The Site For B-Movie Lovers

Posts tagged “mayhem

Silent Night, Deadly Night (1984) – Disturbingly Entertaining Holiday Film

Having watched the recent remake of 1984’s Silent Night, Deadly night, I thought it only proper that I should watch the original – and I am glad that I did.

I remember hearing about Silent Night, Deadly Night back in 1984 when several groups and a lot of busy bodies were up in arms trying to get it banned – I mean, what God loving person would create a horror film based around Santa and Christmas. I’m glad those jerks failed, because I had fun watching this movie.

The gist of the story? A young man, after just been warned about Santa by his previously catatonic grandfather, witnesses his father and mother being killed by a maniac dressed as Santa. He and his then infant brother end up being raised in an orphanage run by Nuns (and a Mother Superior that is a BITCH). Things are okay for him, except around Christmas, where Santa still instills fear in him (gee, I wonder why). Over the years, he grows to be a strapping young man who gets a job working in the warehouse of Ura’s Toy shop. All is well until they need a stand in for the store’s  Santa Clause. They give him the job… and then he snaps.

This is glorious, cheezy Holiday death. I’ve never seen this film up until last night, and boy was I pleasantly surprised. While not a big budget film, it was done well enough  to be compelling. Sure, it’s a silly film and full of cheeziness, but in my book that is a good thing. Watch this film? Hell Yes. Watching this film, I see the similarities in the remake, though it was more of a re-imaginaing than a remaking – they both deserve a watch, though.

‘Tis the Season for watching Christmas Horror films, and this is one of the ones you need to see.

Check out the trailer here:


Hollywood Boulevard (1976) – How Can Such a Piece of Crap Be So Fun?

1976’s film, Hollywood Boulevard, is a spoof of the cheezy, low budget crapfest 

movies of the 60’s and 70’s made by the king of Drive-In B-Movies, Roger Corman – and it is all fun.

This movie popped up on Netflix as a recommendation after watching a series of low budget flicks. I had less than 2 hours to watch a movie, and this was 82 minutes long, so it was a perfect fit – I loved it. 

The premiise of the movie? A young want to be actress moves to Hollywood to become a star (Candice Rialson as Candy Wednesday). She eventually lands a role in a really low budget film as a stunt woman, which leads to a roll as an actress in a Filipino Exploitation film. One issue though: Some one is killing the actors on the sets of these movies, and everyone is trying to find out who. Much of this movie is compiled from scenes from past Roger Corman films (something he did many times), making it EVEN lower budget. Also, it stars Mary Woronov as Mary McQueen and Paul Bartel as Eric Von Leppe.


I’m going to cheat and paste in the Wilipedia description of this film – yeah, I am:

In a prologue, pompous film director Eric Von Leppe (Paul Bartel) is shooting a skydiving sequence for low-budget Miracle Pictures in which an actress is killed. Candy Wednesday (Candice Rialson) arrives in Los Angeles to make it as an actor. She gets an agent, Walter Paisley (Dick Miller), but struggles to find work until she inadvertently gets involved in a bank robbery as a getaway driver. This gets her a job for Miracle Pictures as a stunt driver. She meets Eric Von Leppe, temperamental starlet Mary McQueen (Mary Woronov), sleazy producer PG (Roger Doran) and friendly scriptwriter, Pat (Jeffrey Kramer). Candy and Pat fall in love and she starts to get work as an actor, becoming friends with fellow starlets Bobbi (Rita George) and Jill (Tara Strohmeier).

Everyone goes to the Philippines to make a movie, Machete Maidens of Mora Tau, starring Candy, Mary, Bobbi and Jill. Candy has to play a character who is raped which upsets her. Later on during the shoot, Jill, Bobbi and PG have a threesome. During the filming of a battle sequence, Jill is shot dead by an unseen attacker.

Back in the US, Candy, Walter and Pat all go to see Machete Maidens at a local drive in, where the projectionist tries to rape Candy but she is rescued by Walter. While shooting a chase scene in a science fiction film, Mary, Candy and Jill are almost killed in a car accident. Jill is called back to the studio late at night and is stabbed to death.

Candy begins to suspect Patrick is the killer. But it turns out the real culprit is Mary. She tries to kill Candy at the Hollywood Sign but it falls on her and crushes her to death. Candy is reunited with Pat and becomes a film star.

This is silly, stupid and so cheap. 

I loved it.

Unable to find the trailer, here are a series of clips put to Beethoven:




Strippers Vs. Werewolves (2012) – Way Better Than I Expected

Okay… Now I expected Strippers Vs.Werewolves to be bad, really bad. I really didn’t expect much at all from this film. Man was I wrong: this was a really fun film.

Lets see… Werewolves and other creatures of the night exist, and one gets killed by a stripper when she gets scare while performing a private dance for him and stabs him in the eye socket with a silver pen. The club owner, who has experience with werewolves, hatches a plan to get rid of the body.

Meanwhile, back at werewolf headquarters, they are starting to miss their now dead werewolf friend and start hunting for him. 

About this time, we find out that the stripper who killed the werewolf is engaged to be married to one of the werewolves, though she doesn’t know he’s a werewolf. Funny thing: he doesn’t know that she’s a stripper and is the one that killed the member of his pack.

So, the werewolves leave a trail of death on their search for the killer of their brother, while the strippers prepare for the inevitable werewolf onslaught.

Stylishly filmed, and the actors actually act. There are a few familiar faces (Hey Guy Ritchie – did you try to make a horror film?). Now, I’m not saying this film deserves any awards, and to be honest it is a little too long for the amount of actual story. It’s low budget, and for a werewolf film, you never see a transformation from man to wolf – just one moment you see the human face, then the next moment they’re a werewolf. Also, Robert Eglund gets top billing but does sweet f#$% all in this film – he’s a ruse to get people to watch (I hate when film makers pull that kind of crap). That said, it’s a fun action packed, silly film that deserves to be watched.

Here’s the trailer: