Eastwood Week Movie 3 – Any Which Way You Can (1980)–Clint’s Great Follow Up To Every Which Way But Loose
Any Which Way You Can is the 1980 follow up to the block buster comedy, Every Which Way But Loose, and it is damned funny. Clint Eastwood returns as the Truck Driver/prize fighter, Orangutan owning Philo Beddle, as well as Geoffrey Lewis as Orville Boggs as Philo’s best human buddy, and Manis the Ape as Clyde, Philo’s best non human buddy. Also returning is Ruth Gordon as Philo’s cantankerous mother and Sandra Locke as Philo’s love interest, Lynn Halsey-Taylor. In this movie, we find Philo has continued his side line as a tough son of a bitch prize fighter. Only he’s decided to retire, having noticed he was starting to enjoy the pain. Unfortunately, the Mafia wants to setup a match between Philo and Jack Wilson, a new style of fighter that mixes boxing and martial arts together, and has managed to kill three opponents and scramble the brains of a fourth victim. Approached by the Mafia, hoping to setup this fight, Philo initially says no, but when the mob ups it to $50,000, win or lose, Philo changes his mind and accepts the fight. When Philo and Jack actually meet, it turns out that they actually get a long. They decide there is no real reason for the fight and mutually decide to call it off. The Mafia, seeing that they are about to lose the biggest grossing illegal prize fight ever, decide to kidnap Lynn Halsey-Taylor, Philo’s returning (and redeemed), love interest in order to force the fight. Frank and Philo take care of that situation, but both realize that they can’t leave the question of who would have won the fight open, so they decide to battle it out. Oh! Also returning the is Black Widows: a comical outlaw biker gang that really have it in for Philo, despite the fact that when ever they come into conflict with him, he ends up kicking their ass and they end up with less bikes. This time though, things end on a high note for them and their relationship with Philo.
This is such a fun movie, and watched back to back with Every Which Way But Loose would make for a great evening of movie watching. I heartily recommend this film and it’s predecessor. Check out the trailer below:
In 1971’s Godzilla Vs. Hedorah , Japan has a new enemy: a new creature that has evolved to live on the pollutants of our modern society. Not only that, but it is producing deadly pollution itself, incapacitating and humans that may get close. This is a disaster!!! Oh, and guess what? Godzilla doesn’t like to see other monsters on it’s own turf. Yeah, Godzilla and Hedorah are heading for a showdown. I pity the Japanese that get caught in the middle!
So, this is a time when the Godzilla character was transitioning from a bad guy who seemed to get kicks from beating the crap out of Tokyo and other Japanese cities, to a protector of the Japanese people. That doesn’t mean that you won’t be injured or killed if you get too close: Godzilla is a Big Picture kind of monster, and may stomp the occasional person or building on the sidelines. Heck – you might even get drowned in a big piece of polluted monster if you are not careful – should have stayed away from Godzilla, idiot…
Godzilla Vs Hedorah is actually one of my favourite Godzilla movies, and I really like the three stage design of the Hedorah – pretty cool, and add a neat, cheezy transition effect between the stages and you’ve got gold. Add to that the hippiness of the movie – lots of trippy music and psychedelic gels, and some trippy animated series really reminds you of when this movie was made – and that in my opinion is a very good and neat thing. Without a doubt, I would say that this is the most unique Godzilla movie that I have watched (so far, at least). Should you watch it? You should watch ALL Godzilla movies (with the exception of the Mathew Broderick version), but you should especially watch this Godzilla movie.
Check out the trailer below:
1963’s King Kong vs Godzilla is a movie that I saw as a very young child and I tell you, it stuck with me through the years. Heck, I thought this movie was in black and white – turns out I watched it on a black and white TV back in the day! Well, this movie is in glorious colour.
So, a Godzilla has escaped from a frozen chunk of an iceberg, and recently King Kong has been discovered to be a real thing. Okay, he’s a bit of a lush (or junkie), having become addicted to a narcotic berry juice that the locals on the the south Pacific island that Kong calls home. Back to Godzilla: Of course Godzilla is bent of some big time Japanese destruction. From their previous encounters with Godzilla, the Japanese know they are in trouble. Why not play Godzilla off against Kong and maybe the two monsters will destroy each other and Japan can go back to it’s daily normal schedule? Well that is just what is done, in this epic meeting of two iconic movie monsters.
King Kong Versus Godzilla is a fun monster mash of Japanese destruction, tied together with and interesting concept: The action is being described and reported (between scenes), by what appear to be reporters working for the United Nations. Fun stuff!
So, check out this amazing monster movie!
Here is the trailer:
A Japanese film, through and through, Gojira tells the tale of an ancient beast, a creature of legends, that has been released from it’s lair beneath the ocean when it’s home is destroyed by atomic tests being conducted in the Pacific ocean (this is the early to mid-1950s, after all). At first a few boats go missing with no clues. When a few survivors are found, they speak seemingly gibberish about the ocean exploding. Seems only an old and grumpy man, knows what’s happening when he starts talking about the old legends of a giant lizard beast that would emerge and wreak havoc, and how they used to appease the beast by setting the occasional girl adrift on a raft for the creature’s snacking pleasure. Finally enough sightings and reports of the creature start coming through that a scientific research team is put together to study the beast. Once they discover that Godzilla is real, it’s then up to the military to destroy Godilla, who is now working it’s way towards Tokyo. As usual, (though not “as usual” for the audiences of 1954), traditional tactics do nothing but piss the monster off, and just causes more destruction. It’s not until a physically and emotionally scarred scientist is convinced to use his discovery, a device that destroys oxygen and liquefies living flesh, that Japan has even a slim hope of surviving the monster’s attack.
Gojira is as good as an introduction to a movie beast as any I’ve seen. The creature design has proven solid, as this 1954 Godzilla still looks like the same Godzilla that you would find in the 60’s,70’s and beyond (except for that crappy American Godzilla movie). Also, the creatures iconic roar is there, right from the start. It’s also interesting to watch this film with the knowledge that this was made in a Japan that is very different from today’s Japan. This is a Japan that was still healing from a World War that almost decimated them. The war is mentioned, and the testing of nuclear weapons are highlighted as a bad thing. If you like Godzilla, then you have to watch this film. If you are unsure if you like Godzilla, then you have to watch this and a number of other Godzilla movies if you really want to decide if you are a fan or not. I know I am.
Check out the trailer below:
You read that right: This week of movie watching is dedicated to everybody’s favourite, reptilian destroyer of Japanese cities, Godzilla (a.k.a. Gojira).
Why Godzilla? Well, it started after watching Dragonslayer – I was talking to my buddy and thought that perhaps a week dedicated to movies about Dragons might be a cool idea… Until I started searching out movies about Dragons – there aren’t many, and for the most part, the ones that do exist I am not interested in. Except one thing: I consider Godzilla to be a Dragon, and there are a lot of Godzilla movies to choose from, and I just happen to like Godzilla. I think this is what is known as a Win/Win situation folks. Over the next week I will write up the Godzilla movies I watch and share them with you, as usual. But take note: I will not be watching the travesty of a Godzilla movie that starred Mathew Broderick – to me that is not a true Godzilla movie.
So… Welcome to Godzilla Week my Internet friends!
Well, I think I should do a quick post regarding last week’s Vampire week as I have received a few emails regarding it and the choices…
I have received over 100 emails asking why I did not include the classic 1931 Universal film, Dracula, with Bela Lugosi, or even the Spanish version filmed at the same time on the same cast. Well, I have reviewed both in the not too distant past (favourable, I might add), and I thought that with the sheer number of Vampire movies, this would be a great opportunity to showcase some different films I have not seen yet (aside from Love at First Bite). And you know what? I am glad I did, as I was able to watch 7 great, and different vampire movies. To be honest, I can’t remember the last time I watched seven days worth of good films with a connected theme (aside from Tarantino week). The whole vampire myth has generated so many films that I was tempted to turn this into two weeks of Vampire films. I’m convinced that even with an additional week of movies, I would have managed to avoid watching a turkey of a movie. Yes, with this many movies to choose from, there would be no reason to watch Twilight, or anything like it.
Hell, I think a second Vampire Week should be planned! In fact, why don’t you send me your suggestions (good or crappy) for the next Vampire Week.
Send those suggestions by clicking HERE
Suspiria is a 1977 horror movie directed by the Italian master, Dario Argento, and the fist of a trilogy of horror. And it’s weird… and loud.
Suspiria tells the story of America ballet dance student, Suzy Bannion who takes up study at a prestigious dance study in Germany, but quickly discovers that things are not what they may seem. Upon arriving at the school on a ridiculously rainy night, only to see an upset girl fleeing and mumbling something about a secret and a flower – and then to be refused entrance. Next we see a girl die in an artistically weird stabbing… The next day Suzy manages to get to the school, meets Madame Blanc and Miss Tanner, and is shown around the school and introduced to the girls in the locker room. Suzy is told that the room she was to stay in is not ready and that she will stay with another student for the time being. At the school, Suzy has a fainting spell (after a weird encounter with the school’s cook)… later she seems okay…
Alright: All I am doing is describing what happened in the movie – and that is a silly thing to do. It’s al artistic Italian Horror by the master Dario Argento and it is about a Ballet School run by witches…
Argento manages to create a creepy, artistic weird horror flick of sorts that keeps you watching. The strong uses of colour is very jarring as well as is the cacophonous soundtrack which built up so much tension in me that I almost felt nauseous. Seriously, I have never had a soundtrack for a film affect me so… and it was loud. This is a trippy experience of a film and definitely bot for everyone. If you have an open mind (and not overly sensitive ears) , then this will be a memorable watch. Will you like it? Many won’t – I did, but with reservations. You check it out and tell me what you think. Here’s the trailer:
When we finished Quentin Tarantino’s 2003 movie, Kill Bill Volume 1, Bill (played by David Caradine) was still alive… This pretty much guaranteed us a Volume 2.
Volume 2, released in early 2004, opens with a flash beck to Bill shooting Uma Thurman’s character, The Bride, and leaving her, presumably, for dead on the floor of a small church. Then we see The Bride herself, driving, recounting what happened in Volume 1, and then calmly letting us know that she is going to kill Bill. Soon we see Bill, speaking to his brother,Budd (played by Michael Madsen), himself a former Deadly Viper, warning him that The Bride is most likely on her way to kill him. Budd, who now spends his time working as a bouncer in a titty bar, explains that they all deserve any kind of vengeance that the Bride may bestow upon them, for what they did to her. Later, The Bride, expecting to ambush Budd, end up on the wrong side of a 12 gauge shotgun packed full of rock salt. Incapacitated, Budd buries her alive, in a cemetery, and calls fellow Viper, Elle Driver (played by Daryl Hannah), bragging of his deed, and offering up The Bride’s Hanzo sword to her for a cool million dollars – an offer she snaps at. Meanwhile, we flashback to The Bride…who flashes back to her martial arts training at the hands of a merciless master by the name of Pai Mei (Gordon Liu). We see a young Bride as she develops her techniques through repetition and the seeming heartlessness of her master. Eventually it is obvious that she has won his respect. Now we flashback to the present, with the Bride using one of the many techniques taught to her by Pai Mei to escape. Meanwhile, back at Budd’s trailer, Elle has shown up to get the sword. Providing Budd a suitcase full of cash (a million dollars, I presume), she inspects the weapon while Budd starts grabbing handfuls of cash out of the suitcase… Only to find a surprise – a deadly surprise, waits for him in all that cash. Now with Budd out of the way, The Bride has made her way back to Budd’s place to find Elle – which is good, because she too was on the Bride’s list of those that have to die… A great sword fight breaks out, and along the way we discover that Elle, who also was sent to learn under Pai Mei, had killed the old master by poisoning his meal. We also lean that the Master had plucked one of Ell’s eyes out during her training for being insubordinate to the old man. Enrages, The Bride takes instant justice by relieving Elle of her remaining eye…
Now on to Bill… The Bride, now referred to as Beatrix, has tracked Bill to Mexico. Meeting an elderly, dirt bag of a gentleman by the name of Esteban Vihaio, who tells her Bill’s location, because he believes Bill would want him to. Making it to Bill’s, she receives a shocks when she discovers some interesting personal info…and a dart of truth serum to the neck. More flashbacks and some serious talking, and then battle… awesome battle.
You know the name of the movies, so you figure out what the outcome is (watch the movies if you haven’t already). These two movies were meant to be released as a single movie, but the run time would be over 4 hours so they were broken into two. Watch both back to back for the original intended experience, The Kill Bill movies are fantastic and you should watch them.
Check out the trailer below:
Quentin Tarantino’s 2003 movie, Kill Bill Volume 1 tells the story of “The Bride” (played by Uma Thurman), a former member of an assassination team known as the Deadly Vipers, and her journey of revenge against her former fellow assassins, and Bill, her former master and leader of the Deadly Vipers, for attacking and massacring her wedding party and leaving her for dead during a wedding rehearsal.
Thurman’s character, in this iteration of the Kill Bill Saga is known simply as the Bride. Waking from a coma, four years after Bill left her for dead on the floor of a church, he Bride takes little time to start her path of vengeance… starting right there in the hospital,taking out the redneck that paid a greaseball orderly to have sex with her… Oh, and she takes out that orderly, quickly. also… and takes off with his ridiculous, bright yellow truck, labeled “The Pussy Wagon”. First stop. after the killing in the hospital is to the home of Vernita Green (played by Vivica A. Fox). The two do epic battle with a short break in the middle when Vernita’s young daughter comes home. Soon the action restarts, and ends with The Bride heading to her next destination/victim, O-Ren Ishii (played by Lucy Liu), a former Viper and now leader of a consortium of Yakuza families. A flashback shows us just how she won the respect and fear of the male dominated Yakuza families. When The Bride shows up in Japan, she defeats what seems to be an almost endless number of minions, known as the Crazy 88s. The scene ends with a very stylistically shot scene with The Bride and Oren in a samurai sword battle. Pretty evenly matched… but you know who is going to win, and she does so in a spectacular fashion. Upon leaving, she leaves one former member of the Deadly Vipers alive: Sophie Fatale, (played by Julie Dreyfus), is left alive, albeit minus one arm, to send the message that The Bride is coming for him. Mixed up in the story ids a sub story, where the Bride travels to the island of Okinawa, and convinces the esteemed, but now retired sword smith, Hattori Hanzō (played by the awesome Sonny Chiba), to craft her a samurai sword. At first he declines… that is until she tells him the sword is to be used to Kill Bill. Now he’s in…
Kill Bill Vol. 1 is a little disjointed. Like Tarantino’s other masterpiece, Pulp Fiction, it has a disjointed timeline – the scenes are just not in linear order. I believe this may be in homage to the cheezy B-Movies of the past where projectionists would sometimes play the reels out of order, either due to mis-labeling or just carelessness. Either way, I like it.
Watch Kill Bill Volume 1… and if you’ve seen it, watch it again.
Check out the trailer below:
S I was walking though the Blu-Ray section at my local Wal-Mart when I found the Die Hard 25th Anniversary Blu-Ray Collection. It includes Die Hard (1988), Die Hard 2 – Die Harder (1990) , Die Hard With a Vengeance (1995) and Live Free Or Die Hard (2007). All these awesome action movies in one cooly designed set with an added disc of extras…. all for $20! These are good action (and Christmas), movies and this is a good addition to one’s BLU-RAY collection.
So, there’s report of trouble on a planet that is a social experiment with the Federation,Klingons and the Romulans – they are trying to find out if we can all live happily together. Some charismatic cult leader has taken over the place and the only folks who are close enough to do anything about it…are the the crew of the Enterprise. They show up and are quickly captured. Some are sort of hypnotized to follow their leader – a Vulcan by the name of Sybok, (played by Laurence Luckinbill), Spock’s half-brother, who is offering freedom from fear and pain, and on mission to the center of the Galaxy – to see the face of…I dunno’… GOD? Yeah, and there is a Klingon Captain that wants to make his points by killing the infamous Kirk. Oh… I can’t continue.
UGH!!! I really disliked this freakin’ movie. Go ahead an watch it if you need to. I liked this movie more when I first watched it, but really didn’t like it much then. I don’t need my Sci-Fi heroes looking for God, and Shatner is NOT A GOOD WRITER/DIRECTOR. I like William Shatner a lot and this should be his “Popeye.”
Here is the trailer for this terrible Trek movie:
Hmmm… Where to start? Taking place almost immediately after the last movie, The Search For Spock, The Voyage Home has the crew of the Enterprise heading for Earth to answer for their actions in that past movie.Well, on their way back they get news of an alien probe that has been leaving a trail of destruction while making directly for Earth. Along the way, it is continuously transmitting a strange, seemingly unintelligible signal. Once the probe reaches Earth, it starts directing it’s signal into the depths of the oceans – and not getting any reply, it starts vaporizing said oceans.The crew of the Enterprise, now the crew of a Klingon Bird of Prey are tasked to find a solution to this problem. The still adjusting from returning from the dead Spock does some calculations and figures out that the signal is actually the call of the now (23rd century “now”), extinct Humpback Whale. Figuring that the only way to save the planet is to find some Humpback Whales, the crew decides to travel back in time and gather a few whales. They whip around the sun to travel back in time and end up in 1980’s San Francisco, where they soon discover that their are two Humpbacks at a Sea World like complex. They land the Bird of Prey in Golden Gate Park (thank you Klingon Cloaking device) and head out into the city to look for whales…Oh, and nuclear material…yes, they need nuclear material for the now fried Dilithium crystals. So for the next bit, the crew goes around San Francisco, making stupid mistakes (they are not part of this culture,folks), while trying to round up whales and nuclear materials.
So, typically, Kirk woos a marine biologist who is taking care of the whales in captivity, and one of the other crew gets captured (and injured badly), and there has to be a sneaky rescue…of course.
So the movie is funny in places, serious in others and addresses important environmental and ecological issues. Hell, I know many people who think this is the best Star Trek movie… I’m of the opinion that it is one of (but not THEE), worst Star Trek movies. Just too much “save the world” hippy crap. It’s still fun, just not my favourite.
Check out the trailer below:
Following the awesome Wrath of Khan, 1984’s, the Search For Spock, had a lot to live up to…and didn’t quite reach those lofty goals. Still, after re-watching it for the first time in 25+ years, I have to say that it is better than I remembered.
If you haven’t watched Wrath of Khan then beware, as there will be spoilers, but hell, the movie’s been out for 31 years so tough.
So, in the Wrath of Khan the movie ends with Spock, dead…kind of. They shoot his body off to the newly formed Genesis planet. Soon, McCoy starts acting weird, acting like he’s Spock or something. At the same time, there are some weird things going on on the newly formed Genesis planet, as well as new frictions between the Klingon Empire and the Federation. The Genesis planet, declared off limits to all, holds the key to resurrecting Spock and the crew of the Enterprise needs to get there… They steal Enterprise and head off to the planet. They run into a Klingon Bird of Prey, ready to kick the Enterprise’s ass. A quick battle, a ruse and the death of someone special to Kirk and then a switch-a-roo and the crew of the now wasted enterprise take off in a newly stolen Bird of Prey with a new passenger, (come on, you know the name of the damned movie), a trip to Vulcan and some Psychic surgery.
So, by some considered a crappy Trek movie, and I too used to think this, but after re-watching I have to say it is better than I remember. Also, the great Christopher Lloyd (remember Jim Ignatowski of Taxi or "Doc" Brown from the Back to the Future movies), makes a great Klingon Captain. So, don’t watch this movie expecting greatness, but to be fair I believe it’s not nearly as bad as some think it is. Also – don’t watch this movie as a stand alone movie – watch it if you are going through the movies.
Check out the trailer below:
As mentioned in a previous post, I am a fan of Star Trek. I have been a fan since a very small child and I am not ashamed to say that. As a kid I just loved the whole Star Trek universe. I watched the show (in syndication – I’m not quite that old), and had a few of the cool toys. When they announced that a Star Trek movie was coming out I almost lost it, in that way only a nine year old can. After watching the movie, I don’t remember being disappointed, though I do remember being slightly underwhelmed.
Star Trek fans had been waiting for quite a while to see their favourite characters on ANY screen in a new adventure. When Star Trek – The Motion Picture was released, we were ecstatic. It’s just too bad that much of what made Star Trek the fun adventure it was, was missing – the humour. Oh they had the original cast, and a newly rejuvenated Enterprise, but the whole movie was just too antiseptic… too clean. The plot has the crew of the Enterprise rushing to save the Earth from a massive machine based probe that is leaving a path of destruction in it’s wake. A seemingly alien machine with an interesting Earthly origin. There were some big concepts, that make for a good sci-fi movie…just not a great Star Trek movie. I find that there is also a lot of filler: shots of the new Enterprise that go on forever – or as I like to call it: Nerd Porn. Oh: and I think the Uniforms in this movie are the worse Star Fleet uniforms in any Trek show or movie.
I will say one thing for this movie, though: it looks fantastic. This movie was and is (in my opinion), visually stunning.
Don’t get me wrong, as a Sci-Fi and Star Trek fan, I still watch this film once in a while, as it is Star Trek and it is a good looking movie… But It’s just not that great.
Check out the trailer below, and if you are a Star Trek fan (or am interested in the Star Trek movies), I still say watch this… But don’t expect too much.
Check out the trailer below and stay tuned for a review of the best Trek movie.
Hello hello hello!
So, after recently re-watching the second movie of the Star Trek reboot, Star Trek – Into Darkness, I have decided to revisit the Star Trek Movie Franchise and with up the experience. If you are a fan of the Star Trek universe, and are actually honest to yourself, then you know that there are many bad movies in this series (and of course a few good ones, also).
I am going to review (or whatever we call what I do here on this site) at least the first Trek films (the original series films), and perhaps film seven, Generations as it combines (poorly) The Original Series and The Next Generation. Who knows: I may continue through the entire catalogue of Trek Films… Time will tell.
I am a huge fan of Star Trek, but I am very aware that some of these films are real turkeys, but I am also of the opinion some are not just good Star Trek movies, but good Sci-Fi movies in general. I will try to be fair – I hope you enjoy – Keep watching!!!
You know, I thought I had seen this film before… and then I watched it this past weekend only to find I was wrong.
George Romero’s 2007 Diary of the Dead tells the tale of a group of University students who, while attempting to make a Zombie film, end up documenting their experiences during a Zombie Outbreak.
While filming a scene in the woods for a University project, the group starts hearing reports of chaos in the cities and towns, with rumours of the dead rising up and feasting on the living. Add to the news footage, video clips that people are uploading to social networking sites, and the group starts getting a picture of just how widespread the outbreak is. They decide to travel together to each other’s homes (or whatever destinations they have picked. Along the way they see more and more evidence of this outbreak, and lose a number of their entourage along the way. They run into a couple of groups (one good and one bad), but make progress on their journey.
This is another “Shakycam” film, where it is supposed to be made up of footage taken from a person that is experiencing things and filming said experiences. This type of movie can be very crappy, but happily that isn’t the case here. I found this movie well made and entertaining. While it’s no Night of the Living Dead, or Dawn of the Dead, it is still a fun, entertaining Zombie film from the Master, George A. Romero.
Check out the trailer here:
Happy Hallowe’en my fine feathered freaky friends. Today I would like to briefly discus and compare two of the biggest horror franchises of all time: A Nightmare on Elm Street and Friday the 13th. I have recently completed rewatching both series, and while I love both, I would say both are not equal. Both series are iconic: show someone a cheezy goalie mask or a glove with knives as nails and most likely they will know what movie franchise it came from.
Friday the 13th, the original movie, was released in 1980, taking the horror world, and pulp culture in general by storm. It tells the story of a young, mentally challenged boy who drowned due to the negligence of counsellors at the summer camp, Camp Crystal Lake, and the revenge extracted by is crazed mother. This movie introduced us to the character of Jason Voorhees (just Jason from now on), but what many people forget (or don’t realize) that Jason isn’t even in this first film. It’s the second film that we finally get to meet Jason, but even then he’s not wearing his Goalie mask – he acquires that in the third film when he takes it from the ”Prankster” of the group. The Friday the 13th Series continued for 11 movies, including the cross over film Freddy Vs. Jason – 12 if you include the 2009 remake (or re-imagining). Along the way Jason evolves a little, going from a creation of his mother’s sick and twisted mind to a burlap sack wearing killer, then gaining his mask. At one point he’s able to from body to body as an evil spirit. Hell – he even ends up in space. Some things that don’t change are the facts that no matter how slow he lumbers, Jason will catch his victim and no matter how dead Jason seems to be – he’s not. Jason is a relentless killer, but not an intelligent killer. He gets the job done, but he doesn’t think much – but he doesn’t need to. At first it’s not apparent that he’s a supernatural being, but soon it becomes apparent that he’s not mortal, seeing that he cannot be killed. Many, if not most of Horror’s cliches have originated from this series. He’s the original unkillable killer.
A Nightmare on Elm Street debuted in 1984 and introduced the world to Fred “Freddie” Krueger, a vicious child killer, murdered in a fire by residents of his town seeking justice when a legal loophole set him free. Freddie has found a way to infect the minds of his victims by entering through their dreams. Sporting his now famous gloves with knives on the tip of each finger as his primary weapon, if Freddie kills you in your dreams, you’re dead in real life. The Nightmare series had 8 stand alone films as well as the crossover film, Jason Vs. Freddie and a remake/reimagining of the film from 2010. Freddie, from the start is a supernatural being that haunts the dreams of his victims, and unlike Jason, has a working mind – he’s devious, and taunting. Yes he has a working mind, though it doesn’t seem to work that well. Just a side note: the original film starred a young Johnny Depp – He dies in a extremely bloody scene.
Both series are great. Sure, not each movie of each series is great (hell, some are just downright bad), but as a whole, each are important to the horror genre – changing the entire genre in their own ways.I have to say I prefer the Friday the 13th series over the Nightmare series for one main reason: Remember when I said that Jason was mostly mindless and Freddie had a mind? Well Freddie’s mind, while working, is a silly mind. His taunts are silly and his puns are worse. With Jason, he’s just going to kill you – he’s not going to make some dumb, silly pun or taunt you in a ridiculous manner. He’s just going to keep coming until he gets you. Still – I like both series and say that if you are a fan of horror then you should watch both series. If you don’t then I argue that you really can’t consider yourself a connoisseur of the genre.
What’s your view on the two series?