win, and she does so in a spectacular fashion. Upon leaving, she leaves one former member of the Deadly Vipers alive: Sophie Fatale, (played by Julie Dreyfus), is left alive, albeit minus one arm, to send the message that The Bride is coming for him. Mixed up in the story ids a sub story, where the Bride travels to the island of Okinawa, and convinces the esteemed, but now retired sword smith, Hattori Hanzō (played by the awesome Sonny Chiba), to craft her a samurai sword. At first he declines… that is until she tells him the sword is to be used to Kill Bill. Now he’s in…
Kill Bill Vol. 1 is a little disjointed. Like Tarantino’s other masterpiece, Pulp Fiction, it has a disjointed timeline – the scenes are just not in linear order. I believe this may be in homage to the cheezy B-Movies of the past where projectionists would sometimes play the reels out of order, either due to mis-labeling or just carelessness. Either way, I like it.
Watch Kill Bill Volume 1… and if you’ve seen it, watch it again.
Check out the trailer below:
After a suggestion from my friend that normally watches these movies with suggested we do a Tarantino week…
Well, we are doing just that.
Telling the story of a female gang, know as the Dagger Debs (a sub gang made of the girl friends of The Daggers, and all male gang), run by tough chick Lace (played by Robbie Lee) who rules her gang through fear. Soon a small time confrontation in a diner ends with a new member of the gang, Maggie, who impressed Lace with her whip like skills and lack of fear.Lace and Maggie grow closer, which get’s fellow gang member, Patch (played by Monica Gayle), jealous as Maggie seems to be displacing her as Lace’s right hand girl. At the same time, Dominic (played by Asher Brauner), leader of the Daggers and Lace’s man takes a fancy to Maggie, forcing himself on her in her home one night. Seeing an opportunity, Patch starts laying the seeds of dissent by planting the idea that Maggie is actually after Dominic.
After a raid on a rival gang at a roller rink goes bad, and Dominic is killed, and Lace ends up in the hospital, Maggie decides that the remaining Daggers are just too weak to follow, she brings the girls to a “Black” neighbourhood and meets up with some militaristic woman gang members whom they team up with to take out that rival gang. Successfully destroying the rivals, now a conflict breaks out between Lace and Maggie. Believing Maggie is trying to usurp her as leader, and that she was trying to take Dominic (before he died of course), Maggie and Lace engage in a switchblade fight…
Okay, enough… I actually had fun watching this terrible movie. There are very few redeeming qualities to this film, or even this genre of film, but it is damn fun. The incredible cheeziness of the script, acting and overall concept makes this an almost must watch!
Check out the trailer below and make your own decision.
This is kind of cool: an interview with one of the Kings of the Bib-Boob B-Movie Drive In movies, Russ Meyer from the Conan O’Brien show.
I watched 2006’s Easter Bunny Kill! Kill! last night and kind of wished I didn’t.
This is a poorly made movie about a young, mentally challenged boy that is being raised by a single mom. The mom has a new boyfriend that she doesn’t realize is a murderous thug who manages to wrangle himself into living with the pair. The boy, obsessed with Easter, doesn’t like Mom’s new boyfriend, and confides this and other things to his pet bunny, given to him by a homeless man, a few days before Easter.
On Easter day, Mom has to work a double shift and the boy is left in the care of the boyfriend who decides that this is a great time to party, and offers up the boy to a pedophile drug dealer he knows in exchange for drugs and money. The attempt to rape the boy is foiled when a mysterious stranger in a bunny masks starts killing all the degenerates. So, bad guys/gals die, a secret is revealed, then another and then everyone (who’s still alive) live happily ever after.
Yeah… screw that shit. This is crap. Reading the reviews on imdb.com makes me believe that the cast wrote most of the reviews. This is a waste of time with little or no redeeming values. Watch it if you want.
Here is the stupid trailer:
I recently watched a very good compilation of horror films called Celluloid Blood Bath, and saw a trailer for this silly film. The main thing that stood out was a leathery bat winged dude that made me laugh so hard that I hunted down this movie… Ugh!
So, this is one of many films made in the Philippines in the late 1960s and early 1970s due to the low cost of production and cheapness of humans. This one fit with the rest: cheap and crappy.
A knock off of the Island of Doctor Moreau, this film was so disjointed that I couldn’t really follow what was happening. Add to it the fact that I believe a real may have been spliced in incorrect order, as their are some strange parts where a scene ends unexpectedly and goes into another in a manner that makes no sense.
The most notable part of this film is the fact that Pam Grien is in it, and that leathery Bat-wing guy.
Check out the trailer here: